An Account Of Some Strange Disturbances In Aungier Street Original Edition

It is not worth telling, this story of mine--at least, not worth writing. Told, indeed, as I have sometimes been called upon to tell it, to a circle of intelligent and eager faces, lighted up by a good after-dinner fire on a winter's evening, with a cold wind rising and wailing outside, and all snug and cosy within, it has gone off--though I say it, who should not--indifferent well. But it is a venture to do as you would have me. Pen, ink, and paper are cold vehicles for the marvellous, and a "reader" decidedly a more critical animal than a "listener."

How is this book unique? Font adjustments & biography included Unabridged (100% Original content) Illustrated About An Account of Some Strange Disturbances in Aungier Street by Joseph Sheridan Le Fanu An Account of Some Strange Disturbances in Aungier Street by Joseph Sheridan Le Fanu is told through the eyes of Dick, a medical student who moves with his cousin Tom into his uncle's unoccupied house on Aungier Street, somewhere in Dublin. After moving in, two young men learn that the house was once occupied by a Judge who hung himself over the railing of the staircase. Dick and Tom begin having nightmares in which they are visited by mysterious floating portraits and the ghost of the judge. On multiple occasions Dick is awoken during the night by footsteps descending from the attic. Upon leaving his room to investigate, he comes upon a "black monster...with great greenish eyes" one night and a "monstrous grey rat" another night. Tom has similarly horrific experiences, so the two decide to move out. At the end of the story readers learn ironically appropriate fate of the house: it was burned down by a demented doctor, then rebuilt and inhabited by an undertaker, someone who prepares dead bodies for funerals.

Joseph Sheridan Le Fanu was an Irish writer of Gothic tales, mystery novels, and horror fiction. The presented here story is written in the best traditions of the mysterious horror was published in the Dublin University Magazine, January 1851.

»An Account of Some Strange Disturbances in Aungier Street« is a short story by L. Sheridan Le Fanu, first published in 1853. JOSEPH SHERIDAN LE FANU [1814-1873] was an Irish mystery and horror author. He had an enormous influence on the horror genre in the 19th and 20th century, especially through his championing of tone and effect rather than shock factor. Among his most noted work is the lesbian vampire novella Carmilla [1872] and mystery Uncle Silas [1864].

An Account of Some Strange Disturbances in Aungier Street by J. Sheridan Le Fanu An Account of Some Strange Disturbances in Aungier Street By J. Sheridan Le Fanu Novelist, son of a Dean of the Episcopal Church of Ireland, and grand-nephew of Richard Brinsley Sheridan, was educated at Trinity College, Dublin, and became a contributor and ultimately proprietor of the Dublin University Magazine, in which many of his novels made their first appearance. Called to the Bar in 1839, he did not practise, and was first brought into notice by two ballads, Phaudrig Croohoore and Shamus O'Brien, which had extraordinary popularity. His novels, of which he wrote 12, include The Cock and Anchor [1845], Torlough O'Brien [1847], The House by the Churchyard [1863], Uncle Silas (perhaps the most popular) [1864], The Tenants of Malory [1867], In a Glass Darkly [1872], and Willing to Die (posthumously). They are generally distinguished by able construction, ingenuity of plot, and power in the presentation of the mysterious and supernatural. Among Irish novelists he is generally ranked next to Lever. We are delighted to publish this classic book as part of our extensive Classic Library collection We are delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. To ensure a high quality product, each title has been meticulously hand curated by our staff. Our philosophy has been guided by a desire to provide the reader with a book that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic work, and that for you it becomes an enriching experience.

It is not worth telling, this story of mine--at least, not worth writing. Told, indeed, as I have sometimes been called upon to tell it, to a circle of intelligent and eager faces, lighted up by a good after-dinner fire on a winter's evening, with a cold wind rising and wailing outside, and all snug and cosy within, it has gone off--though I say it, who should not--indifferent well. But it is a venture to do as you would have me. Pen, ink, and paper are cold vehicles for the marvellous, and a "reader" decidedly a more critical animal than a "listener." If, however, you can induce your friends to read it after nightfall, and when the fireside talk has run for a while on thrilling tales of shapeless terror; in short, if you will secure me the mollia tempora fandi, I will go to my work, and say my say, with better heart. Well, then, these conditions presupposed, I shall waste no more words, but tell you simply how it all happened.My cousin (Tom Ludlow) and I studied medicine together. I think he would have succeeded, had he stuck to the profession; but he preferred the Church, poor fellow, and died early, a sacrifice to contagion, contracted in the noble discharge of his duties. For my present purpose, I say enough of his character when I mention that he was of a sedate but frank and cheerful nature; very exact in his observance of truth, and not by any means like myself--of an excitable or nervous temperament.My Uncle Ludlow--Tom's father--while we were attending lectures, purchased three or four old houses in Aungier Street, one of which was unoccupied. He resided in the country, and Tom proposed that we should take up our abode in the untenanted house, so long as it should continue unlet; a move which would accomplish the double end of settling us nearer alike to our lecture-rooms and to our amusements, and of relieving us from the weekly charge of rent for our lodgings.

