All The Trouble In The World

The #1 New York Times–bestselling author takes an “unfailingly funny” look at global problems and offers his own political perspective (The Washington Times). In this volume, the political humorist and former National Lampoon editor-in-chief attacks fashionable worries—all those terrible problems that are constantly on our minds and in the news, but about which most of us have no real clue—and crisscrosses the globe in search of solutions to today’s most vexing issues, including overpopulation, famine, plague, and multiculturalism. In the process, he produces a hilarious and informative book which ensures that the concept of political correctness will never be the same again. “One of the funniest, most insightful, dead-on-the-money books of the year.” —Los Angeles Times “O’Rourke’s best work since Parliament of Whores.” —The Houston Post “Bottom line: Buy the book.” —The Wall Street Journal

In this innovative new study, Zach Sell returns to the explosive era of capitalist crisis, upheaval, and warfare between emancipation in the British Empire and Black emancipation in the United States. In this age of global capital, U.S. slavery exploded to a vastness hitherto unseen, propelled forward by the outrush of slavery-produced commodities to Britain, continental Europe, and beyond. As slavery-produced commodities poured out of the United States, U.S. slaveholders transformed their profits into slavery expansion. Ranging from colonial India to Australia and Belize, Sell's examination further reveals how U.S. slavery provided not only the raw material for Britain's explosive manufacturing growth but also inspired new hallucinatory imperial visions of colonial domination that took root on a global scale. What emerges is a tale of a system too powerful and too profitable to end, even after emancipation; it is the story of how slavery's influence survived emancipation, infusing empire and capitalism to this day.

Australian issue of an American originated book. By the bestselling author of 'Holidays in Hell' and 'Give War a Chance', this humorous look at some of the world's problems discusses topics such as overpopulation, economic injustice, pollution, starvation and habitat loss with a strong determination to look on the bright side. The author writes for 'Rolling Stone' magazine.

Evaluating the ways in which the United States's relationship with the Middle East influences foreign policy, a historical analysis of America's presence in the region traces the positive and negative efforts by presidents from Eisenhower to George W. Bush.

"[The] weird, beautiful, unapologetically apocalyptic Last Policeman trilogy is one of my favorite mystery series."—John Green, author of The Fault in Our Stars and Paper Towns Winner of the 2013 Edgar® Award Winner for Best Paperback Original! What’s the point in solving murders if we’re all going to die soon, anyway? Detective Hank Palace has faced this question ever since asteroid 2011GV1 hovered into view. There’s no chance left. No hope. Just six precious months until impact. The Last Policeman presents a fascinating portrait of a pre-apocalyptic United States. The economy spirals downward while crops rot in the fields. Churches and synagogues are packed. People all over the world are walking off the job—but not Hank Palace. He’s investigating a death by hanging in a city that sees a dozen suicides every week—except this one feels suspicious, and Palace is the only cop who cares. The first in a trilogy, The Last Policeman offers a mystery set on the brink of an apocalypse. As Palace’s investigation plays out under the shadow of 2011GV1, we’re confronted by hard questions way beyond “whodunit.” What basis does civilization rest upon? What is life worth? What would any of us do, what would we really do, if our days were numbered? Ebook contains an excerpt from the anticipated second book in the trilogy, Countdown City.

In the midst of spiraling ecological devastation, multispecies feminist theorist Donna J. Haraway offers provocative new ways to reconfigure our relations to the earth and all its inhabitants. She eschews referring to our current epoch as the Anthropocene, preferring to conceptualize it as what she calls the Chthulucene, as it more aptly and fully describes our epoch as one in which the human and nonhuman are inextricably linked in tentacular practices. The Chthulucene, Haraway explains, requires sym-poiesis, or making-with, rather than auto-poiesis, or self-making. Learning to stay with the trouble of living and dying together on a damaged earth will prove more conducive to the kind of thinking that would provide the means to building more livable futures. Theoretically and methodologically driven by the signifier SF—string figures, science fact, science fiction, speculative feminism, speculative fabulation, so far—Staying with the Trouble further cements Haraway's reputation as one of the most daring and original thinkers of our time.

“A genre-defying blend of crime writing and science fiction.”—Alexandra Alter, The New York Times The explosive final installment in the Edgar® Award winning Last Policeman series. With the doomsday asteroid looming, Detective Hank Palace has found sanctuary in the woods of New England, secure in a well-stocked safe house with other onetime members of the Concord police force. But with time ticking away before the asteroid makes landfall, Hank’s safety is only relative, and his only relative—his sister Nico—isn’t safe. Soon, it’s clear that there’s more than one earth-shattering revelation on the horizon, and it’s up to Hank to solve the puzzle before time runs out...for everyone.

PJ Sugar receives shocking news that she’s inherited the Kellogg family mansion. Though she has no idea why, the timing is perfect—PJ has clearly worn out her welcome at her sister’s house. Unfortunately, the mansion is in shambles, and PJ is short on cash. Rescue comes in the form of Max Smith, a mysterious handyman willing to trade his services for PJ’s investigative skills. But PJ already has a full docket with cramming for her PI license and nurturing a growing romance with her boss, Jeremy Kane. Can she take on Max’s case without dropping the ball?