Augury

Roman Republican Augury: Freedom and Control proposes a new way of understanding augury, a form of Roman state divination designed to consult the god Jupiter. Previous scholarly studies of augury have tended to focus either upon its legal-constitutional aspects (especially its place in defining, structuring, and circumscribing the precise constitutional powers of magistrates), or upon its role in maintaining and perpetuating Roman social and political structures (primarily as a tool of the elite). This volume makes a new and original contribution to the study of Roman religion, theology, politics, and cultural history by challenging the prevailing view that official divination was organized to produce only the results its users wanted, and focusing instead upon what it can tell us about how the Romans understood their relationship with their gods. Rather than supposing that augury, like other forms of Roman public divination, told Romans what they wanted to hear, it argues that augury in both theory and practice left space for perceived expressions of divine will which contradicted human wishes, and that its rules and precepts did not allow human beings simply to create or ignore signs at will. Analysis of the historical evidence for Romans receiving, and heeding, signs which would seem to have conflicted with their own desires allows the Jupiter whom they approached in augury to emerge as not simply a source of power to be tapped and channelled to human ends, but as a person with his own interests and desires, which did not always overlap with those of his human enquirers. When human and divine will clashed, it was the will of Jupiter, not that of the man consulting him, which was supposed to prevail. In theory as in practice, it was the Romans, not their supreme god, who were 'bound' by the auguries and auspices.

From award-winning poet and author of Crow-Work, a collection exploring the presence of the divine in the seemingly ordinary. The ancient Romans practiced augury, reading omens in bird’s flight patterns. In the poems of Augury, revelation is found in nature’s smallest details: a lizard’s quick movements, a tree scarred by lighting, the white curve of a snail’s shell. Here the sensory world and the imagined one collide in unexpected and wonderful ways, as Pankey scrutinizes the physical for meaning, and that meaning for truth. With uncommon grace, each of Pankey’s precise lyrics advances our shared ontological questions and expresses our deepest contradictions. In a world of mystery, should we focus on finding meaning or creating it? How can the known—and the unknown— be captured in language? Augury is a masterful and magical collection from a poet of stirring intelligence, “a book of stones unstitched from the wolf’s belly.” Praise for Augury “A darkly luminous book by a poet at the height of his considerable poetic power.” —Kathy Fagan, author of Moving & St. Rage “This is a book I will keep close at hand, alongside the best work of Montale, Dickinson, Celan, and Stevens. This is a book one will turn to again and again.” —Rebecca Dunham, author of Cold Pastoral “Each ethereal image he weaves into his work is delicately curated, whittled down through his attention to sound. . . . Pankey’s poems destabilize as they straddle time and place, and he looks askance at the narrow way in which language is often viewed.” —Publishers Weekly

"The debut poetry collection from writer and musician Cameron McGill"--

t'ai freedom ford's second collection of poems is direct, ingenious, vibrant, alive, queer, and BLACK. & more black won the Lambda Literary Award in Lesbian Poetry in 2020 and was a finalist for the Kingsley Tufts Poetry Award.

We defy augury. There's a special providence in the fall of a sparrow. If it be now, 'tis not to come ... the readiness is all. Under the sign of Hamlet's last act, Hélène Cixous, in her eightieth year, launched her new book--and the latest chapter in her Human Comedy, her Search for Lost Time. Surely one of the most delightful, in its exposure of the seams of her extraordinary craft, We Defy Augury finds the reader among familiar faces. In these pages we encounter Eve, the indomitable mother; Jacques Derrida, the faithful friend; children, neighbors; and always the literary forebears: Montaigne, Diderot, Proust, and, in one moving passage, Erich Maria Remarque. We Defy Augury moves easily from Cixous's Algerian childhood, to Bacharach in the Rhineland, to, eerily, the Windows on the World restaurant atop the World Trade Center, in the year 2000. In one of the most astonishing passages in this tour-de-force performance of the art of digression, Cixous proclaims: "My books are free in their movements and in their choice of routes [...] They are the product of many makers, dreamed, dictated, cobbled together." This unique experience, which could only have come from the pen of Cixous, is now available in English, and readers are sure to delight in this latest work by one of France's most celebrated writer-philosophers.

