An Empire Of Many Cultures

The center of gravity in Roman studies has shifted far from the upper echelons of government and administration in Rome or the Emperor's court to the provinces and the individual. The multi-disciplinary studies presented in this volume reflect the turn in Roman history to the identities of ethnic groups and even single individuals who lived in Rome's vast multinational empire. The purpose is less to discover another element in the Roman Empire's 'success' in governance than to illuminate the variety of individual experience in its own terms. The chapters here, reflecting a wide spectrum of professional expertise, range across the many cultures, languages, religions and literatures of the Roman Empire, with a special focus on the Jews as a test-case for the larger issues. This title is also available as Open Access on Cambridge Core.

Based upon original research and bringing to life the words and actions of Bahá'í, Muslim, and Jewish leaders during the early 20th century, this study sheds light on each found meaning and value in the diversity that characterised the British Empire, enabling the creation of relationships that would have an impact on future generations.

This volume explores a world that thought deeply about imperial power and emperors but one that perhaps never had an "empire" of its own. These synthetic essays from experts across a wide variety of disciplines mine the intellectual world of this period and begin to demolish the myth of the so-called "Dark Ages," showing how the European Middle Ages were illuminated by vigorous debates that echo today. The story of medieval Western empires is both familiar and foreign. It is a story about politics, culture, religion, society, gender, sex, and economics, and how porous the boundaries between those categories can often be.A Cultural History of Western Empires in the Middle Ages offers a detailed and highly-illustrated account of how we got to where we are, as well as the dangers of not fully understanding why those origins matter.

This book is a sweeping historical survey of the origins, development and nature of state power. It demonstrates that Eurasia is home to a dominant tradition of arbitrary rule mediated through military, civil and ecclesiastical servants and a marginal tradition of representative and responsible government through autonomous institutions. The former tradition finds expression in hierarchically organized and ideologically legitimated continental bureaucratic states while the latter manifests itself in the state of laws. In recent times, the marginal tradition has gained in popularity and has led to continental bureaucratic states attempting to introduce democratic and constitutional reforms. These attempts have rarely altered the actual manner in which power is exercised by the state and its elites given the deeper and historically rooted experience of arbitrary rule. Far from being remote, the arbitrary culture of power that emerged in many parts of the world continues to shape the fortunes of states. To ignore this culture of power and the historical circumstances that have shaped it comes at a high price, as indicated by the ongoing democratic recession and erosion of liberal norms within states that are democracies.

The History of Civilizations traces the history of man in this vast region from the Palaeolithic beginnings to circa 700 B.C. when the foundations for the formation of the great Empire were laid. Many different elements must come together before a human community develops to the level of sophistication commonly referred to as civilization. The first is the existence of settlements classifiable as towns or cities. This requires food production to be efficient enough for a large minority of the community to be engaged in more specialized activities-such as the creation of imposing buildings or works of art, the practice of skilled warfare, and above all the administration of a centralized bureaucracy capable of running the machinery of state. Despite the major role played by Central Asia in shaping the history of the past and of today, this vast region, stretching from the Caspian Sea to Mongolia and western China, had not been studied as a whole cultural entity in time and space. This multi-volume History of Civilizations of Central Asia, published in English, is the first attempt to present a comprehensive picture of the cultures that flourished and vanished at the heart of the Eurasian continent from the dawn of civilization to the present day. The book is an engaging and thought-provoking philosophical account that demonstrates that critical inquiry is an ongoing process with strains of continuity and evolution of Civilizations.

Based upon extensive archival research and bringing to life the words and actions of extraordinary individuals from the early 20th century, this book calls into question contemporary assumptions about the appreciation of diversity as a solely postcolonial phenomenon. It shows how Bahá’í, Muslim, and Jewish leaders prior to and during WWI found value in the existence of many different religions, races, languages, nations, and ethnicities within the British Empire. Recognition of this heterogeneity combined with sympathy for certain liberal traditions allowed those historical actors to engage with that imperial state and culture in ways that would have an impact on future generations and relevance to modern debates.

