Art And Poetry

"Originally published in 1986, Journey to Mount Tamalpais is at once a love letter and a deep study in prose and drawings of and to a mountain, a landscape, a geological presence, a place. With a career spanning decades, genres, and nations, Etel Adnan's contributions to the fields of poetry, painting, philosophy, and journalism are indelible. In Journey to Mount Tamalpais, her alchemical command of language is enhanced by the use of painting and drawing as exploratory tools to express that which lies beyond the reach of the written word. This volume remains one of her most beloved works and a stunning example of her marriage of the visual and literary arts. A prose essay written with the lyricism and precision of a master poet, Journey to Mount Tamalpais documents Adnan's encounter with the Mountain, as both its witness and its collaborator. This expanded second edition includes an afterword by Omar Berrada and nine new drawings by the author"--

Originally titled Frontières de la Poésie (1935), this book by Jacques Maritain, whose philosophical writings read as interestingly as a novel, will be welcomed by all who are seeking a better understanding of the art of our time. The book delves into Maritain’s thoughts on the nature and subjectivity of art and poetry. As a philosopher, Maritain attempts to define the two concepts, describing art and poetry as virtues, and as being primarily concerned with beauty. Rather than focus on aesthetic theory, Maritain examines the concepts at a more tangible level, including a discussion of how they are made. The principles established with such precision and brilliance in his earlier work, Art and Scholasticism, which has had such a deep influence on contemporary artists, are successfully put to the test in illuminating the creative works of such diverse artists as Georges Rouault, Marc Chagall, Gino Sevirini, and Arthur Lourie.

Poetry. Art. Women's Studies. FABULAS FEMINAE contains two dozen profiles of famous women in a collaborative book project created by Susan Bee and Johanna Drucker. These two distinguished artists have combined their talents to produce a work that is contemporary in tone, a minor monumental tribute to a diverse gallery of heroic women from across history. The text was composed using a natural language-processing technique that samples a large corpus and compresses it algorithmically, mirroring the sampling techniques of collage practice in the visual images. Strikingly designed, with bold blocks of text that echo the graphic features in the imagery, the result is a fresh, engaging, and informative poetic work of historical and critical expression. Some day, one imagines, Susan Bee and Johanna Drucker will themselves appear as featured figures in a book like this one. For now, their revised martyrology presents a catalogue of some two-dozen new saints whose colorful lives appear in equally colorful spreads of condensed shaped text and eccentrically dispersed images. With their networked fields of iconic, schematic semiotics, these collaborations are fables of historiography itself. The result, predictably, is fabulous.--Craig Dworkin An homage to 25 legendary women through the centuries--from Susan B. Anthony to Susan Sontag, from Lizzie Borden to Lucille Ball--FABULAS FEMINAE is also a necessary intervention. When a famous life is over, the wild biography is often shaped to fit a tame narrative structure; Drucker and Bee use collage and algorithmic language processing to disrupt that pattern and make these lives wild again.--Jena Osmon This book is a wonderful mixture of the scholarly, the feminist, the playful, and the girlish about fabulous women from his(her)story--queens, notorious assassins, novelists, sharp-shooters, divas, vanguard painters, suffragettes, comedic redheads, eccentric poets, visionary nuns, songstresses, saviors of their people by two fabulous feminists, artists and fabulists Susan Bee and Johanna Drucker. It will appeal to and inspire readers of all ages. Bee's rich, sprightly, dense collages and Drucker's sculptural text design are as interesting as art as the algorithmically dissociated but completely comprehensible and thrilling text.--Mira Schor

"This book presents an introduction to master screenprinter Lou Stovall by his son--part memoir, part history--that shows Lou Stovall's path as an artist while illuminating the golden age of art in DC in the 1960s and 1970s. It then presents a stunning series of prints and poems from his Of the Land series that showcase innovative screenprinting techniques. It finishes with an excerpt from Lou's autobiography, which gives readers a sense of his approach to art and life, which are intertwined. Stovall created The Workshop in 1968 as a small, active silkscreen workshop focused primarily on printing community posters. Under Stovall's leadership, Workshop, Inc. evolved into an internationally-respected printmaking facility and Stovall collaborated with Jacob Lawrence and Sam Gilliam, among others. His works are part of numerous collections, including the National Gallery of Art, Smithsonian Ameican Art Museum, and The Phillips Collection. Publication coincides with a Kreeger Museum exhibit and precedes a forthcoming exhibit at the University of Georgia (TBD)"--

