An Extravagance Of Donkeys

These are true stories, told with insight and understanding, of life on a farm in New Hampshire that became a sanctuary for any donkey that needed a home. Donkeys are thought to be humble and stubborn. They are much more than that: from Jenny who goes up an Elizabethan spiral staircase and does not want to come down, to the concern members of the herd display when one of them is ill. They celebrate the arrival of a foal and respect the authority of the mule that joins them. When she dies, they stand on her grave and bray a sad requiem on and on into the night. Thousands of years of being the beast of burden of the poor have stamped donkeys with a stigma of inferiority, but they have humor, strong wills, and a great deal of affection to give. They are curious and loyal. These are stories about friendship: the donkeys with each other and with the author who established her love for her first donkey when she was very young. After the sad death of that donkey, she vowed to offer sanctuary to any donkey who needed a home. These are stories to read aloud in a family setting or perhaps by a young person who can empathize with and enjoy these often misunderstood gentle creatures. They are stories for anyone who loves animals.

Though donkeys have historically been among our most useful domesticated animals—from plowing fields to navigating difficult terrain—they have been much maligned in popular culture and given very little respect. So much so, that their perceived qualities of stupidity and stubbornness have made their way into the language of insult. But in Donkey, Jill Bough champions this humble creature, proving that after 10,000 years of domestication, this incredibly hard-working animal deserves our appreciation. Bough reveals the animal’s historic significance in Ancient Egypt, where it was once highly regarded—even worshipped. However, this elevated status did not endure in Ancient Greece and Rome, where donkeys were denigrated, ridiculed, and abused. Since that time, donkeys have continued to be associated with the poorest and most marginalized in human societies. All that time and all over the world, donkeys continue to be used for innumerable tasks, and even today, donkeys are considered to be one of the best draught animals in developing nations, where they continue to make a vital contribution. Bough rounds out her account with a look at the variety of social, cultural, and religious meanings that donkeys have embodied, especially in literature and art. With accounts that are both fascinating and touching, this cultural history of the donkey will inspire a new respect and admiration for this essential creature.

"'A donkey?' blurted my family as one. For a moment it didn't seem they'd ever be able to list all the reasons that made this so entertainingly ludicrous. . . .Yes, I'd never ridden a donkey on a beach or petted one at a city farm, never even pinned a cardboard tail to one's throat after the cake and ice cream....A donkey would be my hairy-coated hair shirt, making my pilgrimage to Santiago de Compostela a truer test of the will, a trial." With these words, having no knowledge of Spanish and even less about the care and feeding of donkeys, Tim Moore, Britain's indefatigable traveling Everyman, sets out on a pilgrimage to the cathedral at Santiago de Compostela with a donkey named Shinto as his companion. Armed only with the Codex Calixtinus, a twelfth-century handbook to the route, and expert advice on donkey management from Robert Louis Stevenson, Moore and his four-legged companion travel the ancient five-hundred-mile route from St. Jean Pied-de-Port, on the French side of the Pyrenees, to the cathedral at Santiago de Compostela, which houses the remains of Spain's patron saint, St. James. Over sun-scorched highways, precipitous bridges, dirt paths shaded by leafy trees, and vineyards occasionally lashed by downpours, Moore and Shinto pass through some of the oldest towns and cities in northern Spain in colorful company, both past and present. Pilgrims real and imagined have traveled this route throughout the ages, a diverse cast of wayfarers spanning Charlemagne, St. Francis of Assisi, Chaucer's Wife of Bath, and New Age diva, Shirley MacLaine. Moore's present-day companions are no less florid or poignant. Clearly more interested in Shinto than in Moore, their fellow walkers are an assortment of devout Christian pilgrims, New Age spirituality seekers, travelers grieving over a lost love affair, Baby Boomers contemplating the advent of middle age, and John Q. Public just out for a cheap, boozy sun-drenched outdoor holiday. As Moore pushes, pulls, wheedles, cajoles, and threatens Shinto across Spain toward the crypt of St. James in a quest to find the spiritual pilgrim within, the duo overnights in the bedrooms, dormitories, and---for Shinto---adjacent grassy fields of northern Spain's hostels, inns, convents, seminaries, and farmhouses. Shinto, a donkey with a finely honed talent for relieving himself at the most inopportune moments, has better luck in the search for his next meal than Moore does in finding his inner St. Francis. Undaunted, however, Man and Beast finally arrive at the cathedral and a successful end to their journey. For readers who delighted in his earlier books, Travels with My Donkey is the next hilarious chapter in the travels of Tim Moore, a book that keeps the bones of St. James rattling till this day.

Contains 14 chapters that focus on various aspects of economic organization and behaviour, mostly based on empirical fieldwork conducted by the authors themselves. This title takes a look at urban food provisioning in Cameroon and an investigation into entrepreneurial activities in the rapidly-changing economy of Cairo.