An Account of Some Strange Disturbances in Aungier Streetby Joseph Sheridan Le Fanu Joseph Thomas Sheridan Le Fanu (28 August 1814 - 7 February 1873) was an Irish writer of Gothic tales and mystery novels. He was the leading ghost-story writer of the nineteenth century and was central to the development of the genre in the Victorian era. Three of his best known works are Uncle Silas, "Carmilla" and The House by the Churchyard. Sheridan Le Fanu was born at 45 Lower Dominick Street, Dublin, into a literary family of Huguenot origins. His parents were Thomas Philip Le Fanu and Emma Lucretia Dobbin. Both his grandmother Alicia Sheridan LeFanu and his great-uncle Richard Brinsley Sheridan were playwrights (his niece Rhoda Broughton would become a successful novelist). Within a year of his birth his family moved to the Royal Hibernian Military School in the Phoenix Park, where his father, a Church of Ireland clergyman, was appointed to the chaplaincy of the establishment. The Phoenix Park and the adjacent village and parish church of Chapelizod would appear in Le Fanu's later stories. In 1826 the family moved to Abington, County Limerick, where Le Fanu's father Thomas took up his second rectorship in southern Ireland. Although he had a tutor, Le Fanu also used his father's library to educate himself. His father was a stern Protestant churchman and raised his family in an almost Calvinist tradition. In 1832 the disorders of the Tithe War (1831-1836) affected the region. There were about six thousand Catholics in the parish of Abington, and only a few dozen members of the Church of Ireland. (In bad weather the Dean cancelled Sunday services because so few parishioners would attend.) However, the government compelled all farmers, including Catholics, to pay tithes for the upkeep of the Protestant church. The following year the family moved back temporarily to Dublin, to Williamstown Avenue in a southern suburb, where Thomas was to work on a Government commission. Although Thomas Le Fanu tried to live as though he were well-off, the family was in constant financial difficulty. Thomas took the rectorships in the south of Ireland for the money, as they provided a decent living through tithes. However, from 1830, as the result of agitation against the tithes, this income began to fall and it ceased entirely two years later. In 1838 the government instituted a scheme of paying rectors a fixed sum, but in the interim the Dean had little besides rent on some small properties he had inherited. In 1833 Thomas had to borrow £100 from his cousin Captain Dobbins (who himself ended up in the debtors' prison a few years later) to visit his dying sister in Bath, who was also deeply in debt over her medical bills. At his death Thomas had almost nothing to leave to his sons and the family had to sell his library to pay off some of his debts. His widow went to stay with the younger son William.We are delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. To ensure a high quality product, each title has been meticulously hand curated by our staff. Our philosophy has been guided by a desire to provide the reader with a book that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic work, and that for you it becomes an enriching experience.An Account of Some Strange Disturbances in Aungier Street by Joseph Sheridan Le Fanu Joseph Sheridan Le Fanu

J. S. Le Fanu's Ghostly Tales (Volume I): Schalken The Painter (1851) And An Account Of Some Strange Disturbances In Aungier Street (1853) This book is a result of an effort made by us towards making a contribution to the preservation and repair of original classic literature. In an attempt to preserve, improve and recreate the original content, we have worked towards: 1. Type-setting & Reformatting: The complete work has been re-designed via professional layout, formatting and type-setting tools to re-create the same edition with rich typography, graphics, high quality images, and table elements, giving our readers the feel of holding a 'fresh and newly' reprinted and/or revised edition, as opposed to other scanned & printed (Optical Character Recognition - OCR) reproductions. 2. Correction of imperfections: As the work was re-created from the scratch, therefore, it was vetted to rectify certain conventional norms with regard to typographical mistakes, hyphenations, punctuations, blurred images, missing content/pages, and/or other related subject matters, upon our consideration. Every attempt was made to rectify the imperfections related to omitted constructs in the original edition via other references. However, a few of such imperfections which could not be rectified due to intentional\unintentional omission of content in the original edition, were inherited and preserved from the original work to maintain the authenticity and construct, relevant to the work. We believe that this work holds historical, cultural and/or intellectual importance in the literary works community, therefore despite the oddities, we accounted the work for print as a part of our continuing effort towards preservation of literary work and our contribution towards the development of the society as a whole, driven by our beliefs. We are grateful to our readers for putting their faith in us and accepting our imperfections with regard to preservation of the historical content. HAPPY READING!

An incredible collection of twelve horrifying short stories. Many of these ghost stories are set in Limerick, Ireland. The use of folklore gives them a compelling atmosphere, uniquely different from the gothic supernatural tales of the time.

This book is the logical continuation of a series of collected essays examining the origins and evolution of myths and legends of the supernatural in Western and non-Western tradition and popular culture. The first two volumes of the series, The Universal Vampire: Origins and Evolution of a Legend (Fairleigh Dickinson University Press, 2013) and Images of the Modern Vampire: The Hip and the Atavistic. (Fairleigh Dickinson University Press, 2013) focused on the vampire legend. The essays in this collection expand that scope to include a multicultural and multigeneric discussion of a pantheon of supernatural creatures who interact and cross species-specific boundaries with ease. Angels and demons are discussed from the perspective of supernatural allegory, angelic ethics and supernatural heredity and genetics. Fairies, sorcerers, witches and werewolves are viewed from the perspectives of popular nightmare tales, depictions of race and ethnicity, popular public discourse and cinematic imagery. Discussions of the “undead and still dead” include images of death messengers and draugar, zombies and vampires in literature, popular media and Japanese anime.