Baby Coyote And The Old Woman

Told in both Spanish and English, this story tells of a young coyote who teaches an old woman to recycle when her trash heap begins to clutter his desert.

When the little old lady's trash blows away into the desert, the little coyote returns it to her doorstep. She realizes that she can recycle the trash.Cuando el viento lleva la basura de la viejita al desierto, el coyotito la devuelva a s.

Realizing that he has come to the end of his days, Old Coyote recalls many of the good things about his life.

The Oval Portrait was originally published as El retrato ovalado (Ediciones Union, Havana, Cuba, 2015). Editor Soleida Ríos set a difficult task for herself and nearly three dozen other Cuban women writers, artists, and thinkers. She asked each to "choose a mask. With it she spins her story so that her own image appears in the story as well as the connection (always mysterious) and the symbol with which she has chosen to represent herself." The result, beyond being a postmodernist tour de force, was "a perfect vehicle for introspection." As Ríos herself puts it: "The game requires us to go deep.... Shall we say: Rather than a portrait, construct a mirror, through which you may touch the difficult and shared places. And then, at the end, ask yourself the question: Which are your favorite lies?" By way of example, Jamila Medina Ríos writes in her piece: "I know (I have learned it well) the fate of my grandmother and her aunts, the fate of Maria and my mother, the blossoms of mythical women and women poets, of female warriors, of weak women and of the famous. My head shaved so as not to intimidate her with my abundant hair." The Oval Portrait has been exquisitely translated into English by Margaret Randall. As she writes: "In an era of special interest media and superficial travelogues, I believe The Oval Portrait offers readers a uniquely profound glimpse of the Cuban psyche."

San Antonio poet laureate Carmen Tafolla captures her hometown—the city of her ancestors for the past three centuries—in poems that celebrate its history as a cosmopolitan multilingual cultural crossroads. Discover San Antonio's corazón in Tafolla's poetry, accompanied by historic and contemporary photographs that convey its enduring sense of place. A century ago, San Antonio gave Oscar Wilde "a thrill of strange pleasure." J. Frank Dobie claimed that "every Texan has two hometowns—his own and San Antonio," and Will Rogers declared it to be "one of the three unique cities of America." To Larry McMurtry, "San Antonio has kept an ambiance that all the rest of our cities lack." Carmen Tafolla calls forth the soul of this place—the holy home of the waters, called Yanaguana by los indios—and celebrates the many cultures that have made of it "un rebozo bordado de culturas y colores."

A collection of short stories set in the Southwest.

DIV27 fictionalized essays by noted anthropologists examine religion, customs, government, additional facets of life among the Winnebago, Crow, Zuni, Eskimo, other tribes. /div

This classic study, first published in 1922, presents the writings of A. L. Kroeber, Robert H. Lowie, Clark Wissler, Paul Radin, Truman Michelson, and other prominent anthropologists. The distinguished career of Elsie Clews Parsons and its debt to Franz Boas are considered by Joan Mark in an introduction that also explores the message behind the twenty-seven stories in American Indian Life.