Narrative Art and Poetry in the Books of Samuel is the vast undertaking to interpret all the material in Samuel. Everything that the text has to offer can only be understood and appreciated to the full, and its interpretation can only lay claim to full validity by means of an integral view. Therefore the author has developed a textual model which regards and covers the composition of the Samuel books as a hierarchy of twelve levels. The Hebrew text is the long section which inextricably interweaves the demise of king Saul and the rise of David into a subtle and complicated dialectic of election and rejection. The author’s model of the ‘semiotic scale’ enables him to chart the different levels of the textual hierarchy and exactly determine the weight and range of action of each formal fact within the whole.

Cover -- Title -- Copyright -- Contents -- PREFACE AND ACKNOWLEDGMENTS -- INTRODUCTION: TWOMBLY'S BOOKS -- 1 MEDITERRANEAN PASSAGES: RETROSPECT -- 2 PSYCHOGRAM AND PARNASSUS: HOW (NOT) TO READ A TWOMBLY -- 3 TWOMBLY'S VAGUENESS: THE POETICS OF ABSTRACTION -- 4 ACHILLES' HORSES, TWOMBLY'S WAR -- 5 ROMANTIC TWOMBLY -- 6 THE PASTORAL STAIN -- 7 PSYCHE: THE DOUBLE DOOR -- 8 TWOMBLY'S LAPSE -- POSTSCRIPT: WRITING IN LIGHT -- NOTES -- BIBLIOGRAPHY -- INDEX

In The Art of Poetry, Shira Wolosky provides a dazzling introduction to an art whose emphasis on verbal music, wordplay, and dodging the merely literal makes it at once the most beguiling and most challenging of literary forms. A uniquely comprehensive, step-by-step introduction to poetic form, The Art of Poetry moves progressively from smaller units such as the word, line, and image, to larger features such as verse forms and voice. In fourteen engaging, beautifully written chapters, Wolosky explores in depth how poetry does what it does while offering brilliant readings of some of the finest lyric poetry in the English and American traditions. Both readers new to poetry and poetry veterans will be moved and enlightened as Wolosky interprets work by William Shakespeare, John Donne, William Blake, William Wordsworth, Emily Dickinson, Robert Frost, Sylvia Plath, and others. The book includes a superb two-chapter discussion of the sonnet's form and history, and represents the first poetry guide to introduce gender as a basic element of analysis. In contrast to many existing guides, which focus on selected formal aspects like metrics or present definitions and examples in a handbook format, The Art of Poetry covers the full landscape of poetry's subtle art while showing readers how to comprehend a poetic text in all its dimensions. Other special features include Wolosky's consideration of historical background for the developments she discusses, and the way her book is designed to acquaint or reacquaint readers with the core of the lyric tradition in English. Lively, accessible, and original, The Art of Poetry will be a rich source of inspiration for students, general readers, and those who teach poetry.

A merging of poem and image offers poetry from such writers as Borges and Yeats, moving from portrayals of childhood to celebrations of age, juxtaposing these poems with artworks from the National Gallery, including paintings by Picasso and Chagall.

Poetry. Fiction. Hybrid Genre. Women's Studies. Art. "In Hannah Regel's brilliant collection, OLIVER REED, the figure of the horse becomes an object for language's brutality and the all too familiar subjugation of women's voices, bodies, and labour. An impressive hyperbolic pastiche of pleasurable misbehavior guides a girl named Sorry through her own undoing while naming new tools for calculated resistance. 'Kill the language. Kill it. Get the shovel. We're making a belt.' I would gladly do whatever she tells me to do and wouldn't think of doing otherwise. Regel creates a new order for the ecstatic wreckage of obedience."--Cassandra Troyan