Ancestral Memory In Early China

Ancestral ritual in early China was an orchestrated dance between what was present (the offerings and the living) and what was absent (the ancestors). The interconnections among the tangible elements of the sacrifice were overt and almost mechanical, but extending those connections to the invisible guests required a medium that was itself invisible. Thus in early China, ancestral sacrifice was associated with focused thinking about the ancestors, with a structured mental effort by the living to reach out to the absent forebears and to give them shape and existence. Thinking about the ancestors—about those who had become distant—required active deliberation and meditation, qualities that had to be nurtured and learned. This study is a history of the early Chinese ancestral cult, particularly its cognitive aspects. Its goals are to excavate the cult’s color and vitality and to quell assumptions that it was no more than a simplistic and uninspired exchange of food for longevity, of prayers for prosperity. Ancestor worship was not, the author contends, merely mechanical and thoughtless. Rather, it was an idea system that aroused serious debates about the nature of postmortem existence, served as the religious backbone to Confucianism, and may even have been the forerunner of Daoist and Buddhist meditation practices.

In early imperial China, the dead were remembered by stereotyping them, by relating them to the existing public memory and not by vaunting what made each person individually distinct and extraordinary in his or her lifetime. Their posthumous names were chosen from a limited predetermined pool; their descriptors were derived from set phrases in the classical tradition; and their identities were explicitly categorized as being like this cultural hero or that sage official in antiquity. In other words, postmortem remembrance was a process of pouring new ancestors into prefabricated molds or stamping them with rigid cookie cutters. Public Memory in Early China is an examination of this pouring and stamping process. After surveying ways in which learning in the early imperial period relied upon memorization and recitation, K. E. Brashier treats three definitive parameters of identity—name, age, and kinship—as ways of negotiating a person’s relative position within the collective consciousness. He then examines both the tangible and intangible media responsible for keeping that defined identity welded into the infrastructure of Han public memory.

A thought-provoking book on the archaeology of power, knowledge, social memory, and the emergence of classical tradition in early China.

This innovative collection opens a door into the rich history of animals in China. This title is also available as Open Access.

The Craft of Oblivion is an innovative and groundbreaking volume that aims to study, for the first time, the intersections between forgetting and remembering in classical Chinese civilization. Oblivion has tended to be relegated to a marginal position, often conceived as the mere destructive or undesirable opposite of memory, even though it performs an essential function in our lives. Forgetting and memory, far from being autonomous and mutually exclusive spheres, should be seen as interdependent phenomena. Drawing on perspectives from history, philosophy, literature, and religion, and examining both transmitted texts and excavated materials, the contributors to this volume analyze various ways of understanding oblivion and its complex and fertile relations with memory in ancient China.

"Ancestors, Kings, and the Dao outlines the evolution of musical performance in early China, first within and then ultimately away from the socio-religious context of ancestor worship. Examining newly discovered bamboo texts from the Warring States period, Constance A. Cook compares the rhetoric of Western Zhou (1046–771 BCE) and Spring and Autumn (770–481 BCE) bronze inscriptions with later occurrences of similar terms in which ritual music began to be used as a form of self-cultivation and education. Cook’s analysis links the creation of such classics as the Book of Odes with the ascendance of the individual practitioner, further connecting the social actors in three types of ritual: boys coming of age, heirs promoted into ancestral government positions, and the philosophical stages of transcendence experienced in self-cultivation.The focus of this study is on excavated texts; it is the first to use both bronze and bamboo narratives to show the evolution of a single ritual practice. By viewing the ancient inscribed materials and the transmitted classics from this new perspective, Cook uncovers new linkages in terms of how the materials were shaped and reshaped over time and illuminates the development of eulogy and song in changing ritual contexts."

Focused on the social dimensions of Chinese religion, this multi-disciplinary presentation of Buddhism, Daoism, Confucianism, and shamanism in a time of foundational historic change analyzes their respective pantheons, rituals, geographies, organizations, canons, literature, and recent archaeological discoveries.The 24 essays gathered in these volumes provide a composite picture of the history of religion in ancient China from the emergence of writing ca. 1250 BC to the collapse of the first major imperial dynasty in 220 AD.

Ancestral Leaves follows one family through six hundred years of Chinese history and brings to life the epic narrative of the nation, from the fourteenth century through the Cultural Revolution. The lives of the Ye family—"Ye" means "leaf" in Chinese—reveal the human side of the large-scale events that shaped modern China: the vast and destructive rebellions of the nineteenth century, the economic growth and social transformation of the republican era, the Japanese invasion during World War II, and the Cultural Revolution under the Chinese Communists. Joseph W. Esherick draws from rare manuscripts and archival and oral history sources to provide an uncommonly personal and intimate glimpse into Chinese family history, illuminating the changing patterns of everyday life during rebellion, war, and revolution.

This is the publication of proceedings from the conference "Writing, Ritual and Cultural Memory in Early States" which took place in Munich in November 2007. It is dedicated to the German Sinologist Herbert Franke on the occasion of his 95th birthday on September 27th of 2009. The papers contained in this book examine ways in which time and ritual mutually stimulated each other in Early China. Attention is also paid to the role played by writing in encoding the calendar system and in the notation of time, and how time and history were linked. Most authors make use of archaeologically excavated inscriptions and try to coordinate them with received texts of Confucian classics. Their philological and historical examinations lead to in-depth views of the cultural complexity of early Chinese civilization as well as its non-linear development. Questions raised provide new perspectives and stimuli for future studies.

Contributors to this landmark volume demonstrate that ancestor veneration was about much more than claiming property rights: the spirits of the dead were central to domestic disputes, displays of wealth, and power and status relationships. Case studies from China, Africa, Europe, and Mesoamerica use the evidence of art, architecture, ritual, and burial practices to explore the complex roles of ancestors in the past. Including a comprehensive overview of nearly two hundred years of anthropological research, The Archaeology of Ancestors reveals how and why societies remember and revere the dead. Through analyses of human remains, ritual deposits, and historical documents, contributors explain how ancestors were woven into the social fabric of the living.