An Explanation Of The Organ Stops With Hints For Effective Combinations Primary Source Edition

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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

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Excerpt from An Explanation of the Organ Stops: With Hints for Effective Combinations My paper on Organ Stops, originally written for a course of lectures to organists, was published by the desire of a committee of teachers. In altering and enlarging the original work for the press, I was struck by the number and excellence of literary works on the organ, its construction, preservation, and pitch. It is evident, however, that in these only a limited space could be devoted to the organ stops. During a practice of twenty-five years, interspersed with numerous concert-tours, and occasional calls upon me as an expert, I have made organ stops, their peculiarity and acoustic effects, my special study. In working up this material, extending as it does over divers provinces of musical science, I secured the welcome co-operation of several highly experienced colleagues. Before all others, I offer to Prof Dr. A. Forster, of Berne, my warmest thanks for his kindness in stimulating and facilitating my studies by the loan of books on physical acoustics, and by highly interesting experiments. I also wish to offer my best thanks to the organ-builders who have thoroughly revised that portion of my work treating on the technicalities of organ-building. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.