An Introduction To Anglo Saxon Architecture And Sculpture

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This book is for readers who wish to learn more about Anglo-Saxon church architecture and Anglo-Saxon and Anglo-Scandinavian stone sculpture. Intended for the student and non-specialist alike, as well as readers who already have some knowledge of the subjects covered, it bridges the divide between an academic approach and that of the interested general public. The aim is to provide an informed introduction to the subjects so that the reader will be able to confidently recognise Anglo- Saxon church architectural features and Anglo-Saxon and Anglo-Scandinavian stone sculpture. The contents, including illustrations and photographs, all meticulously checked on site, are drawn from the authorÕs extensive research and travels over many years. Especially useful is the gazetteer section offering a selection of sites providing excellent examples of the features described in the main body of the book.

To meet the demands of this first comprehensive catalogue of Anglo-Saxon stone sculpture, Professor Cramp, the series editor, has devised a new system of description capable of dealing with the complex ornament of the material. As well as classifying forms, shapes and decoration, she also discusses techniques of carving, dating methods and epigraphy. The extensive use of line drawings to illustrate each point makes this the most useful and compact work produced on the subject to date--an invaluable reference tool for anyone interested in early medieval art and design.

Providing a fresh appraisal of the art of Anglo-Saxon England, this text looks at its influence upon the creation of an identity as a nation.

" ... surveys the entire spectrum of English art from the beginning of the fifth century to the end of the twelfth century"--Jacket flap.

The seven centuries of the Anglo-Saxon period in England, roughly AD 400-1100, were a time of extraordinary and profound transformation in almost every aspect of its culture, culminating in a dramatic shift from a barbarian society to a recognizably medieval civilization. This book traces the changing nature of that art, the different roles it played in Anglo-Saxon culture, and the various ways it both reflected and influenced the changing context in which it was created.

This is a lucid, authoritative and well-balanced account of Anglo-Saxon history. The third edition includes an introduction by Simon Keynes. Between the end of the Roman occupation and the coming of the Normans, England was settled by Germanic races; the kingdom as a political unit was created, heathenism yielded to a vigorous Christian Church, superb works of art were made, and the English language - spoken and written - took its form. These origins of the English heritage are Hunter Blair's subject. The first two chapters survey Anglo-Saxon England: its wars, its invaders, its peoples and its kings. The remaining chapters deal with specific aspects of its culture: its Church, government, economy and literary achievement. Throughout the author uses illustrations and a wide range of sources - documents, archaeological evidence and place names - to illuminate the period as a whole. For this edition, Simon Keynes has prepared a thoroughly updated bibliography.