Aspects of the Jewish Question

Aspects of the Jewish Question
Author: Laurie Magnus
Publisher:
Total Pages: 122
Release: 1902
Genre: Antisemitism
ISBN:


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ASPECTS OF THE JEWISH QUESTION

ASPECTS OF THE JEWISH QUESTION
Author: CARL. JOUBERT
Publisher:
Total Pages: 0
Release: 2018
Genre:
ISBN: 9781033349588


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Survival Or Extinction

Survival Or Extinction
Author: Elisha M. Friedman
Publisher:
Total Pages: 312
Release: 1924
Genre: Jews
ISBN:


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On The Jewish Question

On The Jewish Question
Author: Karl Marx
Publisher: No Pledge Publishing
Total Pages: 194
Release:
Genre: Political Science
ISBN:


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“On The Jewish Question” (OTJQ) was written by Karl Marx and exposes his anti-Semitism. The complete work is here in its entirety for your analysis. It was an inspiration to Adolf Hitler. OTJQ and other work (e.g. the term “Aryan” used by Marx repeatedly in his “Ethnological Notebooks”) were the same ideas that motivated Hitler to gain power in Germany. Top mind-blowing discoveries of the 21st Century were revealed by Marx and his OTJQ (thanks to the academic critique of Professor Rex Curry). Many revelations came to light years after Marx’s death. Some are enumerated in the following paragraphs. For example, the following facts (with credit to Dr. Curry) will be news to most readers: 1. Marx’s anti-Semitism (and his Christian background) inspired Hitler’s anti-Semitism and Hitler’s use of Christian cross symbolism including the SWASTIKA (the Hakenkreuz or “hooked cross”); Iron Cross; Balkenkreuz; Krückenkreuz; and the common Christian cross. The symbols signified commonality with Marx’s opposition to Judaism, and they promoted Christianity as the “alternative” thereto. The Swastika was also used to represent “S” letter shapes for “SOCIALISM” (Marx’s underlying dogma). 2. NEW SWASTIKA DISCOVERY: Hitler’s symbol is the reason why Hitler renamed his political party from DAP to NSDAP - "National Socialist German Workers Party" - because he needed the word "Socialist" in his party's name so that Hitler could use swastikas as "S"-letter shaped logos for "SOCIALIST" as the party's emblem. The party's name had to fit in Hitler's socialist branding campaign that used the swastika and many other similar alphabetical symbols, including the “NSV" and "SA” and “SS” and “VW” etc. 3. NEW LENIN’S SWASTIKA REVELATION: Vladimir Lenin’s swastika is exposed herein. The impact of Lenin’s swastikas was reinforced at that time with additional swastikas on ruble money (paper currency) under Soviet socialism. The swastika became a symbol of socialism under Lenin. It’s influence upon Adolf Hitler is explained in this book. Lenin’s Christian background was similar to Marx’s. Marx’s anti-Semitism (and his religious upbringing) inspired Lenin’s anti-Semitism and the use of the SWASTIKA as Christian cross symbolism after 1917. The swastika symbol signified commonality with Marx’s opposition to Judaism. Judaism was banned by Soviet socialists. Under Lenin, the Russian Orthodox Church remained powerful (then Stalin became tyrant in 1922). The Swastika was also used to represent “S” letter shapes for “SOCIALISM” (Marx’s underlying dogma). 4. Marx, Hitler and their supporters self-identified as “socialists” by the very word in voluminous speeches and writings. The term "Socialist" appears throughout Mein Kampf as a self-description by Hitler. (Marx also used the term “Communist”). 5. Hitler was heavily influenced by Marx. Many socialists in the USA were also shaped by Marx. Two famous American socialists (the cousins Edward Bellamy and Francis Bellamy) were heavily influenced by Marx. The American socialists returned the favor: Francis Bellamy created the “Pledge of Allegiance to the Flag” that produced Nazi salutes and Nazi behavior. The Bellamy cousins were American national socialists. 6. Hitler never called himself a "Nazi." There was no “Nazi Germany.” There was no “Nazi Party.” 7. Hitler never called himself a “Fascist.” Modern socialists use “Nazi” and “Fascist” to hide how Hitler and his comrades self-identified: SOCIALIST. 9. The term “Nazi” isn’t in "Mein Kampf" nor in "Triumph of the Will." 10. The term “Fascist” never appears in Mein Kampf as a self-description by Hitler. 11. The term “swastika” never appears in the original Mein Kampf. 12. There is no evidence that Hitler ever used the word “swastika.” 13. The symbol that Hitler did use was intended to represent “S”-letter shapes for “socialist.” 14. Hitler altered his own signature to show his “S-shapes for socialism” logo branding.

Hitler, Germans, and the "Jewish Question"

Hitler, Germans, and the
Author: Sarah Ann Gordon
Publisher: Princeton University Press
Total Pages: 434
Release: 1984-03-21
Genre: Biography & Autobiography
ISBN: 9780691101620


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Errata slip inserted. Includes index. Bibliography: p. 389-405.

The Scientification of the "Jewish Question" in Nazi Germany

The Scientification of the
Author: Horst Junginger
Publisher: BRILL
Total Pages: 468
Release: 2017-03-20
Genre: Religion
ISBN: 9004341889


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The Scientification of the "Jewish Question" in Nazi Germany describes the attempt of a considerable number of German scholars to counter the vanishing influence of religious prejudices against the Jews with a new antisemitic rationale. As anti-Jewish stereotypes of an old-fashioned soteriological kind had become dysfunctional under the pressure of secularization, a new, more objective explanation was needed to justify the age-old danger of Judaism in the present. In the 1930s a new research field called “Judenforschung” (Jew research) emerged. Its leading figures amalgamated racial and religious features to verify the existence of an everlasting “Jewish problem”. Along with that they offered scholarly concepts for its solution.

Survival Or Extinction

Survival Or Extinction
Author: Elisha Michael Friedman
Publisher:
Total Pages: 0
Release: 1924
Genre: Jews
ISBN:


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Queer Theory and the Jewish Question

Queer Theory and the Jewish Question
Author: Daniel Boyarin
Publisher: Columbia University Press
Total Pages: 431
Release: 2003-12-10
Genre: Literary Criticism
ISBN: 0231508956


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The essays in this volume boldly map the historically resonant intersections between Jewishness and queerness, between homophobia and anti-Semitism, and between queer theory and theorizations of Jewishness. With important essays by such well-known figures in queer and gender studies as Judith Butler, Daniel Boyarin, Marjorie Garber, Michael Moon, and Eve Sedgwick, this book is not so much interested in revealing—outing—"queer Jews" as it is in exploring the complex social arrangements and processes through which modern Jewish and homosexual identities emerged as traces of each other during the last two hundred years.