Ancient Persia And The Book Of Esther

Esther is the most visual book of the Hebrew Bible and largely crafted in the Fourth Century BCE by an author who was clearly au fait with the rarefied world of the Achaemenid court. It therefore provides an unusual melange of information which can enlighten scholars of Ancient Iranian Studies whilst offering Biblical scholars access into the Persian world from which the text emerged. In this book, Lloyd Llewellyn-Jones unlocks the text of Esther by reading it against the rich iconographic world of ancient Persia and of the Near East. Ancient Persia and the Book of Esther is a cultural and iconographic exploration of an important, but often undervalued, biblical book, and Llewellyn-Jones presents the book of Esther as a rich source for the study of life and thought in the Persian Empire. The author reveals answers to important questions, such as the role of the King's courtiers in influencing policy, the way concubines at court were recruited, the structure of the harem in shifting the power of royal women, the function of feasting and drinking in the articulation of courtly power, and the meaning of gift-giving and patronage at the Achaemenid court.

This book situates the book of Esther in the intellectual history of Ancient Judaism and provides a new understanding of its purpose.

Esther is the most visual book of the Hebrew Bible and largely crafted in the Fourth Century BCE by an author who was clearly au fait with the rarefied world of the Achaemenid court. It therefore provides an unusual melange of information which can enlighten scholars of Ancient Iranian Studies whilst offering Biblical scholars access into the Persian world from which the text emerged. In this book, Lloyd Llewellyn-Jones unlocks the text of Esther by reading it against the rich iconographic world of ancient Persia and of the Near East. Ancient Persia and the Book of Esther is a cultural and iconographic exploration of an important, but often undervalued, biblical book, and Llewellyn-Jones presents the book of Esther as a rich source for the study of life and thought in the Persian Empire. The author reveals answers to important questions, such as the role of the King's courtiers in influencing policy, the way concubines at court were recruited, the structure of the harem in shifting the power of royal women, the function of feasting and drinking in the articulation of courtly power, and the meaning of gift-giving and patronage at the Achaemenid court.

A GOOD MORNING AMERICA BOOK CLUB PICK A BELLETRIST BOOK CLUB PICK For fans of The Hours and Fates and Furies, a bold, kaleidoscopic novel intertwining the lives of three women across three centuries as their stories of sex, power, and desire finally converge in the present day. Lily is a mother and a daughter. And a second wife. And a writer, maybe? Or she was going to be, before she had children. Now, in her rented Brooklyn apartment she’s grappling with her sexual and intellectual desires, while also trying to manage her roles as a mother and a wife in 2016. Vivian Barr seems to be the perfect political wife, dedicated to helping her charismatic and ambitious husband find success in Watergate-era Washington D.C. But one night he demands a humiliating favor, and her refusal to obey changes the course of her life—along with the lives of others. Esther is a fiercely independent young woman in ancient Persia, where she and her uncle’s tribe live a tenuous existence outside the palace walls. When an innocent mistake results in devastating consequences for her people, she is offered up as a sacrifice to please the King, in the hopes that she will save them all. In Anna Solomon's The Book of V., these three characters' riveting stories overlap and ultimately collide, illuminating how women’s lives have and have not changed over thousands of years.

This book explores the representation of Persian monarchy and the court of the Achaemenid Great Kings from the point of view of the ancient Iranians themselves and through the sometimes distorted prism of Classical authors.

Very few Bible scholars believe now in the historicity of the book of Esther, but what is really incomprehensible is that their conclusion is based only on the following prejudice: this story looks like a fairy tale, consequently, it is a fairy tale! There is no chronological investigation despite the fact that chronology is the backbone of history and there has been no historical research among archaeological witnesses despite the fact that apart from ancient texts there is no witness. Worse still, to establish their chronology, historians have blind faith in the Babylonian king lists which are nevertheless false (reporting no usurpation and no co-regency). Additionally, in order to establish historical truth, they regularly quote the official propaganda of the time which is very often misleading. Yet it is easy to check in the tablets of Persepolis that Mordecai was an eminent royal scribe called Marduka who worked with Tatennai, the governor beyond the River, under the direction of Uštanu, the satrap of Babylon, during the years 17 to 32 of Darius. Similarly, the narrative of Herodotus regarding Amestris (a name meaning 'vigorous woman' in Old Persian), Xerxes' unique wife and only queen known in Persia, corresponds in many ways to Esther ('star' in Old Persian”) despite the unfavourable and biased description of the Persian queen

What if the way the book of Esther has been taught to us in church and retold to us in films, cartoons, and romance novels has missed the original point of the story? Far from being models of piety and devotion, Esther and Mordecai seem indifferent to the faith of their ancestors. How then did this story become part of the Bible and gain the broad acceptance that it has? If the church should not neglect the story, how should it be read? Esther and Her Elusive God calls Christians to avoid the common attempts to make Esther more palatable and theological, and to reclaim this secular story as Scripture. Readers will be encouraged to see in Esther a profound message of God's grace and faithfulness to his wayward people.

At a time when America debates its values and the world braces for religious war, Bruce Feiler, author of the New York Times bestsellers Walking the Bible and Abraham, travels ten thousand miles through the heart of the Middle East—Israel, Iraq, and Iran—and examines the question: Is religion tearing us apart ... or can it bring us together? Where God Was Born combines the adventure of a wartime chronicle, the excitement of an archaeological detective story, and the insight of personal spiritual exploration. Taking readers to biblical sites not seen by Westerners for decades, Feiler's journey uncovers little-known details about the common roots of Judaism, Christianity, and Islam, and affirms the importance of the Bible in today's world. In his intimate, accessible style, Feiler invites readers on a never-in-a-lifetime experience: Israel Feiler takes a perilous helicopter dive over Jerusalem, treks through secret underground tunnels, and locates the spot where David toppled Goliath. Iraq After being airlifted into Baghdad, Feiler visits the Garden of Eden and the birthplace of Abraham, and makes a life-threatening trip to the rivers of Babylon. Iran Feiler explores the home of the Bible's first messiah and uncovers the secret burial place of Queen Esther. In Where God Was Born, Feiler discovers that at the birth of Western religion, all faiths drew from one another and were open to coexistence. Feiler's bold realization is that the Bible argues for interfaith harmony. It cannot be ceded to one side in the debate over values. Feiler urges moderates to take back the Bible and use its powerful voice as a beacon of shared ideals. In his most ambitious work to date, Bruce Feiler has written a brave, uplifting story that stirs the deepest chords of our time. Where God Was Born offers a rare, universal vision of God that can inspire different faiths to an allegiance of hope.