Alma Mahler

__________________________ 'Fascinating ... Haste paints a portrait of a woman who was born to triumph, not surrender' - Harper's Bazaar 'Written in elegant, lucid prose ... a treasure trove of European cultural riches and scandalous intrigue ... Compelling' - Economist 'Lively, well illustrated and enjoyably juicy' - Miranda Seymour, Financial Times __________________________ The life of an extraordinary artist and intellect: the composer, author and socialite Alma Mahler, whose life spanned one of the most captivating and dramatic periods in history Alma Mahler was once at the epicentre of Vienna's artistic and intellectual life. A talented composer in her own right, she was open, generous, remarkably creative, curious, challenging and zealous in her pursuit of love. Artists, architects, musicians and writers jostled to join her coterie. Gustav Klimt was her first kiss; Gustav Mahler her first husband. But her life was haunted by tragedy, and the support and inspiration that Alma gave to the men she loved came at the heavy price of her own artistic fulfilment. Drawing extensively on previously unpublished diaries and letters, Cate Haste illuminates the passionate spirit of one of history's most complex and charismatic muses, a modern woman with an elemental vitality that could scarcely be contained by her century – who will live forever in the art she created and inspired.

The manuscript of Alma Mahler's Diaries, a pile of old exercise books, lay unread and seemingly illegible in the library of an American university. In search of the truth about Alma and Alexander Zemlinsky, Antony Beaumont read them and found what he was looking for. But he found far more: the authentic saga of one of the century's most charismatic personalities. The Diaries depict in intimate detail the four years during which Alma grew from adolescence into womanhood. Opening with her first, heady affair with Gustav Klimt, they break off shortly before her marriage to Gustav Mahler. "To me," writes Beaumont, "reading The Diaries is like raising a curtain, behind which stands the Vienna of 1900 in all its majesty, and so close that one can almost reach out and touch it. The vitality of everyday life, eye-witness accounts of significant artistic events, unique insights into the behavioral patterns and linguistic conventions of homo austriacus all these serve to make the book unique."Having come to grips with Alma's handwriting, Beaumont and his coeditor for the German edition, Susanne Rode-Breymann, added meticulously researched commentaries and annotations. The German edition was published in the autumn of 1997."

Of all the colorful figures on the twentieth-century European cultural scene, hardly anyone has provoked more polarity than Alma Schindler Mahler Gropius Werfel (1879-1964), mistress to a long succession of brilliant men and wife of three of the best known: composer Gustav Mahler, architect Walter Gropius and writer Franz Werfel. To her admirers Alma was a self-sacrificing socialite who inspired many great artists. Her detractors found her a self-aggrandizing social climber and an alcoholic, bigoted, vengeful harlot - as one contemporary put it, "a cross between a grande dame and a cesspool." So who was she really? When historian Oliver Hilmes discovered a treasure-trove of unpublished material, much of it in Alma's own words, he used it as the basis for his first biography, setting the record straight while evoking the atmosphere of intellectual life in Europe and then in ŽmigrŽ communities on both coasts of the United States after the Nazi takeover of their home territories. First published in German in 2004, the book was hailed as a rare combination of meticulously researched scholarship and entertaining writing, making it a runaway bestseller and advancing Oliver Hilmes to his position as a household name in contemporary literature. Alma Mahler was one of the twentieth century's rare originals, worthy of her immortalization in song. Oliver Hilmes has provided us with an even-handed yet tantalizingly detailed account of her life, bringing Alma's singular story to a whole new audience.

Alma Mahler-Werfel was the wife, successively, of the composer Gustav Mahler, architect Walter Gropius, and novelist Franz Werfel, as well as philosopher Rafael Schmidt and filmmaker Nicolás Vergara. She was also a composer.

This revised edition of Garland's 1989 publication updates the core bibliography on Gustave Mahler (as well as his spouse and fellow composer Alma Mahler) by incorporating new research gathered over the past dozen years on his life and professional works. Gustave Mahler, renowned conductor and composer of symphonies and song cycles, is one of the foremost musical figures of the late nineteenth and early twentieth centuries. His symphonies continue to be widely performed and studied through the twenty-first century. Organized in sections according to subject matter, references are arranged alphabetically by the names of authors or editors. Filler’s research has produced sources for musicologists and students in nineteen languages, offering a resource that expands traditional English-language music scholarship.

Oskar Kokoschka first met Alma Mahler on April 12, 1912, exactly eleven months after the death of her husband - the composer Gustav Mahler. Three days later, the much younger Kokoschka proposed to her in a passionate letter and they embarked on a stormy relationship which was to last only three years. This short and passionate affair greatly influenced his work. Kokoschka, born in Austria in 1886, was both an artist and writer. He led a turbulent life and travelled extensively, before settling in England where he became a British Subject in 1947. He died in Switzerland in 1980, just days before his 94th birthday. Kokoschka's work was greatly influenced by Gustav Klimt and medieval artists such as Lucas Cranach and Albrecht Durer, painting in a distinctive Expressionist style in his early career. Kokoschka and Alma Mahler explores their passionate relationship, illustrating and discussing the 20 paintings, 70 drawings and prints, and 7 fans that bear witness to this incredibly intense and fateful relationship. His works reflect his love and overwhelming desire, the impressions gained from his travels, and the depths of his despair. The fascinating picture portrayed by the author includes hitherto unpublished material, in particular Alma Mahler's diary from 1912-1913.

A perceptive, sweepingly dramatic biography of the astonishing woman who was wife, muse, and mistress to a generation of geniuses--composer Gustav Mahler, architect Walter Gropius, novelist Franz Werfel, and painter Oskar Kokoschka. "The most balanced biography of Alma Mahler yet to have appeared".--The Times Literary Supplement (London). Photographs.

This selective annotated bibliography places Alma Mahler with three other female composers of her time, covering the first generation of active female composers in the twentieth century. It uncovers the wealth of resources available on the lives and music of Mahler, Florence Price, Yuliya Lazarevna Veysberg, and Maria Teresa Prieto and supports emerging scholarship and inquiry on four women who experienced both entrenched sexual discrimination and political upheaval, which affected their lives and influenced composers of subsequent generations.

In the glittering hotbed of turn-of-the-twentieth-century Vienna, one woman's life would define and defy an era

Manon Gropius had three parents. She was the daughter of Alma Mahler (the widow of Gustav Mahler) and her second husband, Walter Gropius (the architect and founder of the Bauhaus school), and also was the stepdaughter of Alma's third husband, Franz Werfel. Manon's World explores the life and death of a child at the center of a broken love triangle. Not just a narrative biography, Manon's World is a medical history of the polio that killed Manon and an intimate cultural history of the aspirations projected on her, as seen by the Nobel Prize-winner Elias Canette who devoted two chapter of his memoirs to his encounters with Manon. In the same spirit, the composer Alban Berg dedicated his Violin Concerto to her. Reidel reveals a complex image of a young woman who desired to be an actress and artist in her own right despite being her mother’s intended protégé, an inspiration to her father who rarely saw her, and her stepfather Franz Werfel. -- Adapted from dust jacket.