Andre Du Bouchet

"In André du Bouchet: Poetic Forms of Attention, Emma Wagstaff provides the first book-length study in English of this major poet of the second half of the twentieth century. She shows how Du Bouchet's rigorous and innovative creative and critical writing advances our understanding of attention. Du Bouchet is known as a post-war poet of the natural world and the space of the page. Far from just a solitary writer, however, he engaged with others through his work as editor, critic, and translator, and his involvement in the protests of May 1968. Emma Wagstaff shows how his writing demonstrates nuanced attention to language, time, nature, and art, and incites a 'slow' response on the part of the reader"--

A career retrospective of poetry and prose works by one of the under-recognized giants of French literature André du Bouchet, a great innovator of twentieth-century letters, has yet to be fully recognized by a wide circle of international readers. This inviting volume sets out to remedy the oversight, introducing a selection of du Bouchet's poetry and prose to English-language readers through the brilliant translations of Paul Auster and Hoyt Rogers. Openwork showcases pieces from the author's entire trajectory, beginning with little-known pieces from the 1950s, followed by major poems from the 1960s, and concluding with works written or rewritten in the poet's later decades. Throughout his life, du Bouchet devoted himself to long walks in his beloved French countryside, jotting down entries in notebooks as he rambled. These notebooks--more than one hundred all together--have emerged as signal works in their own right, and their musings are well represented in this anthology.

In André du Bouchet: Poetic Forms of Attention, Emma Wagstaff presents the creative and critical writing of a major twentieth-century poet and shows how reading his work advances our understanding of attention.

Upon his return to France, du Bouchet became a translator of English authors such as Shakespeare, Hopkins, and Joyce. He has also translated Holderlin, Celan, Madelstam, and Pasternak.

Merging biography, memoir, and cultural history, this compelling book, a bestseller in France, traces the life of Dora Maar (1907–1997) through a serendipitous encounter with the artist’s address book. In search of a replacement for his lost Hermès agenda, Brigitte Benkemoun’s husband buys a vintage diary on eBay. When it arrives, she opens it and finds inside private notes dating back to 1951—twenty pages of phone numbers and addresses for Balthus, Brassaï, André Breton, Jean Cocteau, Paul Éluard, Leonor Fini, Jacqueline Lamba, and other artistic luminaries of the European avant-garde. After realizing that the address book belonged to Dora Maar—Picasso’s famous “Weeping Woman” and a brilliant artist in her own right—Benkemoun embarks on a two-year voyage of discovery to learn more about this provocative, passionate, and enigmatic woman, and the role that each of these figures played in her life. Longlisted for the prestigious literary award Prix Renaudot, Finding Dora Maar is a fascinating and breathtaking portrait of the artist. “Beautifully written and fascinating.”—Paris Match “One of the happy surprises of the end of the literary season.”—Livres Hebdo “A highly moving portrait of the artist.”—Elle (France) This book received support from the French Ministry of Foreign Affairs and the Cultural Services of the French Embassy in the United States through their publishing assistance program.

On the Art of Reading is a collection of lectures delivered by Arthur Quiller-Couch, a literary critic and professor at Cambridge, between 1916 and 1918. In these lectures, Quiller-Couch argues for the study of the masterpieces of English literature—Shakespeare, Milton, and so on. He opines that the most effective way of appreciating literature is to experience it as “What Is,” which is to say feeling as if one has become part of the story. Much of the lectures is devoted to studying ways in which teachers can engender that feeling in pupils—with Quiller-Couch going so far as to say that even small children can be taught to appreciate seemingly-complex literature like The Tempest or classical poetry like Homer. Quiller-Couch also spends time discussing his then-controversial opinion that the English translation of the Bible, as well as many Greek classics, are masterpieces of English literature that deserve careful study not just for their religions or philosophical importance, but for their beautiful prose style. These lectures form a companion to his earlier collection of lectures, On the Art of Writing, which explore similar themes of the place of writing and literature in the intellectual firmament. This book is part of the Standard Ebooks project, which produces free public domain ebooks.

Philippe Jaccottet's newest work follows in some ways the approach of Seedtime, his recent two-volume collection of notebooks. Similarly comprising on-the-spot jottings, philosophical reflections, literary commentary, dream narratives and sundry "notes," this book nonetheless differs from the preceding volumes in that the Swiss poet includes more personal material than ever before. Drawing on unpublished notebooks from the years 1952-2005, Jacottet offers here passages about his family, the death of his father-in-law and of his mother, his encounters with other major poets--such as René Char, Francis Ponge, Jean Tardieu, and his friends Yves Bonnefoy and André du Bouchet--and his trips abroad, as well as, characteristically, his walks in the countryside around the village of Grignan, in the south of France, where he has lived since 1953. For a poet who has been notoriously discreet about his life, this book offers unexpected glimpses of the private man. Above all, the entries in this notebook show how one of the greatest European poets grapples with the discouraging elements of existence, counterbalancing them by recording fleeting perceptions in which "something else," almost like a threshold, seems present.

From comedian Quinta Brunson comes a deeply personal and funny collection of essays featuring anecdotes about trying to make it when you're broke, overcoming self-doubt and depression, and how she's used humor to navigate her career in unusual directions. Quinta Brunson is a master of viral Internet content: without any traditional background in media, her humorous videos were the first to break through on Instagram's platform, receiving millions of views. From there, Brunson's wryly observant POV attracted the attention of BuzzFeed's motion picture development department, leading her to produce viral videos there about topics like interracial dating, millennial malaise, and seeing your ex in public. Now, Brunson is bringing her comedic chops to the page in She Memes Well, an earnest, laugh-out-loud collection about her weird road to Internet notoriety. In her debut essay collection, Quinta applies her trademark humor and heart to discuss what it was like to go from student loan debt-broke to "halfway recognizable--'don't I know you somewhere?'" level-of-fame. With anecdotes that range from the funny and zany--like her experience trying to find her signature hairstyle--to more grounded material about living with depression, Brunson's voice is entirely authentic and eminently readable. Perfect for fans of Phoebe Robinson's You Can't Touch My Hair, Samantha Irby's We Are Never Meeting in Real Life, and Issa Rae's The Misadventures of Awkward Black Girl, She Memes Well will charm and entertain a growing, engaged audience.