Arab Women Writers

Arab women's writing in the modern age began with 'A'isha al-Taymuriya, Warda al-Yaziji, Zaynab Fawwaz, and other nineteenth-century pioneers in Egypt and the Levant. This unique study-first published in Arabic in 2004-looks at the work of those pioneers and then traces the development of Arab women's literature through the end of the twentieth century, and also includes a meticulously researched, comprehensive bibliography of writing by Arab women. In the first section, in nine essays that cover the Arab Middle East from Morocco to Iraq and Syria to Yemen, critics and writers from the Arab world examine the origin and evolution of women's writing in each country in the region, addressing fiction, poetry, drama, and autobiographical writing. The second part of the volume contains bibliographical entries for over 1,200 Arab women writers from the last third of the nineteenth century through 1999. Each entry contains a short biography and a bibliography of each author's published works. This section also includes Arab women's writing in French and English, as well as a bibliography of works translated into English. With its broad scope and extensive research, this book is an indispensable resource for anyone interested in Arabic literature, women's studies, or comparative literature. Contributors: Emad Abu Ghazi, Radwa Ashour, Mohammed Berrada, Ferial J. Ghazoul, Subhi Hadidi, Haydar Ibrahim, Yumna al-'Id, Su'ad al-Mani', Iman al-Qadi, Amina Rachid, Huda al-Sadda, Hatim al-Sakr.

It is a little-known secret that Arabic literature has a long tradition of erotic writing. Behind that secret lies another – that many of the writers are women. We Wrote in Symbols celebrates the works of 75 of these female writers of Arab heritage who articulate love and lust with artistry and skill. Here, a wedding night takes an unexpected turn beneath a canopy of stars; a woman on the run meets her match in a flirtatious encounter at Dubai Airport; and a carnal awakening occurs in a Palestinian refugee camp. From a masked rendezvous in a circus, to meetings in underground bars and unmade beds, there is no such thing as a typical sexual encounter, as this electrifying anthology shows. Powerfully conveying the complexities and intrigues of desire, We Wrote in Symbols invites you to share these characters' wildest fantasies and most intimate moments. 'Fierce, captivating, revolutionary. A dazzling collection that will win hearts and change minds.'- Elif Shafak 'These voices are furious, witty, outrageous, tender and entranced. This collection offers much delightful entertainment and fresh perspectives on women and sex in the Middle East.'- Marina Warner

This book engages with contemporary Arab women writers from Egypt, Palestine, Lebanon and Algeria. In spite of Edward Said’s groundbreaking reappraisal of the uneven relationship between the West and the Arab world in Orientalism, there has been little postcolonial criticism of Arab writing. Anastasia Valassopoulos raises the profile of Arab women writers by examining how they negotiate contexts and experiences that have come to be identified with postcoloniality such as the preoccupation with Western feminism, political conflict and war, the social effects of non-conformity and female empowerment, and the negotiation of influential cultural discourses such as orientalism. Contemporary Arab Women Writers revitalizes theoretical concepts associated with feminism, gender studies and cultural studies, and explores how art history, popular culture, translation studies, psychoanalysis and news media all offer productive ways to associate with Arab women’s writing that work beyond a limiting socio-historical context. Discussing the writings of authors including Ahdaf Soueif, Nawal El Saadawi, Leila Sebbar, Liana Badr and Hanan Al-Shaykh, this book represents a new direction in postcolonial literary criticism that transcends constrictive monothematic approaches.

Arab women's writing in the modern age began with 'A'isha al-Taymuriya, Warda al-Yaziji, Zaynab Fawwaz, and other nineteenth-century pioneers in Egypt and the Levant. This unique study-first published in Arabic in 2004-looks at the work of those pioneers and then traces the development of Arab women's literature through the end of the twentieth century, and also includes a meticulously researched, comprehensive bibliography of writing by Arab women. In the first section, in nine essays that cover the Arab Middle East from Morocco to Iraq and Syria to Yemen, critics and writers from the Arab world examine the origin and evolution of women's writing in each country in the region, addressing fiction, poetry, drama, and autobiographical writing. The second part of the volume contains bibliographical entries for over 1,200 Arab women writers from the last third of the nineteenth century through 1999. Each entry contains a short biography and a bibliography of each author's published works. This section also includes Arab women's writing in French and English, as well as a bibliography of works translated into English. With its broad scope and extensive research, this book is an indispensable resource for anyone interested in Arabic literature, women's studies, or comparative literature. Contributors: Emad Abu Ghazi, Radwa Ashour, Mohammed Berrada, Ferial J. Ghazoul, Subhi Hadidi, Haydar Ibrahim, Yumna al-'Id, Su'ad al-Mani', Iman al-Qadi, Amina Rachid, Huda al-Sadda, Hatim al-Sakr.