THE G. K. CHESTERTON COLLECTION [50 BOOKS] G. K. CHESTERTON — 50 Books in One: 22 Non-Fiction, 11 Fiction, 8 Biographies, 4 Poetry, 1 Play, 3 Critiques, 1 Introduction — Over 2.3 Million Words in one E-Book — Includes an Introduction to Gilbert Keith Chesterton — Includes an Active Index to all books and 50 Table of Contents for each book — Includes Illustrations by Claude Monet Gilbert Keith Chesterton (1874–1936) was an English writer. He wrote on philosophy, ontology, poetry, plays, journalism, public lectures and debates, literary and art criticism, biography, Christian apologetics, and fiction, including fantasy and detective fiction. Chesterton is often referred to as the "prince of paradox". Whenever possible, Chesterton made his points with popular sayings, proverbs, and allegories—first carefully turning them inside out. Chesterton is well known for his reasoned apologetics and even some of those who disagree with him have recognized the universal appeal of such works as Orthodoxy and The Everlasting Man. Chesterton, as a political thinker, cast aspersions on both progressivism and conservatism, saying, "The whole modern world has divided itself into Conservatives and Progressives. The business of Progressives is to go on making mistakes. The business of the Conservatives is to prevent the mistakes from being corrected." Chesterton routinely referred to himself as an "orthodox" Christian, and came to identify such a position more and more with Catholicism, eventually converting to Roman Catholicism from High Church Anglicanism. George Bernard Shaw, Chesterton's "friendly enemy" said of him, "He was a man of colossal genius". INCLUDED BOOKS: GILBERT KEITH CHESTERTON —NON-FICTION— HERETICS ORTHODOXY WHAT’S WRONG WITH THE WORLD WHAT I SAW IN AMERICA THE NEW JERUSALEM IRISH IMPRESSIONS A SHORT HISTORY OF ENGLAND EUGENICS AND OTHER EVILS THE SUPERSTITION OF DIVORCE THE APPETITE OF TYRANNY THE CRIMES OF ENGLAND THE BLATCHFORD CONTROVERSIES THE VICTORIAN AGE IN LITERATURE A MISCELLANY OF MEN ALARMS AND DISCURSIONS ALL THINGS CONSIDERED THE DEFENDANT TREMENDOUS TRIFLES UTOPIA OF USURERS AND OTHER ESSAYS THE USES OF DIVERSITY ESSAYS BY CHESTERTON A CHESTERTON CALENDAR —FICTION— THE INNOCENCE OF FATHER BROWN THE WISDOM OF FATHER BROWN THE MAN WHO WAS THURSDAY THE MAN WHO KNEW TOO MUCH THE NAPOLEON OF NOTTING HILL THE FLYING INN MANALIVE THE BALL AND THE CROSS THE CLUB OF QUEER TRADES THE TREES OF PRIDE OTHER STORIES —BIOGRAPHY— VARIED TYPES CHARLES DICKENS APPRECIATIONS AND CRITICISMS OF THE WORKS OF CHARLES DICKENS GEORGE BERNARD SHAW ROBERT BROWNING WILLIAM BLAKE G.F. WATTS BIOGRAPHIES BY CHESTERTON —POETRY— THE BALLAD OF THE WHITE HORSE THE BALLAD OF SAINT BARBARA THE WILD KNIGHT AND OTHER POEMS GREYBEARDS AT PLAY —PLAYS— MAGIC —CRITIQUES— GILBERT KEITH CHESTERTON by Cecil Chesterton GILBERT KEITH CHESTERTON by Patrick Braybrooke OTHER G. K. CHESTERTON CRITIQUES PUBLISHER: CATHOLIC WAY PUBLISHING

The New Jerusalem By G. K. Chesterton The New Jerusalem is a 1920 book by the English author and journalist G. K. Chesterton. Dale Ahlquist calls it a "philosophical travelogue" of Chesterton's journey across Europe to Palestine. It was in the season of Christmas that I came out of my little garden in that "field of the beeches" between the Chilterns and the Thames, and began to walk backwards through history to the place from which Christmas came. For it is often necessary to walk backwards, as a man on the wrong road goes back to a sign-post to find the right road. The modern man is more like a traveller who has forgotten the name of his destination, and has to go back whence he came, even to find out where he is going. That the world has lost its way few will now deny; and it did seem to me that I found at last a sort of sign-post, of a singular and significant shape, and saw for a moment in my mind the true map of the modern wanderings; but whether I shall be able to say anything of what I saw, this story must show. The New Jerusalem By G. K. Chesterton

Story of a painter on vacation and a mistreated donkey.