Aphrodite Desperate Mission

A classic! First time in digital format! This is the story of the most incredible mission of World War II, born in desperation and carried out with foolhardy courage and at the cost of brave men's lives: Mission Aphrodite! A real-life, aerial Guns of Navarone scheme that called for volunteers to guide B-17 drone planes packed with explosives into the Nazi V-2 rocket bases. The mission that cost Joe Kennedy, Jr., his life. The award-winning author of thirty-three books, Jack Olsen’s books have published in fifteen countries and eleven languages. Olsen's journalism earned the National Headliners Award, Chicago Newspaper Guild's Page One Award, commendations from Columbia and Indiana Universities, the Washington State Governor's Award, the Scripps-Howard Award and other honors. He was listed in Who's Who in America since 1968 and in Who's Who in the World since 1987. The Philadelphia Inquirer described him as "an American treasure." Olsen was described as "the dean of true crime authors" by the Washington Post and the New York Daily News and "the master of true crime" by the Detroit Free Press and Newsday. Publishers Weekly called him "the best true crime writer around." His studies of crime are required reading in university criminology courses and have been cited in the New York Times Notable Books of the Year. In a page-one review, the Times described his work as "a genuine contribution to criminology and journalism alike." Olsen is a two-time winner in the Best Fact Crime category of the Mystery Writer’s of America, Edgar award.

Imagining Flight is a history of the air age as the rest of us have experienced it: on the pages of books, the screens of movie theaters, and the front pages of newspapers. It focuses on the United States, but also contrasts American ideas and attitudes with those of other air-minded nations, including Britain, France, Germany and Japan.

Jack Olsen’s blunt depiction of the shameful treatment of black athletes in the 1960’s. A view of the sport most Americans refused to see during a time of complacency and pervasive racial crisis in America. Black collegiate athletes were often dehumanized, exploited and discarded. Recruited for their skill then lionized on the field and ostracized on campus. The world of professional sports offered black athlete’s opportunity but not equality. Positions that carry authority and responsibility were typically labeled “white only”. Olsen interviewed sociologists, black community leaders, coaches, AD’s and numerous athletes. This ground-breaking and controversial report sparked nationwide reforms when it was covered in a five-part series published by Sports Illustrated in 1968.

Surveillance, technology, war, and the failed US policy of remote killing Kill Chain is the essential history of drone warfare, a development in military technology that, as Andrew Cockburn demonstrates, has its origins in long-buried secret programmes dating to US military interventions in Vietnam and Yugoslavia. Cockburn follows the links in a chain that stretches from the White House, through the drone command center in Nevada, to the skies of Helmand Province. The book reveals the powerful interests—military, CIA and corporate—that turned the Pentagon away from manned aircraft and boots on the ground to killing by remote control. Cockburn uncovers the technological breakthroughs, the revolution in military philosophy, and the devastating collateral damage resulting from assassinations allegedly targeted with pinpoint precision. Vivid, powerful and chilling, Kill Chain draws on sources deep in the military and intelligence establishment to lay bare the failure of the modern American way of war.

Resistance is a product of will times means, Carl von Clausewitz postulated in his treatise On War. In his 1993 Bombs, Cities, and Civilians, which the American Historical Review judged "must reading for anyone interested in the subject of air warfare," Conrad C. Crane focused on the moral dimension of American air strategy in World War II—specifically, the Allied effort to break the enemy's will through targeting civilians. With decades of research and reflection, and a wealth of new material at his command, Crane returns to the subject of America's WWII airpower strategy to offer an analysis fully engaged with the "means" side of Clausewitz's equation: the design and impact of strategic bombing of the enemy's infrastructure and thus its capacity to fight. A marked advance in our understanding of the use of airpower in war in general and the Second World War in particular, Crane's work shows how, despite an undeniable lack of concern about civilian casualties in Germany and Japan late in the war, American strategic bombing in WWII consistently focused on destroying the enemy's war-making capacity instead of its collapsing will. Further, Crane persuasively argues that in the limited wars since then, separating such targets has become increasingly more difficult, and all air campaigns against states have subsequently escalated to accept greater risks for civilians. American Airpower Strategy in World War II also provides an expanded close look at the use of airpower in the last three months of the strategic air war against Germany, when so many bombing missions relied upon radar aids, as well as the first direct comparison of 8th and 15th Air Force bombing campaigns in Europe. The result is the most coherent and concise analysis of the application and legacy of Allied strategic airpower in WWII—and a work that will inform all future practical and theoretical consideration of the use, and the role, of airpower in war.

