Archivum Fratrum Praedicatorum

The nature of mendicancy as it developed among various religious orders during the thirteenth and fourteenth centuries is the subject of considerable debate. In spite of this, little in the way of a comprehensive review of the phenomenon as a whole has been undertaken. What has been done has either been order-specific (with an emphasis on the Friars Minor) or has focused on points of special conflict regarding the mendicant ideal (University debates, Spiritual Franciscans). Little work exists on the roots of mendicancy, or on the creative ways in which mendicancy was understood (and deprecated) in various quarters. Few studies try to bring together both the theory and practice of religious mendicancy. The effect that events had in molding and changing the mendicant ideal is also often neglected, as are the ways in which it was independently and creatively appropriated by individuals and groups. Needless to say, all of this is strange for a movement that most are content to label “Mendicant.” Perhaps it may even be the case that “mendicancy” is not useful as a descriptive concept. The purpose and intention of this handbook is to offer an analysis of the term and to present an up-to-date and comprehensive introduction to the phenomenon of religious mendicancy in the central and later middle ages. It provides a contextualized guide that will introduce the central issues in contemporary scholarship regarding the mendicant orders. This project approaches the controversies from a multitude of angles and unites in one volume the insights of different disciplines such as social and intellectual history, literary analysis, and theology. The present work is divided into three main sections, I) The origins and foundations of medieval mendicancy, II) The development and articulation of mendicant ideals, III) The reception and appropriation of mendicancy in the middle ages. The chapters herein serve as a solid point of departure for advanced students and scholars.

From the middle of the fifteenth century a distinctively Roman Renaissance occurred. A shared outlook, a persistent set of intellectual concerns, similar cultural assumptions and a commitment to common ideological aims bound Roman humanists and artists to a uniquely Roman world, different from Florence, Venice, and other Italian and European centers.This book provides the first comprehensive portrait of the Roman Renaissance world. Charles Stinger probes the basic attitudes, the underlying values and the core convictions that Rome's intellectuals and artists experienced, lived for, and believed in from Pope Eugenius IV's reign to the Eternal City in 1443 to the sacking of 1527. He demonstrates that the Roman Renaissance was not the creation of one towering intellectual leader, or of a single identifiable group; rather, it embodied the aspirations of dozens of figures, active over an eighty-year period.Stinger illuminates the general aims and character of the Roman Renaissance. Remaining mindful of the economic, social, and political context--Rome's retarded economic growth, the papacy's increasing entanglement in Italian politics, papal preoccupation with the crusade against the Ottomans, and the effects of papal fiscal and administrative practices--Stinger nevertheless maintains that these developments recede in importance before the cultural history of the period. Only in the context of the ideological and cultural commitments of Roman humanists, artists, and architects can one fully understand the motivation for papal policies. Reality for Renaissance Romans was intricately bound up with the notion of Rome's mythic destiny.The Renaissance in Rome is cultural history at its best. It evokes the moods, myths, images, and symbols of the Eternal City, as they are manifested in the Liturgy, ceremony, festivals, oratory, art, and architecture of Renaissance Rome. Throughout, Stinger focuses on a persistent constellation of fundamental themes: the image of the city of Rome, the restoration of the Roman Church, the renewal of the Roman Empire, and the fullness of time. He describes and analyzes the content, meaning, origin, and implications of these central ideas of Roman Renaissance.This book will prove interesting to both Renaissance and Reformation scholars, as well as to general readers, who may have visited (or plan to visit) Rome and have become fascinated and affected by this extraordinary city. "There is no other book like it in any language," says Renaissance historian John O'Malley. "It presents a coherent view of Roman culture....collects and presents a vast amount of information never before housed under one roof. Anyone who teaches the Italian Renaissance," O'Malley stresses, "will have to know this book."

In the second half of the twelfth century, the Catholic Church became convinced that dualist heresy was taking root within Christian society and that it was particularly strong in southern France. The nature and extent of this heresy and the reaction of the Church to the perceived threat have been the focus of extensive research since the mid-nineteenth century, research which has become especially intense in the last decade. Malcolm Barber's second edition of The Cathars (which first appeared in 2000) brings readers up-to-date with the challenges to previous conclusions of recent scholarship. At the same time, the wider implications of the subject remain relevant, most importantly the fundamental questions raised by the belief in the existence of evil, the ethical problems presented by the use of coercion to suppress forms of dissent believed to threaten the social and religious fabric, and the distortion of the past to underpin present-day policies and arguments.

Composed during a critical time in the evolution of European intellectual life, the works of Meister Eckhart (c. 1260-1327) are some of the most powerful medieval attempts to achieve a synthesis between ancient Greek thought and the Christian faith. Writing with great rhetorical brilliance, Eckhart combines the neoplatonic concept of oneness - the idea that the ultimate principle of the universe is single and undivided - with his Christian belief in the Trinity, and considers the struggle to describe a perfect God through the imperfect medium of language. Fusing philosophy and religion with vivid originality and metaphysical passion, these works have intrigued and inspired philosophers and theologians from Hegel to Heidegger and beyond.