American Houses The Architecture Of Fairfax Sammons

Anne Fairfax and Richard Sammons are at the forefront of a movement among architects today who draw inspiration from the wellspring of the classical traditions in architecture. They have developed a body of work that reflects and adheres to the long-held theories of proportion and order passed down through many past generations of scholarship and practice. The firm's office also served as the headquarters for Henry Hope Reid's Classical America, the only organization offering an alternative to modernist aesthetics until the establishment of the Institute of Classical Architecture in 1992. The twenty-four projects in this volume show the firm's consistent focus on classical architectural beauty, whether the chosen style be Palladian, Tuscan, Mediterranean, Georgian, Adamesque, Neo-classical, British or Dutch Colonial, Colonial Revival, or even East Coast Shingle Style, in all of which Fairfax & Sammons are eminently proficient. The projects selected out of the firm's large body of work include country houses located in Connecticut, New York, Virginia, and Florida, including the renovation of town houses and apartments in New York City—all presented in new color photography.

Residences featured here show New York living of the moment: homes that defy traditional definition but which are nevertheless rooted in the historic ground of the city. What does a home look like in twenty-first-century New York? While the city’s name alone brings to mind very specific ideas—the Fifth Avenue penthouse, with its elegant moldings and crystal chandeliers; the SoHo loft, with its bright spaces and air of bohemian ease; the Brooklyn brownstone, with its fireplaces, parquet floors, and lush backyards—the truth is, New York today is much more than this, and the potential for variety in ways of living is, now more than ever, virtually limitless. As a result, in the twenty-first century, the combined design professions enjoy an unprecedented menu of prospective solutions, whether based upon respect for a classically inflected New York past, an emphatic denial of such a tradition, or, most often, some hybrid response that often yields the best innovation possible. New York Living celebrates this vast potential while exploring contemporary apartments and town houses throughout the city, ranging beyond Manhattan into the outer boroughs of Brooklyn, Queens, Staten Island, and the Bronx, and back to the center, Manhattan, which continues to climb ever higher in its reach toward the sky.

Sixty-two stunning houses in a range of architectural styles spanning seven centuries are brought to life through glorious imagery from the photography library of Country Life magazine.

Combining insights from traditional thought and practice and from contemporary political analysis, Madison's Managers presents a constitutional theory of public administration in the United States. Anthony Michael Bertelli and Laurence E. Lynn Jr. contend that managerial responsibility in American government depends on official respect for the separation of powers and a commitment to judgment, balance, rationality, and accountability in managerial practice. The authors argue that public management—administration by unelected officials of public agencies and activities based on authority delegated to them by policymakers—derives from the principles of American constitutionalism, articulated most clearly by James Madison. Public management is, they argue, a constitutional institution necessary to successful governance under the separation of powers. To support their argument, Bertelli and Lynn combine two intellectual traditions often regarded as antagonistic: modern political economy, which regards public administration as controlled through bargaining among the separate powers and organized interests, and traditional public administration, which emphasizes the responsible implementation of policies established by legislatures and elected executives while respecting the procedural and substantive rights enforced by the courts. These literatures are mutually reinforcing, the authors argue, because both feature the role of constitutional principles in public management. Madison's Managers challenges public management scholars and professionals to recognize that the legitimacy and future of public administration depend on its constitutional foundations and their specific implications for managerial practice.

Featuring breathtaking photographs of some of Scotland’s most remarkable and little-known houses, this book tells the story of how incomers adopted the North of Scotland as a recreational paradise and left an astonishing legacy of architecture and decoration inspired by the romanticized image of the Highlands. Known as shooting lodges because they were designed principally to accommodate the parties of guests that flocked north for the annual sporting season, these houses range from Picturesque cottages ornées and Scotch Baronial castles to Arts and Crafts mansions and modern eco-lodges. While their designs respond to some of Britain’s wildest and most stirring landscapes, inside many were equipped with the latest domestic technology and boasted opulent decoration and furnishings from the smartest London and Parisian firms. A good number survive little altered in their original state, and some are still owned by descendants of the families that built them. Images from the famous Country Life Picture Library and specially commissioned photographs evoke the dramatic settings and arresting detail of these houses, making the book as appealing to decorators and architectural historians as it is to travelers and sportsmen.

Written over a thirty-five year period, these essays reflect the changes in J. Hillis Miller's thinking on Victorian topics, from an early concern with questions of consciousness, form, and intellectual history, to a more recent focus on parable and the development of a deconstructive ethics of reading. Miller defines the term "Victorian subjects" in more than one sense. The phrase identifies an historical time but also names a concern throughout with subjectivity, consciousness, and selfhood in Victorian literature. The essays show various Victorian subjectivities seeking to ground themselves in their own underlying substance or in some self beneath or beyond the self. But "Victorian subjects" also discusses those who were subject to Queen Victoria, to the reigning ideologies of the time, to historical, social, and material conditions, including the conditions under which literature was written, published, distributed, and consumed. These essays, taken together, sketch the outlines of ideological assumptions within the period about the self, interpersonal relations, nature, literary form, the social function of literature, and other Victorian subjects.

This beautifully illustrated volume presents Ferguson & Shamamian's finest work, including new houses, apartments, alterations and additions, and unbuilt design plans.

Buildings of Delaware will provide scholars with valuable information on the architecture of the state, and will spark the imagination of general readers and local historians as well.A volume in the Buildings of the United States series of the Society of Architectural Historians

Mary Miers provides ample proof that Scotland's Western Seaboard is not an empty wilderness in this illustrated architectural guide. She discusses the wide range of buildings found there, from ruined duns to the great 13th century castles.

This book presents sixty-four essays and writings on liberty and liberalism, for the early republican period to the late twentieth century, from a variety of authors. The volume offers direct access to primary sources that are not available to readers in English and is a key primer to those interested in Latin American history, politics, and political theory.