This book assesses the contribution of women to the Arabic novel, both in subject matter and form. It begins by tracing the struggle over women's rights in the Arab world, particularly the gradual improvement in women's access to education--the first area in which women made significant gains. Subsequent chapters discuss Arab women writers' remarkable talents and determination to overcome the barriers of a male-dominated culture; survey the 1950s and 1960s, during which women's writing gained momentum and more women writers emerged; and address the shift in emphasis and attitude that women's literature underwent in the late 1960s, especially following the 1967 Arab-Israeli war, when women novelists began to place more stress on international politics. Zeidan adapts Western-based feminist literary theory to a discussion of Arab women's literature but refrains from imposing that theory inappropriately on literature whose context differs significantly. He compares the women's movements in Arab and Western cultures and the development of women's literature in those cultures, and uses these comparisons to highlight similarities and differences between them as well as to consider how one affected the other. His analysis culminates in the early 1980s--the end of the formative years--when women's writing had become a familiar part of Arabic literature in general and a positive reflection on the collective Arab consciousness.

"We let ourselves be won over by this novel that describes with such faithfulness and emotion the tearing apart of a country and a woman forever caught between two shores." ‚ÄîLe Monde "Full of poetry and freshness‚Ķ" ‚ÄîGuide de la rentree litteraire, Lire/Virgin WINNER OF FRANCE’S THE LAGARDERE PRIZESHORTLISTED FOR THE INTERNATIONAL PRIZE OF ARABIC FICTIONRAISES IMPORTANT QUESTIONS ABOUT IDENTITY, BELONGING, AND PATRIOTISM In her award-winning novel, Inaam Kachachi portrays the dual tragedy of her native land: America’s failure and the humiliation of Iraq. The American Granddaughter depicts the American occupation of Iraq through the eyes of a young Iraqi-American woman, who returns to her country as an interpreter for the US Army. Through the narrator’s conflicting emotions, we see the tragedy of a country which, having battled to emerge from dictatorship, then finds itself under foreign occupation. At the beginning of America’s occupation of Iraq, Zeina returns to her war-torn homeland as an interpreter for the US Army. Her formidable grandmother—the only family member that Zeina believes she has in Iraq—gravely disapproves of her granddaughter’s actions. Then Zeina meets Haider and Muhaymin, two “brothers” she knows nothing of, and falls deeply in love with Muhaymin, a militant in the Al Mehdi Army. These experiences force her to question all her values.

So begins Firdaus' story, leading to her grimy Cairo prison cell, where she welcomes her death sentence as a relief from her pain and suffering. Born to a peasant family in the Egyptian countryside, Firdaus suffers a childhood of cruelty and neglect. Her passion for education is ignored by her family, and on leaving school she is forced to marry a much older man. Following her escapes from violent relationships, she finally meets Sharifa who tells her that 'A man does not know a woman's value ... the higher you price yourself the more he will realise what you are really worth' and leads her into a life of prostitution. Desperate and alone, she takes drastic action. -- Publisher description.

Consisting of sixty short stories by forty women writers from across the Arab world, this collection opens numerous windows onto Arab culture and society and offers keen insights into what Arab women feel and think. The stories deal not only with feminist issues but also with topics of a social, cultural, and political nature. Different styles and modes of writing are represented, along with a diversity of techniques and creative approaches, and the authors present many points of view and various ways of solving problems and confronting situations in everyday life. Lively, outspoken, and provocative, these stories are essential reading for anyone interested in the Arab world.

Far from offering another study that bemoans Arab women’s repression and veiling, Anxiety of Erasure looks at Arab women writers living in the diaspora who have translated their experiences into a productive and creative force. In this book, Al-Samman articulates the therapeutic effects of revisiting forgotten histories and of activating two cultural tropes: that of the maw’udah (buried female infant) and that of Shahrazad in the process of revolutionary change. She asks what it means to develop a national, gendered consciousness from diasporic locals while staying committed to the homeland. Al-Samman presents close readings of the fiction of six prominent authors whose works span over half a century and define the current status of Arab diaspora studies—Ghada al-Samman, Hanan al-Shaykh, Hamida al-Na‘na‘, Hoda Barakat, Samar Yazbek, and Salwa al-Neimi. Exploring the journeys in time and space undertaken by these women, Anxiety of Erasure shines a light on the ways in which writers remain participants in their homelands’ intellectual lives, asserting both the traumatic and the triumphant aspects of diaspora. The result is a nuanced Arab women’s poetic that celebrates rootlessness and rootedness, autonomy and belonging.