Art And Architecture In Neolithic Orkney

This book offers a groundbreaking analysis of Neolithic art and architecture in Orkney, focussing upon the incredible collection of hundreds of decorated stones being revealed by the current excavations at the Ness of Brodgar.

The social processes involved in acquiring flint and stone in the Neolithic began to be considered over thirty years ago, promoting a more dynamic view of past extraction processes. Whether by quarrying, mining or surface retrieval, the geographic source locations of raw materials and their resultant archaeological sites have been approached from different methodological and theoretical perspectives. In recent years this has included the exploration of previously undiscovered sites, refined radiocarbon dating, comparative ethnographic analysis and novel analytical approaches to stone tool manufacture and provenancing. The aim of this volume in the Neolithic Studies Group Papers is to explore these new findings on extraction sites and their products. How did the acquisition of raw materials fit into other aspects of Neolithic life and social networks? How did these activities merge in creating material items that underpinned cosmology, status and identity? What are the geographic similarities, constraints and variables between the various raw materials, and how does the practise of stone extraction in the UK relate to wider extractive traditions in northwestern Europe? Eight papers address these questions and act as a useful overview of the current state of research on the topic.

Assembling Past Worlds draws on new materialism and the philosophy of Gilles Deleuze to explore the potential for a posthumanist archaeology. Through specific empirical study, this book provides a detailed analysis of Neolithic Britain, a critical moment in the emergence of new ways of living, as well as new relationships between materials, people and new forms of architecture. It achieves two things. First, it identifies the major challenges that archaeology faces in the light of current theoretical shifts. New ideas place new demands on how we write and think about the past, sometimes in ways that can seem contradictory. This volume identifies seven major challenges that have emerged and sets out why they matter, why archaeology needs to engage with them and how they can be dealt with through an innovative theoretical approach. Second, it explores how this approach meets these challenges through an in-depth study of Neolithic Britain. It provides an insightful diagnosis of the issues posed by current archaeological thought and is the first volume to apply the philosophy of Gilles Deleuze to the extended analysis of a single period. Assembling Past Worlds shows how new approaches are transforming our understandings of past worlds and, in so doing, how we can meet the challenges facing archaeology today. It will be of interest to both students and researchers in archaeological theory and the Neolithic of Europe.

Following its appearance, arguably in Orkney in the 32nd century cal BC, Grooved Ware soon became widespread across Britain and Ireland, seemingly replacing earlier pottery styles and being deposited in contexts as varied as simple pits, passage tombs, ceremonial timber circles and henge monuments. As a result, Grooved Ware lies at the heart of many ongoing debates concerning social and economic developments at the end of the 4th and during the first half of the 3rd millennia cal BC. Stemming from the 2022 Neolithic Studies Group autumn conference, and following on from Cleal and MacSween’s 1999 NSG volume on Grooved Ware, this book presents a series of papers from researchers specializing in Grooved Ware pottery and the British and Irish Neolithic, offering both regional and thematic perspectives on this important ceramic tradition. Chapters cover the development of Grooved Ware in Orkney as well as the timing and nature of its appearance, development, and subsequent demise in different regions of Britain and Ireland. In addition, thematic papers consider what Grooved Ware can contribute to understandings of inter-regional interactions during the earlier 3rd millennium cal BC, the possible meaning of Grooved Ware’s decorative motifs, and the thorny issue of the validity and significance of the various Grooved Ware sub-styles. The book will be of great value not only to archaeologists and students with a specific interest in Grooved Ware pottery but also to those with a more general interest in the development of the Neolithic of Britain and Ireland.

Does a photograph freeze a moment of time? What does it mean to treat a photographic image as an artefact? In the visual culture of the 21st century, do new digital and social forms change the status of photography as archival or objective – or are they revealing something more fundamental about photography’s longstanding relationships with time and knowledge?Archaeology and Photography imagines a new kind of Visual Archaeology that tackles these questions. The book reassesses the central place of Photography as an archaeological method, and re-wires our cross-disciplinary conceptions of time, objectivity and archives, from the History of Art to the History of Science.Through twelve new wide-ranging and challenging studies from an emerging generation of archaeological thinkers, Archaeology and Photography introduces new approaches to historical photographs in museums and to contemporaryphotographic practice in the field. The book re-frames the relationship between Photography and Archaeology, past and present, as more than a metaphor or an analogy – but a shared vision.Archaeology and Photography calls for a change in how we think about photography and time. It argues that new archaeological accounts of duration and presence can replace older conceptions of the photograph as a snapshot orremnant received in the present. The book challenges us to imagine Photography, like Archaeology, not as a representation of the past and the reception of traces in the present but as an ongoing transformation of objectivity and archive.Archaeology and Photography will prove indispensable to students, researchers and practitioners in History, Photography, Art, Archaeology, Anthropology, Science and Technology Studies and Museum and Heritage Studies.

This study is the culmination of seven years research into the Carved Stone Balls of Late Neolithic Scotland. It is the first study of these enigmatic artefacts since that undertaken by Dorothy Marshall in 1977 and includes all currently known examples in both museums and private hands, described and analysed in considerable detail.

Bronze Age Worlds brings a new way of thinking about kinship to the task of explaining the formation of social life in Bronze Age Britain and Ireland. Britain and Ireland’s diverse landscapes and societies experienced varied and profound transformations during the twenty-fifth to eighth centuries BC. People’s lives were shaped by migrations, changing beliefs about death, making and thinking with metals, and living in houses and field systems. This book offers accounts of how these processes emerged from social life, from events, places and landscapes, informed by a novel theory of kinship. Kinship was a rich and inventive sphere of culture that incorporated biological relations but was not determined by them. Kinship formed personhood and collective belonging, and associated people with nonhuman beings, things and places. The differences in kinship and kinwork across Ireland and Britain brought textures to social life and the formation of Bronze Age worlds. Bronze Age Worlds offers new perspectives to archaeologists and anthropologists interested in the place of kinship in Bronze Age societies and cultural development.

These papers highlight recent archaeological work in Northern England, in the commercial, academic and community archaeology sectors, which have fundamentally changed our perspective on the Neolithic of the area. Much of this was new work (and much is still not published) has been overlooked in the national discourse. The papers cover a wide geographical area, from Lancashire north into the Scottish Lowlands, recognising the irrelevance of the England/Scotland Border. They also take abroad chronological sweep, from the Mesolithic/Neolithic transition to the introduction of Beakers into the area. The key themes are: the nature of transition; the need for a much-improved chronological framework; regional variation linked to landscape character; links within northern England and with distant places; the implications of new dating for our understanding ‘the axe trade; the changing nature of settlement and agriculture; the character early Neolithic enclosures; the need to integrate rock art into wider discourse.

Stan Beckensall is renowned for his work, done on an entirely amateur basis, discovering, recording and interpreting Atlantic rock art in his home county of Northumberland and beyond. Presented on his 90th birthday, this diverse and stimulating collection of papers celebrates his crucial contribution to rock art studies, and looks to the future.

Highlights the achievements of prehistoric people in Britain and Ireland over a 5,000 year period.