Ayat Ayat Cinta 2

In Indonesian Cinema after the New Order: Going Mainstream, Thomas Barker presents the first systematic and most comprehensive history of contemporary Indonesian cinema. The book focuses on a 20-year period of great upheaval from modest, indie beginnings, through mainstream appeal, to international recognition. More than a simple narrative, Barker contributes to cultural studies and sociological research by defining the three stages of an industry moving from state administration; through needing to succeed in local pop culture, specifically succeeding with Indonesian youth, to remain financially viable; until it finally realizes international recognition as an art form. This “going mainstream” paradigm reaches far beyond film history and forms a methodology for understanding the market in which all cultural industries operate, where the citizen-consumer (not the state) becomes sovereign. Indonesia presents a particularly interesting case because “going mainstream” has increasingly meant catering to the demands of new Islamic piety movements. It has also meant working with a new Ministry of Tourism and Creative Economy, established in 2011. Rather than a simplified creative world many hoped for, Indonesian filmmaking now navigates a new complex of challenges different to those faced before 1998. Barker sees this industry as a microcosm of the entire country: democratic yet burdened by authoritarian legacies, creative yet culturally contested, international yet domestically shaped. “This is a significant piece of scholarly contribution informed by an extensive range of interviews with industry insiders. This volume is particularly welcome given the dearth of English-language publications on Indonesian cinema in the last two decades. I have no doubt that the book will be extensively used in any future work on national cinema, not just in Indonesia, but Southeast Asia more widely.” —Krishna Sen, University of Western Australia “Indonesian Cinema after the New Order is a marvelously entertaining and important contribution to the study of Indonesian cinema, youth culture, and media worlds in a global context. In fact, I would consider it the best book I have seen on the subject of the Indonesian film industry.” —Mary Steedly, Harvard University

Furthermore, in this book, discourse analysis is treated as a rigorous way in texts that are organised as a series of overviews of the research topics such as narrative media discourse, gender and discourse, and institutional discourse throughout the social sciences. As seen in the book, the writers set out to answer many kinds of questions about language and about culture and society. It is performed by paying systematic attention to particular contexts and particular sets of utterances. This will help alleviate a problem in teaching discourse analysis that of ending up with the students who are unable to perform analyses going much beyond paraphrasing.

THIS BOOK examines a selection of fictional works by writers belonging to the Indonesian association of writers, Forum Lingkar Pena (Pen Circle Forum; hereafter referred to as FLP). Figures from 2010 suggest that this organisation had around 5,000 members across 93 Indonesian branches and ten overseas branches. Writers recruited and trained by FLP have produced approximately nine hundred published works. Their works are often categorised as Islamic or religious literature (sastra religi). This label-ling of FLP’s literary output as Islamic literature has arisen principally be-cause of the publicly expressed aims and beliefs of key FLP figures which include such notions as sastra dakwah (literature for religious propaga-tion). In order to contextualise the emergence of FLP in the final years of the twentieth century and to locate this organisation within wider Indo-nesian literary developments, it is necessary to take account of cultural debates that came to the fore with the profound social and political changes which accompanied the end of the New Order regime in 1998.

As an annual event, International Conference on Language, Literature, and Education in Digital Era (ICLLE) 2019 continued the agenda to bring together researcher, academics, experts and professionals in examining selected theme by language, literature and education in digital era. In 2019, this event held in 19-20 July 2019 at Padang, Indonesia. The conference from any kind of stakeholders related with Language and literature especially in education. Each contributed paper was refereed before being accepted for publication. The double-blind peer reviewed was used in the paper selection.

The Muslim-majority nations of Malaysia and Indonesia are known for their extraordinary arts and Islamic revival movements. This collection provides an extensive view of dance, music, television series, and film in rural, urban, and mass-mediated contexts and how pious Islamic discourses are encoded and embodied in these public cultural forms.

This is an open access book. Welcome to the International Joint Conference on Arts and Humanities 2023 held by State University of Surabaya.This joint conference features four international conferences: the International Conference on Education Innovation (ICEI) 2023, the International Conference on Cultural Studies and Applied Linguistics (ICCSAL) 2023, the International Conference on Research and Academic Community Services (ICRACOS) 2023, and the International Conference of SocialScience and Law (ICSSL) 2023 .It encourages dissemination of ideas in arts and humanity and provides a forum for intellectuals from all over the world to discuss and present their research findings on the research area. This conference was held in Surabaya, East Java, Indonesia on August 26th, 2023 - September 10th, 2023

Islam is a religion but there are also popular cultures of Islam that are mass mediated, commercialized, pleasure-filled, humorous, and representative of large segments of society. This book illuminates how Muslims (and non-Muslims) in Indonesia and Malaysia make sense of their lives within an increasingly pervasive, popular culture of Islamic images, texts, film, songs, and narratives.

"Dahlah gemuk macam gajah, garang pulak macam singa! Patut tak payah pergi sekolah, duduk saja dalam hutan!" Zairul Hasmat memang meluat dengan Ainnur Azleen. Walaupun mereka berdua sekelas, tetapi tidak pernah sebulu. Ada saja sikap Ainnur yang menjengkelkan hatinya. Di sekolah, Zairul "prince charming" sedangkan Ainnur si Ugly Betty. Beza mereka macam langit dengan bumi! Disebabkan badan saiz XXL, Ainnur hanya mampu memuja Zairul dalam diam. Zairul pula memang seronok menyakat. Tidak sudah-sudah mengejek Ainnur menyebabkan Ainnur berasa hati lalu nekad bertukar sekolah. Setelah bertahun lamanya masa berlalu.... Ainnur bertemu semula dengan Zairul di dalam sebuah syarikat. Dia menjadi ketua di bahagian itu manakala Zairul hanyalah sebagai budak penghantar surat. Zairul tidak tahu bahawa gadis cantik yang menjadi bosnya itu adalah Ainnur Azleen yang pernah dikutuk dan dicaci suatu waktu dulu. Pertama kali berjumpa, dia terus jatuh cinta! Sanggup berkorban jiwa dan raga. Aha, Ainnur mendapat idea! Inilah masanya untuk dia membalas dendam lama.