Ancient Skies Ancient Trees

Photographer Beth Moon revisits the world’s oldest trees in the darkest places on earth, using color photography to capture vibrant nighttime skies. Throughout much of the world, night skies are growing increasingly brighter, but the force that protects the remaining naturally dark sky, unpolluted by artificial light, is the same that saves its ancient trees—isolation. Staking out some of the world’s last dark places, photographer Beth Moon uses a digital camera to reveal constellations, nebulae, and the Milky Way, in rich hues that are often too faint to be seen by the naked eye. As in her acclaimed first volume, Ancient Trees: Portraits of Time, these magnificent images encounter great arboreal specimens, including baobabs, olive trees, and redwoods, in such places as South Africa, England, and California. In her artist’s statement, Beth Moon describes the experience of shooting at night in these remote places. An essay by Jana Grcevich, postdoctoral fellow of astrophysics at the American Museum of Natural History, provides the perspective of a scientist racing to study the stars in a world growing increasingly brighter. Clark Strand, the author of Waking Up to the Dark: Ancient Wisdom for a Sleepless Age, takes a different tack, illuminating the inherent spirituality of trees.

Captivating black-and-white photographs of the world’s most majestic ancient trees. Beth Moon’s fourteen-year quest to photograph ancient trees has taken her across the United States, Europe, Asia, the Middle East, and Africa. Some of her subjects grow in isolation, on remote mountainsides, private estates, or nature preserves; others maintain a proud, though often precarious, existence in the midst of civilization. All, however, share a mysterious beauty perfected by age and the power to connect us to a sense of time and nature much greater than ourselves. It is this beauty, and this power, that Moon captures in her remarkable photographs. This handsome volume presents nearly seventy of Moon’s finest tree portraits as full-page duotone plates. The pictured trees include the tangled, hollow-trunked yews—some more than a thousand years old—that grow in English churchyards; the baobabs of Madagascar, called “upside-down trees” because of the curious disproportion of their giant trunks and modest branches; and the fantastical dragon’s-blood trees, red-sapped and umbrella-shaped, that grow only on the island of Socotra, off the Horn of Africa. Moon’s narrative captions describe the natural and cultural history of each individual tree, while Todd Forrest, vice president for horticulture and living collections at The New York Botanical Garden, provides a concise introduction to the biology and preservation of ancient trees. An essay by the critic Steven Brown defines Moon’s unique place in a tradition of tree photography extending from William Henry Fox Talbot to Sally Mann, and explores the challenges and potential of the tree as a subject for art.

Leon Forrest, acclaimed author of Divine Days, uses a remarkable verbal intensity to evoke human tragedy, injustice, and spirituality in his writing. As Toni Morrison has said, "All of Forrest's novels explore the complex legacy of Afro-Americans. Like an insistent tide this history . . . swells and recalls America's past. . . . Brooding, hilarious, acerbic and profoundly valued life has no more astute observer than Leon Forrest." All of that is on display here in two novels that give readers a breathtaking view of the human experience, filled with humor and pathos.

A spectacular oversize photo book celebrating Africa’s most majestic trees—which are now facing an unprecedented ecological threat. Baobabs are one of Africa’s natural wonders: they can live more than 2,000 years, and their massive, water-storing trunks can grow to more than one hundred feet in circumference. They serve as a renewable source of food, fiber, and fuel, as well as a focus of spiritual life. But now, suddenly, the largest baobabs are dying off , literally collapsing under their own weight. Scientists believe these ancient giants are being dehydrated by drought and higher temperatures, likely the result of climate change. Photographer Beth Moon, already responsible for some of the most indelible images of Africa’s oldest and largest baobabs, has undertaken a new photographic pilgrimage to bear witness to this environmental catastrophe and document the baobabs that still survive. In this oversize volume, Moon presents breathtaking new duotone tree portraits of the baobabs of Madagascar, Botswana, South Africa, and Senegal. She recounts her eventful journey to visit these monumental trees in a moving diaristic text studded with color travel photos. This book also includes an essay by Adrian Patrut, leader of a research team that has studied Africa's largest baobabs and alerted the world tot he threat these majestic trees are facing. Baobab is not only a compelling photo book and travel narrative, but also a timely ecological warning.

