Anansi And The Colorful Kente Cloth

Told by the griots (storytellers), the Anansi spider tales are believed to have originated from the Ashanti people in Ghana.

In this retelling of a tale from Ghana, a wondrous spider shows two Ashanti weavers how to make intricate, colorful patterns in the cloth that they weave.

A rhyming description of the kente cloth costumes of the Ashanti and Ewe people of Ghana and a portrayal of the symbolic colors and patterns.

We are woven into Kente Cloth which symbolizes that we are never alone, but a part of a family, a community, a village, a country, a continent, rich with love, peace, joy, and humanity. Brilliantly designed in bold colors: yellows, reds, blues, oranges, greens, purples, browns, and black. In our Kente Cloth is our language Twi, which reminds us to cry out to YASU - the LAMB OF GOD that gives us purpose. So, in exaltation and praise, I shout to the nations of the world that - I am a child of GOD, I am African, I am a Masterpiece, I am Enough. Come with me as I explore the intricacies of Africa as intertwined in the story of our Kente Cloth. Akwaaba - Welcome!

This book is about the history of an African clothing material known as Kente cloth. All relevant cultural aspects of the cloth have been explained in details with several pictorial illustrations. The book traces Kente history and how it has been used since its invention, about four hundred years ago, by an Ashanti hunter. The two authors are Ashantis and traditionalists. The coauthor was born into the industry at Bonwire. He received a national award as Ghanas best Kente designer and weaver in 2008. His knowledge in the art of weaving and his lifetime exposure to Kente traditions makes it imperative for all those seeking knowledge about Kente, the genuine African fabric, to obtain a copy of this. The other important aspect this of book is the author. The book is the outcome of his intensive research on Kente cloth after his first publication (1993) of the book titled Kente Cloth: Introduction to History. This book is the history of Kente Cloth. It contains everything you need to know about this magnificent African cloth, which was created for special occasions only.

A rhyming description of the kente cloth costumes of the Ashanti and Ewe people of Ghana and a portrayal of the symbolic colors and patterns.

Anansi And The Box Of Stories

This book is about the history of an African clothing material known as "Kente Cloth". All relevant cultural aspects of the cloth have been explained in details with several pictorial illustrations. The book traces Kente history and how it has been used since its invention, about four hundred years ago, by an Ashanti hunter. The two authors are Ashantis and traditionalist. The co-author was born into the industry at Bonwire. He received a national award as the Ghana's best Kente Designer and Weaver in 2008. His knowledge in the art of weaving, and his lifetime exposure to Kente traditions, makes it imperative for all those seeking knowledge about Kente, the genuine African fabric; a must to obtain a copy. The other important aspect this of book is the author; the book is the outcme of his intensive research on Kente cloth after his first publication (1993) of the book titled "Kente Cloth: Introduction to history". This book is the "History" of Kente Cloth. It contains everything you need to know about this African magnificent cloth which was created for special occsions only.

Kente is not only the best known of all African textiles, it is also one of the most admired of all fabrics worldwide. Originating among the Asante peoples of Ghana and the Ewe peoples of Ghana and Togo, this brilliantly colored and intricately patterned strip-woven cloth was traditionally associated with royalty. Over time, however, it has come to be worn and used in many different contexts. In Wrapped in Pride, seven distinguished scholars present an exhaustive examination of the history of kente from its earliest use in Ghana to its present-day impact in the African Diaspora. Doran H. Ross is the former director of the UCLA Fowler Museum of Cultural History.