An Introduction To The Literature Of Equatorial Guinea

"Examines how postcolonial literature depicts the clash of traditional and European cultures, reflects the impact of the Macias reafricanization process, and addresses the themes of individual and national identity, Hispanic heritage, and the Equatoguinean diaspora"--Provided by publisher.

This is the first book to interpret the African dimension of contemporary Hispanic literature. Equatorial Guinea, a former Spanish colony, is the only African country in which Spanish is an official language and which has a tradition of literature in Spanish. This is a study of the literature produced by the nation’s writers from 2007 to 2013. Since its independence in 1968, Equatorial Guinea has been ruled by dictators under whom ethnic differences have been exacerbated, poverty and violence have increased, and critical voices have been silenced. The result has been an exodus of intellectuals—including writers who express their national and exile experiences in their poems, plays, short stories, and novels. The writers discussed include Juan Tomás Ávila Laurel, Donato Ndongo-Bidyogo, and Guillermina Mekuy, among others.

By Night the Mountain Burns recounts the narrator's childhood on a remote island off the West African coast, living with his mysterious grandfather, several mothers and no fathers. We learn of a dark chapter in the island's history: a bush fire destroys the crops, then hundreds perish in a cholera outbreak. Superstition dominates, and the islanders must sacrifice their possessions to the enraged ocean god. What of their lives will they manage to save? Whitmanesque in its lyrical evocation of the island, Ávila Laurel’s writing builds quietly, through the oral rhythms of traditional storytelling, into gripping drama worthy of an Achebe or a García Márquez.

Mapping literature from Spanish-speaking sub-Saharan African and Afro-Latinx Caribbean diasporas, Decolonizing Diasporas argues that the works of diasporic writers and artists from Equatorial Guinea, Puerto Rico, the Dominican Republic, and Cuba offer new worldviews that unsettle and dismantle the logics of colonial modernity. With women of color feminisms and decolonial theory as frameworks, Yomaira C. Figueroa-Vásquez juxtaposes Afro-Latinx and Afro-Hispanic diasporic artists, analyzing work by Nelly Rosario, Juan Tomás Ávila Laurel, Trifonia Melibea Obono, Donato Ndongo, Junot Díaz, Aracelis Girmay, Loida Maritza Pérez, Ernesto Quiñonez, Christina Olivares, Joaquín Mbomio Bacheng, Ibeyi, Daniel José Older, and María Magdalena Campos-Pons. Figueroa-Vásquez’s study reveals the thematic, conceptual, and liberatory tools these artists offer when read in relation to one another. Decolonizing Diasporas examines how themes of intimacy, witnessing, dispossession, reparations, and futurities are remapped in these works by tracing interlocking structures of oppression, including public and intimate forms of domination, sexual and structural violence, sociopolitical and racial exclusion, and the haunting remnants of colonial intervention. Figueroa-Vásquez contends that these diasporic literatures reveal violence but also forms of resistance and the radical potential of Afro-futurities. This study centers the cultural productions of peoples of African descent as Afro-diasporic imaginaries that subvert coloniality and offer new ways to approach questions of home, location, belonging, and justice.

After generations of being rendered virtually invisible by the US academy in critical anthologies and literary histories, writing by Latin Americans of African ancestry has become represented by a booming corpus of intellectual and critical investigation. This volume aims to provide an introduction to the literary worlds and perceptions of national culture and identity of authors from Spanish-America, Brazil, and uniquely, Equatorial Guinea, thus contextually connecting Africa to the history of Spanish colonization. The importance of Latin America literature to the discipline of African Diaspora studies is immeasurable, and this edited collection provides a ripe cultural context for critical comparative analysis among the vast geographies that encompass African and African Diaspora studies. Scholars in the area of African Diaspora Studies, Black Studies, Latin American Studies, and American literature will be able to utilize the eleven essays in this edition to enhance classroom instruction and further academic research.

"The African cities of Bata and Al-Hoceima were created during the Spanish colonial rule of Equatorial Guinea and Morocco. This book constructs their local history to analyse how Spanish colonialism worked, what its legacies were and the imprints it left on their national histories. The work explains the revision of collective memories of the past in the present as a form of decolonisation that seeks to build different foundations for the future in a transnational and glocal framework. The result is an exciting puzzle of individual and collective memories in which Africans contest their colonial cultural heritage and shape their identities at a global level"--

A teenage orphan’s quest of self-discovery in Equitorial Guinea, and a "unique contribution to LGBTQ literature" (Kirkus Reviews). “Though I live a world away from Equatorial Guinea, I saw so much of myself in Okomo: a tomboy itching to be free and to escape society’s rigged game. I cheered her on with every page, and wished—for myself and all girls—for the bravery to create our own world.” —Maggie Thrash, author of Honor Girl The first novel by an Equatorial Guinean woman to be translated into English, La Bastarda is the story of the orphaned teen Okomo, who lives under the watchful eye of her grandmother and dreams of finding her father. Forbidden from seeking him out, she enlists the help of other village outcasts: her gay uncle and a gang of “mysterious” girls reveling in their so-called indecency. Drawn into their illicit trysts, Okomo finds herself falling in love with their leader and rebelling against the rigid norms of Fang culture.

Containing roughly 850 entries about Spanish-language literature throughout the world, this expansive work provides coverage of the varied countries, ethnicities, time periods, literary movements, and genres of these writings. Providing a thorough introduction to Spanish-language literature worldwide and across time is a tall order. However, World Literature in Spanish: An Encyclopedia contains roughly 850 entries on both major and minor authors, themes, genres, and topics of Spanish literature from the Middle Ages to the present day, affording an amazingly comprehensive reference collection in a single work. This encyclopedia describes the growing diversity within national borders, the increasing interdependence among nations, and the myriad impacts of Spanish literature across the globe. All countries that produce literature in Spanish in Europe, Africa, the Americas, and Asia are represented, covering both canonical authors and emerging contemporary writers and trends. Underrepresented writings—such as texts by women writers, queer and Afro-Hispanic texts, children's literature, and works on relevant but less studied topics such as sports and nationalism—also appear. While writings throughout the centuries are covered, those of the 20th and 21st centuries receive special consideration.