Art Of Translating Prose

This book by Burton Raffel, one of the greatest living translators of works of verbal art into English, presents for both the specialist and non-specialist the core strategies that he employs to translate a variety of important prose texts. In the process he delineates a coherent program or theory that can inform each act of translation. Raffel considers and effectively illustrates the fundamental features of prose, those features that most clearly and idiomatically define an author's style. He ties together theory and practice to establish sound standards for the valuation of prose translations, and he provides examples in considerations of versions of Madame Bovary, Germinal, and Death in Venice.

Performing Without a Stage is a lively and comprehensive introduction to the art of literary translation for readers of foreign fiction and poetry who wonder what it takes to translate, how the art of literary translation has changed over the centuries, what problems translators face in bringing foreign works into English and how they go about solving these problems. This book will also be of interest to translators, writers, editors, critics, and literature students, dealing as it does, often controversially, with such matters as the translator's fidelity to the author, the publishing and reviewing of translations, the nearly nonexistent public image of the stageless translator, and the value for writers and scholars of studying and practicing translation.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Jirí Levý's seminal work, The Art of Translation, considered a timeless classic in Translation Studies, is now available in English. Having drawn on adjacent disciplines, the methodology of Czech functional sociosemiotic structuralism and the state-of-the art in the West, Levý synthesized his findings and experience in the field presenting them in a reader-friendly book, which combines the approaches of a theoretician, systemic analyst, historian, critic, teacher, practitioner and populariser. Although focused on literary translation from theoretical, descriptive and historical perspectives, it presents a conceptualization of a general theory, addressing a number of issues discussed today. The 'practical' mission of the book as a theory extending to practice is based on the same historical-dialectic affinity of methods, norms, functions and values, accounting for the translator's agency and other contextual agents involved in the communication process. The book will be useful to translators, researchers, students and teachers in Translation and Literary Studies.

The cultural agenda of Philippe de Vigneulles, translator of the Lorraine epic cycle into Middle French prose. Over fifty chansons de geste were reworked into prose between the fourteenth and sixteenth centuries for patrons and audiences who demanded updated, de-rhymed versions of heroic songs. While most prose translations were commissioned by noble patrons, Philippe de Vigneulles (1471-1527), a cloth merchant of Metz, operated outside the system of patronage on self-imposed projects with a pronounced civic bias. His translation of the monumental Lorraine epic cycle into Middle French prose afforded him an opportunity to reconfigure the city's legendary past and validate the concerns of a prosperous merchant class. The craft of mise en prose is examined in the context of the author's larger cultural agenda as he weaves the epic legend into his civic, personal and aesthetic preoccupations. This perspective illuminates a previously neglected sphere of medieval literary production, revealing fundamental assumptions about the epic tradition and the power of prose in urban culture. CATHERINE M. JONES is Associate Professor of French and Provençal at the University of Georgia.

Excerpt from Exercises for Translation Into Latin Prose A number of the exercises, especially those on the Second Punic War, have already been used by the Latin instructors at Vassar College. To them also I owe the Synopsis of Latin Syntax. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

This volume on Transfiction (understood as an aestheticized imagination of translatorial action) recognizes the power of fiction as a vital and pulsating academic resource, and in doing so helps expand the breadth and depth of TS. The book covers a selection of peer-reviewed papers from the 1st International Conference on Fictional Translators and Interpreters in Literature and Film (held at the University of Vienna, Austria in 2011) and links literary and cinematic works of translation fiction to state-of-the-art translation theory and practice. It presents not just a mixed bag of cutting-edge views and perspectives, but great care has been taken to turn it into a well-rounded transficcionario with a fluid dialogue among its 22 chapters. Its investigation of translatorial action in the mirror of fiction (i.e. beyond the cognitive barrier of ‘fact’) and its multiple transdisciplinary trajectories make for thought-provoking readings in TS, comparative literature, as well as foreign language and literature courses.