Apocalypse 2012

“Updated to include dramatic new evidence from NASA and the National Academy of Sciences pointing to a knockout of the electrical power grid by solar systems expected to climax in 2012-2013.” Don’t look up! It won’t help. You can’t get out of the way, you can’t dig a hole deep enough to hide. The end is coming, and there’s nothing you can do about it. So why read this book? Because you can’t look away when not just the religious fanatics are saying we’re all going to be destroyed but the scientists are in on the act too. Here’s what they’re saying: We’re a million years over due for a mass extinction. The sun at radiation minimum is acting much worse than at solar maximum, and one misdirected spewing of plasma could fry us in an instant. The magnetic field—which shields us from harmful radiation—is developing a mysterious crack. Our solar system is entering an energetically hostile part of the galaxy. The Yellowstone supervolcano is getting ready to blow, and if it does, we can look forward to nuclear winter and 90 percent annihilation. The Maya, the world’s greatest timekeepers ever, say it’s all going to stop on December 21, 2012. So, see? There’s nothing you can do, but you might as well sit back and enjoy the show. You’ll get a good chuckle. That’s why you should read this book.

Today’s world leaders and those of 1,000 years ago face the world’s end. The Mayan “End-Time Codex” predicts the end of the world in 2012. A young Aztec-Mayan slave tells the story of its creation: gifted in math and astronomy, Coyotl advises the god-king, Quetzalcoatl. Gathering artists, scientists, and architects, this ruler builds the great, golden city of Tula but soon faces war, disastrous drought, death-cult priests who rip the hearts out of thousands of people. . . and an epic catastrophe threatening all humanity. Meanwhile, thousand years later, scientists have rediscovered the End-Time Codex and learned that their own time mirrors Tula’s golden age. Can they crack the 2012 code and save their world from Tula’s deadly fate? The countdown begins.

Author Ernest Johnson delves into the passages of the scriptures, in particular the Book of Revelation to glean insights on the storm that is to come. By studying the prophecies of old, he predicts the war of tomorrow, and foresees the forces that will bring ruination through out the world in Apocalypse 2012. "I heard the voice of the fourth living creature say,, 'come and see'! I looked and there before me was a pale horse! it's rider was named death, and Hades was following close behind him," This is but one ominous passage in the book of Revelations foretelling the doom that will come to the world. Numerous other prophecies predict the coming of the end times, and continue to spread fear and uncertainty, especially when the occurrence of terrible wars and calamities seem to concur with their divination. In the light of this, with Apocalypse 2012: God's Judgments, Johnson uses his understanding of the Word of the Lord to outline the true meaning of these foreboding signs and portents, their place in God's plan, and their implications on the lives of the faithful and the non-faithful alike. His book explains how current and future events will herald the rise of the Anti-Christ and the Second coming of Christ. According to the Bible, these are the signs leading to the rapture, and preceding the plagues that will scourge the remnants of mankind after the true believers have been spirited away into the heavens, safe from the horror about to befall those left behind. It is in this time that the angels will sound the Trumpets announcing the arrival of the apocalypse and the ultimate Judgment of God will bestowed upon humanity. Apocalypse 2012: God's Judgments studies the sacred Word of the Holy Bible to interpret present happenings and glean insights into the days to come. For believers of the faith, and those who wish to know what will come after the end of the year 2012, Johnson's work will make for a truly engrossing reading experience.

Did the Maya really predict that the world would end in December of 2012? If not, how and why has 2012 millenarianism gained such popular appeal? In this deeply knowledgeable book, two leading historians of the Maya answer these questions in a succinct, readable, and accessible style. Matthew Restall and Amara Solari introduce, explain, and ultimately demystify the 2012 phenomenon. They begin by briefly examining the evidence for the prediction of the world's end in ancient Maya texts and images, analyzing precisely what Maya priests did and did not prophesize. The authors then convincingly show how 2012 millenarianism has roots far in time and place from Maya cultural traditions, but in those of medieval and Early Modern Western Europe. Revelatory any myth-busting, while remaining firmly grounded in historical fact, this fascinating book will be essential reading as the countdown to December 21, 2012, begins.

