Arms And The Woman

Although the themes of women's complicity in and resistance to war have been part of literature from early times, they have not been fully integrated into conventional conceptions of the war narrative. Combining feminist literary criticism with the emergi

“[A] powerful account of the sexism cooked into medical care ... will motivate readers to advocate for themselves.”—Publishers Weekly STARRED Review A groundbreaking and feminist work of investigative reporting: Explains why women experience healthcare differently than men Shares the author’s journey of fighting for an endometriosis diagnosis In Pain and Prejudice, acclaimed investigative reporter Gabrielle Jackson takes readers behind the scenes of doctor’s offices, pharmaceutical companies, and research labs to show that—at nearly every level of healthcare—men’s health claims are treated as default, whereas women’s are often viewed as a-typical, exaggerated, and even completely fabricated. The impacts of this bias? Women are losing time, money, and their lives trying to navigate a healthcare system designed for men. Almost all medical research today is performed on men or male mice, making most treatments tailored to male bodies only. Even conditions that are overwhelmingly more common in women, such as chronic pain, are researched on mostly male bodies. Doctors and researchers who do specialize in women’s healthcare are penalized financially, as procedures performed on men pay higher. Meanwhile, women are reporting feeling ignored and dismissed at their doctor’s offices on a regular basis. Jackson interweaves these and more stunning revelations in the book with her own story of suffering from endometriosis, a condition that affects up to 20% of American women but is poorly understood and frequently misdiagnosed. She also includes an up-to-the-minute epilogue on the ways that Covid-19 are impacting women in different and sometimes more long-lasting ways than men. A rich combination of journalism and personal narrative, Pain and Prejudice reveals a dangerously flawed system and offers solutions for a safer, more equitable future.

"Focuses on classical reception in the works of female authors active in Venice during the Early Modern Age. Explores the work of Moderata Fonte and Lucrezia Marinella and demonstrates how they used knowledge of texts by Virgil, Ovid, and Aristotle to promote gender-based egalitarianism"--

Although the themes of women's complicity in and resistance to war have been part of literature from early times, they have not been fully integrated into conventional conceptions of the war narrative. Combining feminist literary criticism with the emerging field of feminist war theory, this collection explores the role of gender as an organizing principle in the war system and reveals how literature perpetuates the ancient myth of "arms and the man." The volume shows how the gendered conception of war has both shaped literary texts and formed the literary canon. It identifies and interrogates the conventional war text, with its culturally determined split between warlike men and peaceful women, and it confirms that women's role in relation to war is much more complex and complicitous than such essentializing suggests. The contributors examine a wide range of familiar texts from fresh perspectives and bring new texts to light. Collectively, these essays range in time from the Trojan War to the nuclear age. The contributors are June Jordan, Lorraine Helms, Patricia Francis Cholakian, Jane E. Schultz, Margaret R. Higonnet, James Longenbach, Laura Stempel Mumford, Sharon O'Brien, Jane Marcus, Sara Friedrichsmeyer, Susan Schweik, Carol J. Adams, Esther Fuchs, Barbara Freeman, Gillian Brown, Helen M. Cooper, Adrienne Auslander Munich, and Susan Merrill Squier.

The image of a woman bearing arms is a potent symbol of modern Greece's nation-building conflicts. Margaret Poulos traces the influence of this image on Greek feminist discourse from the mid-nineteenth century to the 1970s and 1980s. The study begins with the heroines of the 1821 Revolution and the extent to which Greek protofeminism capitalized on this legacy. Poulos then explores the role of partisan women in the communist-led resistance movement during World War II and Greece's subsequent collapse into Civil War, which saw a striking and controversial increase in the number of women fighting in the ranks of the partisan army. In conclusion, Poulos examines the way in which postwar feminism engaged, ignored, or reconciled this fraught history. Poulos's unique focus coherently connects a series of historical events otherwise separated by a hundred and fifty years at both extremes. The image of a woman-in-arms has long been a source of fascination for its embodiment of an inherent contradiction--the fragility and passivity of the feminine and the menace and violence of the gun. Poulos probes both the myth and reality of these representations within the context of Greek history, and the specific ways in which their symbolic power has been utilized by feminists, nationalists, and others to advance at times diametrically opposed political agendas. Therefore, while demystifying highly celebrated images, she also illuminates the contributions and experiences of the marginalized, shedding important light on the historical significance of women's agency.

When Ellie Pascoe finds herself underthreat from an unknown quarter, her husband DCI Peter Pascoeand his boss Superintendant Andy Dalziel assume it's because she's married to a cop. Irish arms, Columbian drugs, and men who will stop at nothing create a tidal wave which threatens to sweep her away. She heads out of town in search of haven, but instead finds herself at the very edge of the storm in a remote clifftop house undermined by the sea.

"This book is about America’s most unknown soldiers-enlisted women in the Army, Air Force, Navy, and Marines." Focusing on the decade from 1972 to 1982, Judith Stiehm uses personal narratives, interviews, policy statements, and other material to explore the experience of American women in the military—their reasons for enlisting, their roles, their self-image, and the way they are viewed by civilians. Although there are now more than 200,000 women in uniform, Stiehm asks why the policies concerning enlisted women "so often appear to fly in the face of both logic and evidence." Her analysis of the effects of change in military policy on women of different ranks and ages reveals how certain functional myths (e.g., "war is manly") are challenged by the presence of women. The result has been an uneasy accommodation. Arms and the Enlisted Woman includes a vivid first-person account by a female veteran of one woman’s experience in the Air Force. Honorably discharged as a Staff Sergeant after six years of working as an airplane mechanic, this woman describes the struggle to be taken seriously and treated equally, and to excel in a non-traditional field. She also relates the joys of seeing a job well done and being part of a cohesive team. Her mixed reaction to her military career epitomizes the difficulty with which enlisted women have been assimilated. Stiehm also analyzes the rapidly shifting military policies concerning women as well as the reasons for certain erroneous but persistent beliefs about them, and remarks, "One thing seems to be certain. To the professional military the enlisted woman is a raw nerve."

Pascoe’s wife becomes a moving target in this “delightfully quirky, literate, often explosively funny” mystery in the acclaimed series (Publishers Weekly). Reginald Hill “raised the classical British mystery to new heights” when he introduced pugnacious Yorkshire Det. Inspector Andrew Dalziel and his partner, the callow Sgt. Peter Pascoe (The New York Times Book Review). Their chafing differences in education, manners, technique, and temperament made them “the most remarkable duo in the annals of crime fiction” (Toronto Star). Adapted into a long-running hit show for the BBC, the Gold Dagger Award–winning series is now available as ebooks. Ellie Pascoe is a novelist, former campus radical, overprotective mother—and as an inspector’s wife, on high alert of suspicious behavior. When she thwarts an abduction plot, her husband, Peter, and his partner, Andrew Dalziel, assume a link to one of their past cases. An attack on Ellie’s best friend, Daphne, and a series of threatening letters from Ellie’s foiled kidnappers prove them wrong. Packed off to an isolated seaside safe place, Ellie, Daphne, and their bodyguard, DC Shirley Novello, aren’t about to lie in wait for the culprits’ next move. They’re on the offensive. No matter how calculated their plot of retaliation is, they have no idea just how desperately someone wants Ellie out of the picture. Or how insanely epic the reasons are. Arms and the Women is the 19th book in the Dalziel and Pascoe Mysteries, but you may enjoy reading the series in any order.