Augustine And The Making Of A Christian Literature

This study examines the relationship between pre-Christian and Augustinian aesthetics as it emerges in four of Augustine's major works: De Musica, Confessions, De Doctrina Christiana, and De Civitate Dei. It places these treatises against the historical circumstances in which each was written, and notes their unusual propositions against which the development of early Christian literary theory can be understood. The text considers at length how Augustine modifies secular aesthetics to satisfy the needs of the emerging Church, the role of truth and its relation to literary invention, the place of the self and its relation to community, and the evolution of early secular allegory.

Augustine is widely considered to be one of the most influential theologians of all time and stands as a giant among giants in the history of the Christian faith. However, while many Christians are familiar with the broad strokes of his theology, few readers today have explored the riches of his spiritual life. In this addition to Crossway’s growing Theologians on the Christian Life series, renowned scholar Gerald Bray seeks to show us that Augustine is just as relevant today as it was in AD 430. Focusing on the North African pastor’s personal transformation and dependence on the the Word of God, Bray gives us a picture of this ancient hero of the faith that can sharpen and encourage modern believers. Part of the Theologians on the Christian Life series.

From Pulitzer Prize–winner Garry Wills, the story of Augustine’s Confessions In this brief and incisive book, Pulitzer Prize-winning historian Garry Wills tells the story of the Confessions--what motivated Augustine to dictate it, how it asks to be read, and the many ways it has been misread in the one-and-a-half millennia since it was composed. Following Wills's biography of Augustine and his translation of the Confessions, this is an unparalleled introduction to one of the most important books in the Christian and Western traditions. Understandably fascinated by the story of Augustine's life, modern readers have largely succumbed to the temptation to read the Confessions as autobiography. But, Wills argues, this is a mistake. The book is not autobiography but rather a long prayer, suffused with the language of Scripture and addressed to God, not man. Augustine tells the story of his life not for its own significance but in order to discern how, as a drama of sin and salvation leading to God, it fits into sacred history. "We have to read Augustine as we do Dante," Wills writes, "alert to rich layer upon layer of Scriptural and theological symbolism." Wills also addresses the long afterlife of the book, from controversy in its own time and relative neglect during the Middle Ages to a renewed prominence beginning in the fourteenth century and persisting to today, when the Confessions has become an object of interest not just for Christians but also historians, philosophers, psychiatrists, and literary critics. With unmatched clarity and skill, Wills strips away the centuries of misunderstanding that have accumulated around Augustine's spiritual classic.

The influence of Christianity on literature has been great throughout history, as has been the influence of the great Christian, Augustine. Augustine and Literature considers the influence of Augustine on the theory and practice of an academic discipline of which he himself was not a practitioner-literature, especially poetry and fiction. The essays in this volume explore the many influences of Augustine on literature, most obviously in terms of themes and symbols, but also more pervasively perhaps in proving that literature strives for meaning through and beyond the fictional or metaphorical surface. The authors discussed in these essays, from Dante and Milton to O'Connor and Faulkner, all demonstrate a common concern that literature must be attentive to the highest things and the deepest journeys of the soul. Together these essays offer a compelling argument that literature and Augustine do belong together in the common task of guiding the soul toward the truth it desires.

From Pulitzer Prize–winner Garry Wills, the story of Augustine’s Confessions In this brief and incisive book, Pulitzer Prize-winning historian Garry Wills tells the story of the Confessions--what motivated Augustine to dictate it, how it asks to be read, and the many ways it has been misread in the one-and-a-half millennia since it was composed. Following Wills's biography of Augustine and his translation of the Confessions, this is an unparalleled introduction to one of the most important books in the Christian and Western traditions. Understandably fascinated by the story of Augustine's life, modern readers have largely succumbed to the temptation to read the Confessions as autobiography. But, Wills argues, this is a mistake. The book is not autobiography but rather a long prayer, suffused with the language of Scripture and addressed to God, not man. Augustine tells the story of his life not for its own significance but in order to discern how, as a drama of sin and salvation leading to God, it fits into sacred history. "We have to read Augustine as we do Dante," Wills writes, "alert to rich layer upon layer of Scriptural and theological symbolism." Wills also addresses the long afterlife of the book, from controversy in its own time and relative neglect during the Middle Ages to a renewed prominence beginning in the fourteenth century and persisting to today, when the Confessions has become an object of interest not just for Christians but also historians, philosophers, psychiatrists, and literary critics. With unmatched clarity and skill, Wills strips away the centuries of misunderstanding that have accumulated around Augustine's spiritual classic.