2012: The Zombie Apocalypse is a riveting tale of survival in a post-apocalyptic world overrun with zombies. A group of unlikely survivors are forced to band together to find salvation in a horror-drenched world. Led by Ryan and surrounded by undead monsters, the survivors journey across the wastelands in search of a precious and increasingly rare commoditylife. "But wait," I say. "The zombies in I Am Legend were just infected and could be cured, not similar to these types of zombies." I sit down on my couch and scratch my head. "I'm being so childish here; I'm comparing what is happening right now to movies. I need to figure out what needs to be done," I say before pushing myself off the couch and walking into my office. I grab a notepad from the desk as well as a pen before returning to the couch and sitting down. I push everything off the table and onto the floor before placing the notepad on the table. "Alright first things first I need to hunker down and hold my position for the night. First thing tomorrow morning I need to get out of the city, it isn't safe here, the population is too high. I can easily get overwhelmed and eaten."

In this provocative work, Joseph reveals the curious fact that 2012 has been pinpointed as a pivotal, perhaps cataclysmic, year in human history by ancient sources and contemporary science alike.

In ancient Mexico, the "End-Time Codex"--prophesizing the world's end in 2012--is entombed. A young Aztec-Mayan slave tells us its story. Gifted in math and astronomy, Coyotl rises to king's counselor in Tula, a golden city of milk and honey ruled by the brilliant god-king, Quetzalcoatl, the Feathered Serpent of lore. Gathering artists, scientists and craftsmen, this legendary ruler builds a city that will awe humanity for one thousand years. But he also faces war, catastrophic drought, betrayal and the rise of an evil death-cult religion. Instituting the infamous "Blood Covenant," its priests drag thousands of people a year atop temple-pyramids and rip their hearts beating from their chests. To stop them Quetzalcoatl must defy the flames of bloody civil war. A thousand years later scientists discover the End-Time Codex. While struggling to decipher it, they realize their own age mirrors Tula's. Can they crack the 2012 code and save their world from Tula's deadly fate? At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

21 December 2012 was believed to mark the end of the thirteenth B'ak'tun cycle in the Long Count of the Mayan calendar. Many people believed this date to mark the end of the world or, at the very least, a shift to a new form of global consciousness. Examining how much of the phenomenon is based on the historical record and how much is contemporary fiction, the book explores the landscape of the modern apocalyptic imagination, the economics of the spiritual marketplace, the commodification of countercultural values, and the cult of celebrity.

Apocalypse-cinema is not only the end of time that has so often been staged as spectacle in films like 2012, The Day After Tomorrow, and The Terminator. By looking at blockbusters that play with general annihilation while also paying close attention to films like Melancholia, Cloverfield, Blade Runner, and Twelve Monkeys, this book suggests that in the apocalyptic genre, film gnaws at its own limit. Apocalypse-cinema is, at the same time and with the same double blow, the end of the world and the end of the film. It is the consummation and the (self-)consumption of cinema, in the form of an acinema that Lyotard evoked as the nihilistic horizon of filmic economy. The innumerable countdowns, dazzling radiations, freeze-overs, and seismic cracks and crevices are but other names and pretexts for staging film itself, with its economy of time and its rewinds, its overexposed images and fades to white, its freeze-frames and digital touch-ups. The apocalyptic genre is not just one genre among others: It plays with the very conditions of possibility of cinema. And it bears witness to the fact that, every time, in each and every film, what Jean-Luc Nancy called the cine-world is exposed on the verge of disappearing. In a Postface specially written for the English edition, Szendy extends his argument into a debate with speculative materialism. Apocalypse-cinema, he argues, announces itself as cinders that question the “ultratestimonial” structure of the filmic gaze. The cine-eye, he argues, eludes the correlationism and anthropomorphic structure that speculative materialists have placed under critique, allowing only the ashes it bears to be heard.

New Agers count off the days until the Mayan calendar ends in 2012. Evangelical Christians look for the Antichrist and long for the Rapture. Extropians dream of the Singularity, when super-intelligent computers will abolish all human limits to progress. Doomers stockpile freeze-dried food as they wait for civilization to crash and burn. Why are we waiting for Armageddon? Almost since the beginning of civilization, an insatiable willingness to believe has driven people to dream of the apocalypse that will replace the world they've got with the one they've always wanted. All of these predictions have one thing in common: every one of them has been wrong. From brilliant seers and religious visionaries to conspiracy theorists and fundamentalists, Apocalypse Not exposes prophecies of doom.--From publisher description.