Aleida

Is, as Hamlet once complained, time out joint? Have the ways we understand the past and the future—and their relationship to the present—been reordered? The past, it seems, has returned with a vengeance: as aggressive nostalgia, as traumatic memory, or as atavistic origin narratives rooted in nation, race, or tribe. The future, meanwhile, has lost its utopian glamor, with the belief in progress and hope for a better future eroded by fears of ecological collapse. In this provocative book, Aleida Assmann argues that the apparently solid moorings of our temporal orientation have collapsed within the span of a generation. To understand this profound cultural crisis, she reconstructs the rise and fall of what she calls "time regime of modernity" that underpins notions of modernization and progress, a shared understanding that is now under threat. Is Time Out of Joint? assesses the deep change in the temporality of modern Western culture as it relates to our historical experience, historical theory, and our life-world of shared experience, explaining what we have both gained and lost during this profound transformation.

Selected by Marilyn Hacker as the 1998 Winner of the Kathryn A. Morton Prize in Poetry.

This book provides an introduction to the concept of cultural memory, offering a comprehensive overview of its history, forms and functions.

Che Guevara’s widow remembers a great revolutionary romance tragically cut short by Che’s assassination in Bolivia. When Aleida March first met Che Guevara, she was a twenty-year-old combatant from the provinces of Cuba, he an already legendary revolutionary and larger-than-life leader. And yet there was another, more human side to Che, one Aleida was given special access to, first as his trusted compañera and later as the love of his life. With great immediacy and poignancy, Aleida recounts the story of their epic romance—their fitful courtship against the backdrop of the Cuban revolutionary war, their marriage at the war’s end and the birth of their four children, up through Che’s tragic assassination in Bolivia less than ten years later. Featuring excerpts from their letters, nearly one hundred never-before-seen photographs from their private collection, and a moving short story Che wrote for Aleida, here is an intimate look at the man behind the legend and the tenacious, courageous woman who knew him best—a story of passionate love, wrenching sacrifice, and unwavering heroism.

When the Germans march into Denmark, Baron Henrik Ahlefeldt exchanges his nobility for anonymity, assuming a new identity so he can secretly row messages for the Danish Resistance across the waters to Sweden. American physicist Dr. Else Jensen refuses to leave Copenhagen and abandon her research--her life's dream. While printing resistance newspapers, she hears stories of the movement's legendary Havmand--the merman--and wonders if the mysterious and silent shipyard worker living in the same boardinghouse has something to hide. When the Occupation cracks down on the Danes, these two passionate people will discover if there is more power in speech . . . or in silence. Bestselling author of more than a dozen WWII novels, Sarah Sundin offers pens another story of ordinary people responding to extraordinary circumstances with faith, fortitude, and hope for a brighter future.

How does Cajun literature, emerging in the 1980s, represent the dynamic processes of remembering in Cajun culture? Known for its hybrid constitution and deeply ingrained oral traditions, Cajun culture provides an ideal testing ground for investigating the collective memory of a group. In particular, francophone and anglophone Cajun texts by such writers as Jean Arceneaux, Tim Gautreaux, Jeanne Castille, Zachary Richard, Ron Thibodeaux, Darrell Bourque, and Kirby Jambon reveal not only a shift from an oral to a written tradition. They also show hybrid perspectives on the Cajun collective memory. Based on recurring references to place, the texts also reflect on the (Acadian) past and reveal the innate ability of the Cajuns to adapt through repeated intertextual references. The Cajun collective memory is thus defined by a transnational outlook, a transversality cutting across various ethnic heritages to establish and legitimize a collective identity both amid the linguistic and cultural diversity in Louisiana, and in the face of American mainstream culture. Cajun Literature and Cajun Collective Memory represents the first analysis of the mnemonic strategies Cajun writers use to explore and sustain the Cajun identity and collective memory.

The controversial Jewish thinker whose tortured path led him into the heart of twentieth-century intellectual life Scion of a distinguished line of Talmudic scholars, Jacob Taubes (1923–1987) was an intellectual impresario whose inner restlessness led him from prewar Vienna to Zurich, Israel, and Cold War Berlin. Regarded by some as a genius, by others as a charlatan, Taubes moved among yeshivas, monasteries, and leading academic institutions on three continents. He wandered between Judaism and Christianity, left and right, piety and transgression. Along the way, he interacted with many of the leading minds of the age, from Leo Strauss and Gershom Scholem to Herbert Marcuse, Susan Sontag, and Carl Schmitt. Professor of Apocalypse is the definitive biography of this enigmatic figure and a vibrant mosaic of twentieth-century intellectual life. Jerry Muller shows how Taubes’s personal tensions mirrored broader conflicts between religious belief and scholarship, allegiance to Jewish origins and the urge to escape them, tradition and radicalism, and religion and politics. He traces Taubes’s emergence as a prominent interpreter of the Apostle Paul, influencing generations of scholars, and how his journey led him from crisis theology to the Frankfurt School, and from a radical Hasidic sect in Jerusalem to the center of academic debates over Gnosticism, secularization, and the revolutionary potential of apocalypticism. Professor of Apocalypse offers an unforgettable account of an electrifying world of ideas, focused on a charismatic personality who thrived on controversy and conflict.

This book questions the sociocultural dimensions of remembering. It offers an overview of the history and theory of memory studies through the lens of sociology, political science, anthropology, psychology, literature, art and media studies; documenting current international and interdisciplinary memory research in an unprecedented way.

Architectural Lighting Design, Third Edition is the one source for all the technical skills, aesthetic fundamentals, and practical knowledge you need to design efficient, sustainable interior and exterior lighting for every type of building. p> Expanding on the depth and breadth of previous editions, this edition boasts more than one-quarter new material, including new discussions about sustainability, lighting details, and the assessment of manufacturers' product data.

Classical Memories is an intervention into the field of adaptation studies, taking the example of classical reception to show that adaptation is a process that can be driven by and produce intertextual memories. I see ‘classical memories’ as a memory-driven type of adaptation that draws on and reproduces schematic and otherwise de-contextualised conceptions of antiquity and its cultural ‘exports’ in, broadly speaking, the twentieth and twenty-first centuries. These memory-driven adaptations differ, often in significant ways, from more traditional adaptations that seek to either continue or deconstruct a long-running tradition that can be traced back to antiquity as well as its canonical points of reception in later ages. When investigating such a popular and widespread set of narratives, characters, and images like those that remain of Graeco-Roman antiquity, terms like ‘adaptation’ and ‘reception’ could and should be nuanced further to allow us to understand the complex interactions between modern works and classical antiquity in more detail, particularly when it pertains to postcolonial or post-digital classical reception. In Classical Memories, I propose that understanding certain types of adaptations as intertextual memories allows us to do just that.