"A volume for a lifetime" is how The New Yorker described the first of Donald Culross Peatie's two books about American trees published in the 1950s. In this one-volume edition, modern readers are introduced to one of the best nature writers of the last century. As we read Peattie's eloquent and entertaining accounts of American trees, we catch glimpses of our country's history and past daily life that no textbook could ever illuminate so vividly. Here you'll learn about everything from how a species was discovered to the part it played in our country’s history. Pioneers often stabled an animal in the hollow heart of an old sycamore, and the whole family might live there until they could build a log cabin. The tuliptree, the tallest native hardwood, is easier to work than most softwood trees; Daniel Boone carved a sixty-foot canoe from one tree to carry his family from Kentucky into Spanish territory. In the days before the Revolution, the British and the colonists waged an undeclared war over New England's white pines, which made the best tall masts for fighting ships. It's fascinating to learn about the commercial uses of various woods -- for paper, fine furniture, fence posts, matchsticks, house framing, airplane wings, and dozens of other preplastic uses. But we cannot read this book without the occasional lump in our throats. The American elm was still alive when Peattie wrote, but as we read his account today we can see what caused its demise. Audubon's portrait of a pair of loving passenger pigeons in an American beech is considered by many to be his greatest painting. It certainly touched the poet in Donald Culross Peattie as he depicted the extinction of the passenger pigeon when the beech forest was destroyed. A Natural History of North American Trees gives us a picture of life in America from its earliest days to the middle of the last century. The information is always interesting, though often heartbreaking. While Peattie looks for the better side of man's nature, he reports sorrowfully on the greed and waste that have doomed so much of America's virgin forest.

This collection follows a young girl as she comes into her power with the aid of a mysterious River Goddess, a number of helpful animals and non-human others, and a very old friend. Alyssa faces many dangers and overcomes numerous challenges along the way. As she learns how to tap into the magic of everyday life, she gradually develops a deep respect for both human and non-human guides and for herself. This is the “hero’s journey” from a feminine point of view—a journey upon which we are all embarked, male and female alike, as we rediscover our true role: that of fellow travelers with all the beings who share space on the small blue planet we call Earth.

Popular, authoritative look at the world of archaeoastronomy, the study of ancient peoples' observation of the skies and its role in their cultural evolution. 208 illustrations.

The indispensable guide to everything we knew and loved before modern life got in the way. This gorgeous and beautifully illustrated countryside miscellany is the perfect purchase for anyone wanting to go back to their roots and rediscover a lost world... 'Beautiful book' -- ***** Reader review 'A delightful book with some lovely illustrations' -- ***** Reader review 'A heart-warming read, I love this book' -- ***** Reader review 'Magical' -- ***** Reader review 'Lovely book to just DELVE into' -- ***** Reader review 'A little gem!' -- ***** Reader review 'Sheer delight!' -- ***** Reader review **************************************************************************************************** Ever wondered how to predict the weather just by looking at the sky? Or wanted to attract butterflies to your garden? Is there a knack to building the perfect bonfire? And how exactly do you race a ferret? In this world of traffic tailbacks, supermarket shopping and 24-hour internet access, it's easy to feel disconnected from the beauty and rhythms of the natural world. If you have ever gazed in awe at stars in the night's sky, tried to catch a perfect snowflake or longed for the comfort of a roaring log fire, then this is the book for you. From spotting Britain's five kinds of owl to gardening by the phases of the moon, from curing a cold to brewing your own ale, and from navigating by the stars to making sloe gin, Red Sky at Night is packed with instructions and lists, ancient customs and old wives tales, making it an indispensable guide to countryside lore.

Amytis Leaves Her Garden is a lovely, lyrical collection. I particularly admire the musicality of your indvidual lines. You write with an admirable density.~ comments from Dana GioiaKaren Kelsay's distinct poetic voice descends not from the modernists, but from the 19th-century "poetess" tradition that is being rediscovered by feminist scholars. Kelsay is the editor of Victorian Violet Press poetry journal, and like flowers pressed within the pages of a Victorian album, her poems translate memorable experiences into compressed visual images, and vice versa. Lush passages of description and hard-earned lines of wisdom lodge in the reader's mind. ~ Julie Kane, Poet Laureate of Louisiana 2012 Studying this collection, "Amytis Leaves Her Garden," I am captivated most by author Karen Kelsay's confidence in her audience. Hers is a verse to respect the reader at every turn - beauty without blind, trap, or land-mine, as secure in itself as it is in its reader. "I read my thoughts on some far distant night..." she writes in the poem 'Quiet Flame' - an apt epithet for the collection - "...green willow trees with soft Parisian light." And, seated in her audience, I feel as though not only is that light my own possession, but -"far and distant" - the thought, as well. ~ Jennifer Reeser

As the golden face of Tutankhamun was found garlanded with fresh flowers exquisitely preserved for 3,000 years, the plants of ancient Egypt are brought back to life in this botanical exploration of the Pharaoh's tomb. Usually ignored by grave robbers intent on gold, the baskets, fabrics, papyri, timber, unguent vases, and model granaries filled to the brim with seeds that were buried with Tutankhamun have survived, completely intact, and each chapter of the book carries detailed descriptions of the plant species found or represented in the tomb, including emmer, fenugreek, chickpea, and types of reed and grass. F. Nigel Hepper groups the plants according to their uses, with categories such as Flowers and Leaves; Oils, Resins, and Perfumes; and Papyrus, Flax, and Other Fibrous Plants. This new edition of the fascinating book that was first published in 1990 has been fully updated to take into account recent finds and interpretations, and it features a revised and annotated further reading section, now with a guide to websites; a glossary of botanical terms; a new diagram of the tomb; additional illustrations; and a Bible references section, keyed to the main text and with quotations from the Old Testament that illuminate ancient botanical knowledge and practices.