American Gnosis

The Greek word "gnosis," defined as direct spiritual knowledge or insight, has its origins in historical offshoots of Christianity in late antiquity. But the terms "Gnosticism" and "gnosis" have become widespread in many other contexts. They are common in contemporary scholarship on religion and in popular usage among magical, religious, and spiritual practitioners. And they have entered popular usage in contemporary society, with applications in numerous political, religious, and cultural contexts. Gnosis and Gnosticism have become leitmotifs in popular culture, in films such as The Matrix and Dark City, as well as in anime and other popular art forms. In American Gnosis, Arthur Versluis explores the fascinating connection between the Gnostic tradition and contemporary American spirituality, politics, and popular media. Versluis surveys themes of Gnosticism and gnosis in American culture, both within the United States and in global contexts. Versluis shows that gnosis is key to understanding a wide spectrum of global syncretic religious and intellectual movements-some sensational, even wild, but all fascinating. American gnosis, he argues, is a defining feature of hybrid new religious forms in the twenty-first century. Versluis provides case studies of major contemporary figures and texts that are emblematic of neo-gnosticism, offering a comprehensive framework of gnosis and an understanding of gnostic trends in modernity. He explores how neo-gnostic memes recur in social media and shows how American gnosis has manifested as spiritual independence, reflecting the ever-growing demographic category "spiritual but not religious." In delving into the intersection of contemporary American spirituality, politics, and literature, American Gnosis uncovers the remarkable prevalence of neo-gnostic elements today.

Gnostic America is a reading of current American culture, politics, and religious life according to the ancient movement known as Gnosticism. In it, Peter M Burfeind builds off the foundations of Hans Jonas, Denis de Rougement, Norman Cohn, William Voegelin, Carl Jung, and Harold Bloom, each of whom saw the effects of Gnosticism in contemporary American (and Western) life. He explores the spiritual mechanisms going on behind everything from transgenderism to so-called "contemporary worship," from the deconstructionist movement to the role pop music and media have in our culture, from progressive politics to the Emergent Church. Particularly challenging is Burfeind's claim that both progressivism and Neo-evangelicalism -- seemingly at odds in the "culture wars" -- actually share the same Gnostic roots. Burfeind's book is a tour de force through contemporary rock, pop, movies, television, politics, and religion showing how many of the values driving these cultural elements are informed by the ancient esoteric teachings of Gnosticism. Burfeind marshals a ton of surprising evidence to make his case, taking us through ancient and Medieval history, through the Enlightenment and Romantic periods, to today. Those willing to grapple with the philosophical and spiritual positions of the fathers of contemporary American life will be rewarded. Gnostic America is a must read for those who sense a new "spiritual but not religious" religion has arisen in America, but who can't put their finger on what exactly this religion is. Burfeind commits the sacrilege of defining a religion that claims to be "beyond" definition. More importantly, he poses the question, if the spiritual trends of contemporary culture are indeed a religion, what First Amendment safeguards remain for those who haven't "evolved" with the emerging new consciousness, but choose to remain stuck in supposedly retrograde paradigms of thought?

Gnosticism is a countercultural spirituality that forever changed the practice of Christianity. Before it emerged in the second century, passage to the afterlife required obedience to God and king. Gnosticism proposed that human beings were manifestations of the divine, unsettling the hierarchical foundations of the ancient world. Subversive and revolutionary, Gnostics taught that prayer and mediation could bring human beings into an ecstatic spiritual union with a transcendent deity. This mystical strain affected not just Christianity but many other religions, and it characterizes our understanding of the purpose and meaning of religion today. In The Gnostic New Age, April D. DeConick recovers this vibrant underground history to prove that Gnosticism was not suppressed or defeated by the Catholic Church long ago, nor was the movement a fabrication to justify the violent repression of alternative forms of Christianity. Gnosticism alleviated human suffering, soothing feelings of existential brokenness and alienation through the promise of renewal as God. DeConick begins in ancient Egypt and follows with the rise of Gnosticism in the Middle Ages, the advent of theosophy and other occult movements in the nineteenth and early twentieth centuries, and contemporary New Age spiritual philosophies. As these theories find expression in science-fiction and fantasy films, DeConick sees evidence of Gnosticism's next incarnation. Her work emphasizes the universal, countercultural appeal of a movement that embodies much more than a simple challenge to religious authority.

