Alls Well

From the author of Bunny, which Margaret Atwood hails as “genius,” comes a “wild, and exhilarating” (Lauren Groff) novel about a theater professor who is convinced staging Shakespeare’s most maligned play will remedy all that ails her—but at what cost? Miranda Fitch’s life is a waking nightmare. The accident that ended her burgeoning acting career left her with excruciating chronic back pain, a failed marriage, and a deepening dependence on painkillers. And now, she’s on the verge of losing her job as a college theater director. Determined to put on Shakespeare’s All’s Well That Ends Well, the play that promised and cost her everything, she faces a mutinous cast hellbent on staging Macbeth instead. Miranda sees her chance at redemption slip through her fingers. That’s when she meets three strange benefactors who have an eerie knowledge of Miranda’s past and a tantalizing promise for her future: one where the show goes on, her rebellious students get what’s coming to them, and the invisible doubted pain that’s kept her from the spotlight is made known. With prose Margaret Atwood has described as “no punches pulled, no hilarities dodged…genius,” Mona Awad has concocted her most potent, subversive novel yet. All’s Well is a “fabulous novel” (Mary Karr) about a woman at her breaking point and a formidable, piercingly funny indictment of our collective refusal to witness and believe female pain.

NATIONAL BESTSELLER Soon to be a major motion picture "Jon Swift + Witches of Eastwick + Kelly 'Get In Trouble' Link + Mean Girls + Creative Writing Degree Hell! No punches pulled, no hilarities dodged, no meme unmangled! O Bunny you are sooo genius!" —Margaret Atwood, via Twitter "A wild, audacious and ultimately unforgettable novel." —Michael Schaub, Los Angeles Times "Awad is a stone-cold genius." —Ann Bauer, The Washington Post The Vegetarian meets Heathers in this darkly funny, seductively strange novel from the acclaimed author of 13 Ways of Looking at a Fat Girl and Rouge "We were just these innocent girls in the night trying to make something beautiful. We nearly died. We very nearly did, didn't we?" Samantha Heather Mackey couldn't be more of an outsider in her small, highly selective MFA program at New England's Warren University. A scholarship student who prefers the company of her dark imagination to that of most people, she is utterly repelled by the rest of her fiction writing cohort--a clique of unbearably twee rich girls who call each other "Bunny," and seem to move and speak as one. But everything changes when Samantha receives an invitation to the Bunnies' fabled "Smut Salon," and finds herself inexplicably drawn to their front door--ditching her only friend, Ava, in the process. As Samantha plunges deeper and deeper into the Bunnies' sinister yet saccharine world, beginning to take part in the ritualistic off-campus "Workshop" where they conjure their monstrous creations, the edges of reality begin to blur. Soon, her friendships with Ava and the Bunnies will be brought into deadly collision. The spellbinding new novel from one of our most fearless chroniclers of the female experience, Bunny is a down-the-rabbit-hole tale of loneliness and belonging, friendship and desire, and the fantastic and terrible power of the imagination. Named a Best Book of 2019 by TIME, Vogue, Electric Literature, and The New York Public Library

The first book in the Shady Hollow series, in which we are introduced to the village of Shady Hollow, a place where woodland creatures live together in harmony—until a curmudgeonly toad turns up dead and the local reporter has to solve the case. Reporter Vera Vixen is a relative newcomer to Shady Hollow. The fox has a nose for news, so when she catches wind that the death might be a murder, she resolves to get to the bottom of the case, no matter where it leads. As she stirs up still waters, the fox exposes more than one mystery, and discovers that additional lives are in jeopardy. Vera finds more to this town than she ever suspected. It seems someone in the Hollow will do anything to keep her from solving the murder, and soon it will take all of Vera’s cunning and quickness to crack the case. A VINTAGE CRIME/BLACK LIZARD ORIGINAL

