Amy In Amsterdam

Amy and Nick have been happily married for eight years but the erotic spark is missing because of Amy's self-imposed morality. That is until they meet Elise, an exotic Frenchwoman, who introduces them to a lifestyle they had never imagined. Elise, her Dutch husband Stefan and her black lover Phillipe encourage the shy, introverted Amy to embark on a passionate adventure that transforms her from an engagingly naïve married woman into the hotwife that Nick has long fantasized about. In just one weekend Amy samples everything Amsterdam has to offer... while her conflicted husband watches. This is book two in the Hotwife Travel series. The entire series is focused on couples sharing the romance of discovering the hotwife, wife-sharing, wife watching, lifestyle together. If you missed book one of the series just search for Natalie in Nassau.

A behind-the-scenes look at the floriculture industry covers how cut flowers are bred, grown, and sold in the United States, discussing the historical roots of the industry and describing the attitudes of those involved in floriculture.

A Fast Company best book of the yearA Washington Post bestsellerWinner of the 2017 Axiom Business Book Award in Business Technology How do you tell a real trend from the merely trendy? How, for example, will a technology--like artificial intelligence, machine learning, self-driving cars, biohacking, bots, and the Internet of Things--affect us, our businesses, and workplaces? How will it eventually change the way we live, work, play, and think--and how should we prepare for it now? In The Signals Are Talking, noted futurist Amy Webb shows us how to analyze the "true signals"--those patterns that will coalesce into a trend with the potential to change everything-and land on the right side of disruption. The future, Webb shows, isn't something that happens to us passively. Using a proven, tested methodology, she enables us to see ahead and forecast what's to come--challenging us to create our own preferred futures.

Michael Williams, in Melbourne’s The Age, wrote of this award-winning, dazzling debut collection, “By turns horrific and beautiful . . . Humanity at its most fractured and desolate . . . Often moving, frequently surprising, even blackly funny . . . Things We Didn’t See Coming is terrific.” This is just one of the many rave reviews that appeared on the Australian publication of these nine connected stories set in a not-too-distant dystopian future in a landscape at once utterly fantastic and disturbingly familiar. Richly imagined, dark, and darkly comic, the stories follow the narrator over three decades as he tries to survive in a world that is becoming increasingly savage as cataclysmic events unfold one after another. In the first story, “What We Know Now”—set in the eve of the millennium, when the world as we know it is still recognizable—we meet the then-nine-year-old narrator fleeing the city with his parents, just ahead of a Y2K breakdown. The remaining stories capture the strange—sometimes heartbreaking, sometimes funny—circumstances he encounters in the no-longer-simple act of survival; trying to protect squatters against floods in a place where the rain never stops, being harassed (and possibly infected) by a man sick with a virulent flu, enduring a job interview with an unstable assessor who has access to all his thoughts, taking the gravely ill on adventure tours. But we see in each story that, despite the violence and brutality of his days, the narrator retains a hold on his essential humanity—and humor. Things We Didn’t See Coming is haunting, restrained, and beautifully crafted—a stunning debut.

"Photographing strangers on the street is like having an epic novel read aloud to you, only it's real. You're connected. You're involved. And you carry every piece of it with you from then on."--Amy Touchette A resident of New York City since 1997, Amy Touchette started photographing people in Bedford-Stuyvesant, Brooklyn, soon after moving to the neighborhood in 2015. Perhaps best known for being the childhood home of rapper Jay-Z and the setting of Spike Lee's film Do the Right Thing, what struck Touchette most about Bed-Stuy was its strong sense of community and the relationships that underpin it. Using a Rolleiflex film camera, friends, family members, and couples often caught her eye. Knowing she was a stranger appealing for their time, Touchette tried to make the encounters as quick and easy as possible, making just two frames of each subject. Whether photographing in Hawaii, Japan, Malaysia, Vietnam, the American South, or in her own adopted neighborhood in Bed-Stuy, Touchette has always used photography to shine the light on others, a strong believer that eye contact is the gateway to empathy and the realization that we are all in this together. Although all of her projects stem from a personal endearment, these photographs, set in the streets she calls home, are especially personal.

This extraordinary collection of letters sheds light on one of the most important postwar American poets and on a creative woman's life from the 1950s onward. Amy Clampitt was an American original, a literary woman from a Quaker family in rural Iowa who came to New York after college and lived in Manhattan for almost forty years before she found success (or before it found her) at the age of 63 with the publication of The Kingfisher. Her letters from 1950 until her death in 1994 are a testimony to her fiercely independent spirit and her quest for various kinds of truth-religious, spiritual, political, and artistic. Written in clear, limpid prose, Clampitt's letters illuminate the habits of imagination she would later use to such effect in her poetry. She offers, with wit and intelligence, an intimate and personal portrait of life as an independent woman recently arrived in New York City. She recounts her struggle to find a place for herself in the world of literature as well as the excitement of living in Manhattan. In other letters she describes a religious conversion (and then a gradual religious disillusionment) and her work as a political activist. Clampitt also reveals her passionate interest in and fascination with the world around her. She conveys her delight in a variety of day-to-day experiences and sights, reporting on trips to Europe, the books she has read, and her walks in nature. After struggling as a novelist, Clampitt turned to poetry in her fifties and was eventually published in the New Yorker. In the last decade of her life she appeared like a meteor on the national literary scene, lionized and honored. In letters to Helen Vendler, Mary Jo Salter, and others, she discusses her poetry as well as her surprise at her newfound success and the long overdue satisfaction she obviously felt, along with gratitude, for her recognition.

Author Nick Johnstone unravels the all too short life and career of one of Britain's most brilliant and troubled stars. "Amy Amy Amy" tracks Amy Winehouse's erratic journey to fame from her North London Jewish family home, detailing her meteoric rise to stardom and the two albums that catapulted her to the top. Her well-publicised problems with alcohol and drugs, self-harm and personal relationships kept her in the headlines, always threatening to obscure her extraordinary musical gifts. Amy Amy Amy redresses the imbalance, giving full measure to Winehouse's talent while offering an honest account of her multiple personal crises. This updated edition of Amy Amy Amy takes the story up to July 2011 and Amy's tragic and unexpected death at her home in Camden Town following an aborted European tour and her final appearance on stage with her goddaughter at the Roundhouse in Camden.