Jungian psychology based on a little known treatise he authored in his earlier years.

In this penetrating and provocative assessment of the current state of religion and its effects on society at large, Philip J. Lee criticizes conservatives and liberals alike as he traces gnostic motifs to the very roots of American Protestantism. With references to an extraordinary spectrum of writings from sources as diverse as John Calvin, Martin Buber, Tom Wolfe, Margaret Atwood, and Emily Dickinson, he probes the effects of gnostic thinking on a wide range of issues. Calling for the restoration of a dialectical faith and practice, the book points to positive ways of restoring health to endangered Protestant churches.

Fourteen scholars investigate the intersection of Gnosis/Gnostic spirituality and American religion and culture.

Provides overview, from antiquity onwards, on various Western religious esoteric movements. This book includes topics such as: alchemy, Gnosticism, Hermeticism, Rosicrucianism, Theosophy and more.

By the early twenty-first century, a phenomenon that once was inconceivable had become nearly commonplace in American society: the public spiritual teacher who neither belongs to, nor is authorized by a major religious tradition. From the Oprah Winfrey-endorsed Eckhart Tolle to figures like Gangaji and Adhyashanti, there are now countless spiritual teachers who claim and teach variants of instant or immediate enlightenment. American Gurus tells the story of how this phenomenon emerged. Through an examination of the broader literary and religious context of the subject, Arthur Versluis shows that a characteristic feature of the Western esoteric tradition is the claim that every person can achieve "spontaneous, direct, unmediated spiritual insight." This claim was articulated with special clarity by the New England Transcendentalists Bronson Alcott and Ralph Waldo Emerson. Versluis explores Transcendentalism, Walt Whitman, the Beat movement, Timothy Leary, and the New Age movement to shed light on the emergence of the contemporary American guru. This insightful study is the first to show how Asian religions and Western mysticism converged to produce the phenomenon of "spontaneously enlightened" American gurus.

A richly insightful reading of the King James Bible as a literary masterwork, published for the text's 400-year anniversary The King James Bible stands at "the sublime summit of literature in English," sharing the honor only with Shakespeare, Harold Bloom contends in the opening pages of this illuminating literary tour. Distilling the insights acquired from a significant portion of his career as a brilliant critic and teacher, he offers readers at last the book he has been writing "all my long life," a magisterial and intimately perceptive reading of the King James Bible as a literary masterpiece. Bloom calls it an "inexplicable wonder" that a rather undistinguished group of writers could bring forth such a magnificent work of literature, and he credits William Tyndale as their fountainhead. Reading the King James Bible alongside Tyndale's Bible, the Geneva Bible, and the original Hebrew and Greek texts, Bloom highlights how the translators and editors improved upon—or, in some cases, diminished—the earlier versions. He invites readers to hear the baroque inventiveness in such sublime books as the Song of Songs, Ecclesiastes, and Job, and alerts us to the echoes of the King James Bible in works from the Romantic period to the present day. Throughout, Bloom makes an impassioned and convincing case for reading the King James Bible as literature, free from dogma and with an appreciation of its enduring aesthetic value.

Building on critical work in biblical studies, which shows how a historically-bounded heretical tradition called Gnosticism was 'invented', this work focuses on the following stage in which it was “essentialised” into a sui generis, universal category of religion. At the same time, it shows how Gnosticism became a religious self-identifier, with a number of sizable contemporary groups identifying as Gnostics today, drawing on the same discourses. This book provides a history of this problematic category, and its relationship with scholarly and popular discourse on religion in the twentieth century. It uses a critical-historical method to show how and why Gnosis, Gnostic and Gnosticism were taken up by specific groups and individuals – practitioners and scholars – at different times. It shows how ideas about Gnosticism developed in late nineteenth- and twentieth-century scholarship, drawing from continental phenomenology, Jungian psychology and post-Holocaust theology, to be constructed as a perennial religious current based on special knowledge of the divine in a corrupt world. David G. Robertson challenges how scholars interact with the category Gnosticism, and contributes to our understanding of the complex relationship between primary sources, academics and practitioners in category formation.