Most theology students realize Augustine is tremendously influential on the Christian tradition as a whole, but they generally lack real knowledge of his writings. This volume introduces Augustine's theology through seven of his most important works. Matthew Levering begins with a discussion of Augustine's life and times and then provides a full survey of the argument of each work with bibliographical references for those who wish to go further. Written in clear, accessible language, this book offers an essential introduction to major works of Augustine that all students of theology--and their professors!--need to know.

This book introduces Augustine of Hippo and his influence on Christian theology. Part One works through all thirteen books of the Confessions, introducing the life and thought of the bishop of Hippo with commentary on frequent but brief quotations. The Confessions reveal Augustine’s major doctrinal concerns, some of them explicitly and thoroughly (such as the Manichees, Platonists, scripture), others implicitly (monasticism, Donatism, ministry), and some in passing (Trinity) or as a preview (Pelagians). Part Two sketches the medieval reception of the Augustinian theological legacy, not chronologically but topically, in the order of the concerns in the Confessions, such as original sin, St. Monica, medieval Manichees, monastic communities, new Donatists, Neo-Platonism, the introspective soul, symbolic scripture, the Trinity, and above all the recurring Pelagian controversies over free will and grace, election and predestination, that continued into the Reformation.

Augustine’s Confessions is probably the most commented upon text of early Christianity. Yet, there is a general consensus that this justly famous work is neither well composed nor structurally unified. “You Made Us for Yourself” aims to challenge this common notion by approaching the Confessions in light of what Augustine himself would have considered most fundamental: creation, understood in a broad sense. Creation, for Augustine, is an epiphany, a light that reveals who God is and who human beings are. It is not merely one doctrine or theme among others, but is the foundational context which illumines all doctrines and all themes. Moreover, creation, for Augustine, is dynamically ordered toward the church, toward the deified destiny the body of Christ both is and brings about. Thus, the Confessions itself can be understood as Augustine’s prayer of praise in thanksgiving for the unmerited gift of creation (and re-creation). It is his self-gift back to God—a kind of eucharistic offering intended to take up and bring about the same in his readers. Augustine’s rich understanding of creation, then, can account for the often despaired of meaning, structure, and unity of the Confessions.

Augustine and the Cure of Souls situates Augustine within the ancient philosophical tradition of using words to order emotions. Paul Kolbet uncovers a profound continuity in Augustine’s thought, from his earliest pre-baptismal writings to his final acts as bishop, revealing a man deeply indebted to the Roman past and yet distinctly Christian. Rather than supplanting his classical learning, Augustine’s Christianity reinvigorated precisely those elements of Roman wisdom that he believed were slipping into decadence. In particular, Kolbet addresses the manner in which Augustine not only used classical rhetorical theory to express his theological vision, but also infused it with theological content. This book offers a fresh reading of Augustine’s writings—particularly his numerous, though often neglected, sermons—and provides an accessible point of entry into the great North African bishop’s life and thought.

Confessions is an autobiographical work by Saint Augustine of Hippo, consisting of 13 books written in Latin between AD 397 and 400. The work outlines Saint Augustine's sinful youth and his conversion to Christianity. The work provides an unbroken record of Saint Augustine's development of thought and is the most complete record of any single person from the 4th and 5th centuries. It is a significant theological work, featuring spiritual meditations and insights. In the work, Augustine writes about how he regrets having led a sinful and immoral life. He discusses his regrets for following the Manichaean religion and believing in astrology. He writes about his friend Nebridius's role in helping to persuade him that astrology was not only incorrect but evil, and Saint Ambrose's role in his conversion to Christianity. The first nine books are autobiographical and the last four are commentary and significantly more philosophical. He shows intense sorrow for his sexual sins and writes on the importance of sexual morality. The books were written as prayers to God, thus the title, based on the Psalms of David. The work is thought to be divisible into books which symbolize various aspects of the Trinity and trinitarian belief. Confessions is generally considered one of Augustine's most important texts. It is widely seen as the first Western Christian autobiography ever written, and was an influential model for Christian writers throughout the Middle Ages.