A new death for the old world, winds of industrial change that gust across green hills and dales, machines and callous hearts that dig deep into the ecosystems of Earth as trees crash upon the shrinking forest floors and ecological devastation is visited upon the land. This is the darkest hour of Middle-earth as presented in J.R.R. Tolkien's The Lord of the Rings - how curiously all of this resembles our reality, and the environmental crisis that threatens the modern world... This new study, in a clear and engaging tone, explores and unfolds the environmental dimension of Tolkien's work and worldview, not only in terms of the themes observable in his masterwork The Lord of the Rings, but also across his wider fiction, essays and private papers. With discerning recourse to the work of leading ecologists and eco-thinkers, this book argues that Tolkien - in his unfolding narratives of machine against nature, where regimes of power ruthlessly move against the land - holds up a mirror to the ecological crisis of the primary world and offers a vivid depiction of (and thus a warning against) where the reckless abandonment of concern for the green face of the planet may lead. Tolkien, Campbell argues, by virtue of his consistent adherence to such striking and compelling environmental themes, was a visionary defender of nature who, before the emergence of any organised Green Movement, may have anticipated the scale of the environmental emergency that was yet to dawn. In the exploration of Tolkien's green themes and the critical analysis of his tales of Middle-earth and wider fiction, Campbell re-evaluates Tolkien as a contemporary writer, and offers new insights into Tolkien's work and new perspectives on the literature of the fantastic.

A 12-year-old boy, mourning the death of his mother, takes refuge in the myths and fairytales she always loved--and finds that his reality and a fantasy world start to meld.

This book is superb. Full of the knowledge that every self-respecting Pagan and Occultist needs to know. You are strongly advised to buy this book. Highly recommended. Touchstone Examines in detail the interpretation of birds as auguries & omens, the mythology of birds (Roman, Greek, Celtic & Teutonic), the folklore & weather lore associated with them, their use in heraldry & falconry & their appearances in folk songs & poetry. The book explores these areas in a general way, then goes into specific details of individual birds from the albatross to the yellowhammer, including exotic & even mythical birds.

Roman Republican Augury: Freedom and Control proposes a new way of understanding augury, a form of Roman state divination designed to consult the god Jupiter. Previous scholarly studies of augury have tended to focus either upon its legal-constitutional aspects (especially its place in defining, structuring, and circumscribing the precise constitutional powers of magistrates), or upon its role in maintaining and perpetuating Roman social and political structures (primarily as a tool of the elite). This volume makes a new and original contribution to the study of Roman religion, theology, politics, and cultural history by challenging the prevailing view that official divination was organized to produce only the results its users wanted, and focusing instead upon what it can tell us about how the Romans understood their relationship with their gods. Rather than supposing that augury, like other forms of Roman public divination, told Romans what they wanted to hear, it argues that augury in both theory and practice left space for perceived expressions of divine will which contradicted human wishes, and that its rules and precepts did not allow human beings simply to create or ignore signs at will. Analysis of the historical evidence for Romans receiving, and heeding, signs which would seem to have conflicted with their own desires allows the Jupiter whom they approached in augury to emerge as not simply a source of power to be tapped and channelled to human ends, but as a person with his own interests and desires, which did not always overlap with those of his human enquirers. When human and divine will clashed, it was the will of Jupiter, not that of the man consulting him, which was supposed to prevail. In theory as in practice, it was the Romans, not their supreme god, who were 'bound' by the auguries and auspices.

Award-winning artist Whelan has illustrated the work of almost every major author in speculative fiction. Here are featured all the artist's major recent paintings, as well as a series of 25 never-before-seen works produced especially for this book. Over 100 full-color reproductions.