Masters of the Air is the deeply personal story of the American bomber boys in World War II who brought the war to Hitler's doorstep. With the narrative power of fiction, Donald Miller takes readers on a harrowing ride through the fire-filled skies over Berlin, Hanover, and Dresden and describes the terrible cost of bombing for the German people. Fighting at 25,000 feet in thin, freezing air that no warriors had ever encountered before, bomber crews battled new kinds of assaults on body and mind. Air combat was deadly but intermittent: periods of inactivity and anxiety were followed by short bursts of fire and fear. Unlike infantrymen, bomber boys slept on clean sheets, drank beer in local pubs, and danced to the swing music of Glenn Miller's Air Force band, which toured U.S. air bases in England. But they had a much greater chance of dying than ground soldiers. In 1943, an American bomber crewman stood only a one-in-five chance of surviving his tour of duty, twenty-five missions. The Eighth Air Force lost more men in the war than the U.S. Marine Corps. The bomber crews were an elite group of warriors who were a microcosm of America -- white America, anyway. (African-Americans could not serve in the Eighth Air Force except in a support capacity.) The actor Jimmy Stewart was a bomber boy, and so was the "King of Hollywood," Clark Gable. And the air war was filmed by Oscar-winning director William Wyler and covered by reporters like Andy Rooney and Walter Cronkite, all of whom flew combat missions with the men. The Anglo-American bombing campaign against Nazi Germany was the longest military campaign of World War II, a war within a war. Until Allied soldiers crossed into Germany in the final months of the war, it was the only battle fought inside the German homeland. Strategic bombing did not win the war, but the war could not have been won without it. American airpower destroyed the rail facilities and oil refineries that supplied the German war machine. The bombing campaign was a shared enterprise: the British flew under the cover of night while American bombers attacked by day, a technique that British commanders thought was suicidal. Masters of the Air is a story, as well, of life in wartime England and in the German prison camps, where tens of thousands of airmen spent part of the war. It ends with a vivid description of the grisly hunger marches captured airmen were forced to make near the end of the war through the country their bombs destroyed. Drawn from recent interviews, oral histories, and American, British, German, and other archives, Masters of the Air is an authoritative, deeply moving account of the world's first and only bomber war.

The 95th Bomb Group (Heavy), the most highly decorated bomb group of World War II, participated in every major mission of the war in Europe from May 1943 through the warÆs end and was awarded an unprecedented three Presidential Unit Citations. Flying the celebrated B-17 Flying Fortress, the 95th was the first U.S. bomb group to bomb Berlinùa feat that put it on the centerfold of Life magazineùand the last group to lose a plane over Europe in World War II. Over six hundred men in the 95th never came home. The Wild Blue Yonder and Beyond is the first book to cover a World War II bomb group from its inception through the present day. Utilizing interviews with nearly a hundred air war veterans, dozens of unpublished crew memoirs, all the bomb groupÆs official mission reports from the National Archives, and nearly a hundred other sources, author Rob Morris (assisted by air war historian Ian Hawkins) provides a deep tactical and human understanding of the group. Also included are the stories of the veteransÆ wives and families, who fought a different kind of war at home, and the residents of Horham, whose tiny English village was suddenly on the warÆs front lines. Intensely human, exhaustively researched, and lovingly told, this book is certain to be a classic in the field and a resource for anyone interested in the workings of a World War II bomb group.

NEW YORK TIMES NOTABLE BOOK • “One of the truly great biographies of our time.”—Sean Wilentz, New York Times bestselling author of Bob Dylan in America and The Rise of American Democracy “A landmark study of Washington power politics in the twentieth century in the Robert Caro tradition.”—Douglas Brinkley, New York Times bestselling author of American Moonshot The epic, definitive biography of Ted Kennedy—an immersive journey through the life of a complicated man and a sweeping history of the fall of liberalism and the collapse of political morality. Catching the Wind is the first volume of Neal Gabler’s magisterial two-volume biography of Edward Kennedy. It is at once a human drama, a history of American politics in the late twentieth and early twenty-first centuries, and a study of political morality and the role it played in the tortuous course of liberalism. Though he is often portrayed as a reckless hedonist who rode his father’s fortune and his brothers’ coattails to a Senate seat at the age of thirty, the Ted Kennedy in Catching the Wind is one the public seldom saw—a man both racked by and driven by insecurity, a man so doubtful of himself that he sinned in order to be redeemed. The last and by most contemporary accounts the least of the Kennedys, a lightweight. He lived an agonizing childhood, being shuffled from school to school at his mother’s whim, suffering numerous humiliations—including self-inflicted ones—and being pressed to rise to his brothers’ level. He entered the Senate with his colleagues’ lowest expectations, a show horse, not a workhorse, but he used his “ninth-child’s talent” of deference to and comity with his Senate elders to become a promising legislator. And with the deaths of his brothers John and Robert, he was compelled to become something more: the custodian of their political mission. In Catching the Wind, Kennedy, using his late brothers’ moral authority, becomes a moving force in the great “liberal hour,” which sees the passage of the anti-poverty program and the Civil Rights and Voting Rights Acts. Then, with the election of Richard Nixon, he becomes the leading voice of liberalism itself at a time when its power is waning: a “shadow president,” challenging Nixon to keep the American promise to the marginalized, while Nixon lives in terror of a Kennedy restoration. Catching the Wind also shows how Kennedy’s moral authority is eroded by the fatal auto accident on Chappaquiddick Island in 1969, dealing a blow not just to Kennedy but to liberalism. In this sweeping biography, Gabler tells a story that is Shakespearean in its dimensions: the story of a star-crossed figure who rises above his seeming limitations and the tragedy that envelopes him to change the face of America.