American Vandal

Unintimidated by Old World sophistication or travel to undeveloped parts of the globe, Mark Twain spent a surprising amount of time outside the continental United States. Morris focuses on the dozen years he lived overseas and the books he wrote encouraging middle-class Americans to follow him around the world, at the dawn of mass tourism.

She takes my breath away; she is so beautifully damaged. Yes, I had broken her, ravished her life and destroyed her happiness. I brought her to the ultimate despair. I was responsible for all the pain and suffering that now brought her to her knees in front of me. Broken. Hopeless. Reckless in her agony. She is a mirror of my own tortured soul. But what I took away I can give back, in ways she cannot even begin to imagine. She is everything right in all my wrongs. She loves me. She needs me. She has no idea I’m the one who wrecked her life.

Raining Sam and his friends must figure out who is responsible for the vandalism at the Capitol City Museum of American History.

This volume in The Best from American Literature series presents articles and profiles the evolution of literary opinion and the shifts of critical emphasis. Beginning with an analysis of science in the thought of Mark Twain, the volume examines his indebtedness to literary comedians, such as George Horatio Derby, better known as John Phoenix; his contributions to the traditions of Southwestern humor; and how he employed images of endangered families. Other topics include: Twain as translator from the German; the composition and structure of The Adventures of Tom Sawyer; the style of Huckleberry Finn; his first and only novel about a young girl, Joan of Arc; the four roles into which he cast Satan; the probable meaning of A Connecticut Yankee; and a thematic analysis of Pudd'nhead Wilson. ISBN 0-8223-0759-6: $33.50.

The story of graffiti writer Robert Morrissey, aka Desa, including life with his crew, MTA (Most Talked About) and his legal problems due to graffiti.

In this volume an attempt is made to tackle Hellenism as a global and transcultural entity. Through an array of essays, this book constitutes a comparative study of various literary, cultural and artistic trends as these develop throughout the course of the eighteenth, nineteenth and twentieth centuries on both sides of the Atlantic. Having been designed with the general as well as the specialized reader in mind, this book will prove to be a valuable guide to scholars, undergraduate and postgraduate students as well as to a broad spectrum of readers with an interest in comparative literature, cultural history, history of the classical heritage, transatlantic studies, English and American romantic, modernist and postmodernist narratives. Its diverse material falls under the umbrella terms of “English Hellenisms” and “American Hellenisms” with the intention of enhancing intercultural dialogue and understanding. By embracing multivocality, as proven by the number of articles it contains, this book proves the tenacity, diachronic and intercontinental appeal of Hellenism at the era of multiculturalism and globalization.

American Vandal is a half-hour true-crime satire that explores the aftermath of a costly high school prank that left twenty-seven faculty cars vandalised with phallic images. Over the course of the eight-episode season, an aspiring sophomore documentarian investigates the controversial and potentially unjust expulsion of troubled senior (and known dick-drawer) Dylan Maxwell.

To Carolyn Brown s mind, the tall tale is not necessarily an account of the adventures of a larger-than-life hero, nor is it just a humorous first-person narrative exaggerated to outlandish proportions. It is as well an interaction between teller and audience a game played at the hazy border between the credible and the incredible, a challenge and an entertainment at the same time. The tall tale is also a social statement that identifies and binds a folk group by flaunting the peculiar knowledge and experiences of group members, and it is a tool for coping with a stressful or even chaotic world, for conquering life s problems by laughing at them.

Ron Powers’s tour de force has been widely acclaimed as the best life and times, filled with Mark Twain’s voice, and as a great American story. Samuel Clemens, the man known as Mark Twain, invented the American voice and became one of our greatest celebrities. His life mirrored his country's, as he grew from a Mississippi River boyhood in the days of the frontier, to a Wild-West journalist during the Gold Rush, to become the king of the eastern establishment and a global celebrity as America became an international power. Along the way, Mark Twain keenly observed the characters and voices that filled the growing country, and left us our first authentically American literature. Ron Powers's magnificent biography offers the definitive life of the founding father of our culture.