This third, revised and augmented edition of Peter Rietbergen’s highly acclaimed Europe: A Cultural History provides a major and original contribution to the study of Europe. From ancient Babylonian law codes to Pope Urban’s call to crusade in 1095, and from Michelangelo on Italian art in 1538 to Sting’s songs in the late twentieth century, the expressions of the culture that has developed in Europe are diverse and wide-ranging. This exceptional text expertly connects this variety, explaining them to the reader in a thorough and yet highly readable style. Presented chronologically, Europe: A Cultural History examines the many cultural building blocks of Europe, stressing their importance in the formation of the continent’s ever-changing cultural identities. Starting with the beginnings of agricultural society and ending with the mass culture of the early twenty-first century, the book uses literature, art, science, technology and music to examine Europe’s cultural history in terms of continuity and change. Rietbergen looks at how societies developed new ways of surviving, believing, consuming and communicating throughout the period. His book is distinctive in paying particular attention to the ways early Europe has been formed through the impact of a variety of cultures, from Celtic and German to Greek and Roman. The role of Christianity is stressed, but as a contested variable, as are the influences from, for example, Asia in the early modern period and from American culture and Islamic immigrants in more recent times. Since anxieties over Europe's future mount, this third edition text has been thoroughly revised for the late twentieth and early twenty-first centuries. Moreover, it now also includes a 'dossier' of some seventeen essay-like vignettes that highlight cultural phenomena said to be characteristic of Europe: social solidarity, capitalism, democracy and so forth. With a wide selection of illustrations, maps, excerpts of sources and even lyrics from contemporary songs to support the arguments, this book both serves the general reader as well as students of historical and cultural studies.

This book explores new ways of analysing interactions between different linguistic, cultural, and religious communities across the Roman Empire from the reign of Nerva to the Severans (96–235 CE). Bringing together leading scholars in classics with experts in the history of Judaism, Christianity and the Near East, it looks beyond the Greco-Roman binary that has dominated many studies of the period, and moves beyond traditional approaches to intertextuality in its study of the circulation of knowledge across languages and cultures. Its sixteen chapters explore shared ideas about aspects of imperial experience - law, patronage, architecture, the army - as well as the movement of ideas about history, exempla, documents and marvels. As the second volume in the Literary Interactions series, it offers a new and expansive vision of cross-cultural interaction in the Roman world, shedding light on connections that have gone previously unnoticed among the subcultures of a vast and evolving Empire.

This third, revised and augmented edition of Peter Rietbergen’s highly acclaimed Europe: A Cultural History provides a major and original contribution to the study of Europe. From ancient Babylonian law codes to Pope Urban’s call to crusade in 1095, and from Michelangelo on Italian art in 1538 to Sting’s songs in the late twentieth century, the expressions of the culture that has developed in Europe are diverse and wide-ranging. This exceptional text expertly connects this variety, explaining them to the reader in a thorough and yet highly readable style. Presented chronologically, Europe: A Cultural History examines the many cultural building blocks of Europe, stressing their importance in the formation of the continent’s ever-changing cultural identities. Starting with the beginnings of agricultural society and ending with the mass culture of the early twenty-first century, the book uses literature, art, science, technology and music to examine Europe’s cultural history in terms of continuity and change. Rietbergen looks at how societies developed new ways of surviving, believing, consuming and communicating throughout the period. His book is distinctive in paying particular attention to the ways early Europe has been formed through the impact of a variety of cultures, from Celtic and German to Greek and Roman. The role of Christianity is stressed, but as a contested variable, as are the influences from, for example, Asia in the early modern period and from American culture and Islamic immigrants in more recent times. Since anxieties over Europe's future mount, this third edition text has been thoroughly revised for the late twentieth and early twenty-first centuries. Moreover, it now also includes a 'dossier' of some seventeen essay-like vignettes that highlight cultural phenomena said to be characteristic of Europe: social solidarity, capitalism, democracy and so forth. With a wide selection of illustrations, maps, excerpts of sources and even lyrics from contemporary songs to support the arguments, this book both serves the general reader as well as students of historical and cultural studies.