In the middle ages, a poet told a story that mocked a strong woman. It became a literary classic. But what if the woman in question had a chance to tell her own version? Who would you believe? 'Brooks' mischievous retelling [of Chaucer's The Wife of Bath] dials up the feminist themes - and the fun - to 11.' The Canberra Times England, The Year of Our Lord, 1364 When married off aged 12 to an elderly farmer, Eleanor Cornfed, who's constantly told to seek redemption for her many sins, quickly realises it won't matter what she says or does, God is not on her side - or any poor woman's for that matter. But Eleanor was born under the joint signs of Venus and Mars. Both a lover and a fighter, she will not bow meekly to fate. Even if five marriages, several pilgrimages, many lovers, violence, mayhem and wildly divergent fortunes (that swoop up and down as if spinning on Fortuna's Wheel itself) do not for a peaceful life make. Aided and abetted by her trusty god-sibling Alyson, the counsel of one Geoffrey Chaucer, and a good head for business, Eleanor fights to protect those she loves from the vagaries of life, the character deficits of her many husbands, the brutalities of medieval England and her own fatal flaw... a lusty appreciation of mankind. All while continuing to pursue the one thing all women want - control of their own lives. This funny, picaresque, clever retelling of Chaucer's 'Wife of Bath' from The Canterbury Tales is a cutting assessment of what happens when male power is left to run unchecked, as well as a recasting of a literary classic that gives a maligned character her own voice, and allows her to tell her own (mostly) true story. 'Astonishingly good - an instant classic. Certes 'tis a tale for everywoman.' Tea Cooper, Bestselling International Author

In a book that divides the body into seven "emotion centers," the author asserts that emotions have a tremendous effect on how the various areas of the body manifest themselves.

Laugh, love, and revel in the comedic twists of a tale where love triumphs over deception, bringing resolution to the most tangled of relationships. All's Well That Ends Well by William Shakespeare: Immerse yourself in the timeless world of the Bard, William Shakespeare, with the enchanting comedy All's Well That Ends Well. This play weaves a tapestry of love, trickery, and the triumph of unconventional romance. Join Helena on her journey as she navigates the complexities of courtship, testing the bounds of love and determination. Why This Book? All's Well That Ends Well invites readers into Shakespeare's comedic realm, where love's journey is anything but conventional. The play unfolds a delightful tapestry of wit, irony, and the inexorable twists of fate, showcasing Shakespeare's mastery in crafting narratives that resonate across centuries. William Shakespeare, the literary genius of the Elizabethan era, continues to captivate audiences with his unparalleled storytelling. Explore the comedic nuances and profound insights into human nature in All's Well That Ends Well, a testament to Shakespeare's enduring influence on the world of drama.

From an author who is “writing in P.D. James territory” (Associated Press) comes a compelling Scotland Yard detective novel in the entertaining Duncan Kincaid and Gemma James series. Perhaps it is a blessing when Jasmine Dent dies in her sleep. At long last an end has come to the suffering of a body horribly ravaged by disease. It may well have been suicide; she had certainly expressed her willingness to speed the inevitable. But small inconsistencies lead her neighbor, Superintendent Duncan Kincaid of Scotland Yard, to a startling conclusion: Jasmine Dent was murdered. But if not for mercy, why would someone destroy a life already so fragile and doomed? As Kincaid and his capable and appealing assistant Sergeant Gemma James sift through the dead woman's strange history, a troubling puzzle begins to take shape—a bizarre amalgam of good and evil, of charity and crime...and of the blinding passions that can drive the human animal to perform cruel and inhuman acts.

Universalism runs like a slender thread through the history of Christian theology. Over the centuries Christian universalism, in one form or another, has been reinvented time and time again. In this book an international team of scholars explore thediverse universalisms of Christian thinkers from the Origen to Moltmann. In the introduction Gregory MacDonald argues that theologies of universal salvation occupy a space between heresy and dogma. Therefore disagreements about whether all will be saved should not be thought of as debates between the orthodox and heretics but rather as in-house debates between Christians. The studies in this collection aim, in the first instance, to hear, understand, and explain the eschatological claims of a range of Christians from the third to the twenty-first centuries. They also offer some constructive, critical engagement with those claims.

In this beautiful and broken world, God is here. The heavens declare the glory of God . . . but are we listening? Yes, God created this world, but sometimes we forget that he hasn’t left—that his redemptive, creative work happens still today, right here under our feet. So when we seek for God and study his truth, how much are we missing if we don’t awaken to all he has placed in the soil and sky? God made this world of light and darkness, summer and winter, life and death. What does he intend to teach us in these ever-repeating cycles and seasons? Seamlessly weaving biblical truths into everyday life, Catherine McNiel will help you discover an unbelievable reality: God meets and transforms you in the mess and abundance of every mundane moment.

Hoping to earn money so that he and his mother will not have to move, Daniel goes around the neighborhood trying to sell a box of Christmas ornaments, including one with a special message.