Agonal Communities Of Taste

Die Reihe Monographien und Texte zur Nietzsche-Forschung (MTNF) setzt seit mehreren Jahrzehnten die Agenda in der sich stetig verändernden Nietzsche-Forschung. Die Bände sind interdisziplinär und international ausgerichtet und spiegeln das gesamte Spektrum der Nietzsche-Forschung wider, von der Philosophie über die Literaturwissenschaft bis zur politischen Theorie. Die Reihe veröffentlicht Monographien und Sammelbände, die einem strengen Peer-Review-Verfahren unterliegen. Die Buchreihe wird von einem internationalen Redaktionsteam geleitet.

Nietzsche controversially valorizes struggle and war as necessary ingredients of human flourishing. In this book, James S. Pearson reconstructs Nietzsche's rationale for placing such high value on relations of conflict. In doing so, Pearson reveals how Nietzsche's celebration of social discord is interwoven with his understanding of nature as universal struggle. This study thus draws together Nietzsche's writings on politics, culture, metaphysics, biology and human psychology. It also overcomes an entrenched dispute in the critical literature. Until now, commentators have tended to interpret Nietzsche either as an advocate of radical aristocratic violence or, by contrast, a defender of moderate democratic contest. This book navigates a path between these two opposed readings and shows how Nietzsche is able to endorse both violent strife and restrained competition without contradicting himself.

“[Lemm] consolidates her reputation as one of Nietzsche’s most original, attentive, and lively readers.” —The Journal of Nietzsche Studies This book explores the significance of human animality in the philosophy of Friedrich Nietzsche, and provides the first systematic treatment of the animal theme in Nietzsche’s body of work. Vanessa Lemm argues that the animal is neither a random theme nor a metaphorical device in Nietzsche’s thought. Instead, it stands at the center of his renewal of the practice and meaning of philosophy itself. Lemm provides an original contribution to ongoing debates on the essence of humanism and its future. At the center of this new interpretation stands Nietzsche’s thesis that animal life and its potential for truth, history, and morality depends on a continuous antagonism between forgetfulness (animality) and memory (humanity). This relationship accounts for the emergence of humanity out of animality as a function of the antagonism between civilization and culture. By taking the antagonism of culture and civilization to be fundamental for Nietzsche’s conception of humanity and its becoming, Lemm gives a new entry point into the political significance of Nietzsche’s thought. The opposition between civilization and culture allows for the possibility that politics is more than a set of civilizational techniques that seek to manipulate, dominate, and exclude the animality of the human animal. By seeing the deep-seated connections of politics with culture, Nietzsche orients politics beyond the domination over life and, instead, offers the animality of the human being a positive, creative role in the organization of life. This book will appeal not only to those interested in Nietzsche, but to anyone interested in the theme of the animal in philosophy, literature, cultural studies, and the arts, as well as those interested in the relation between biological life and politics.

Friedrich Nietzsche (1844-1900) is widely acknowledged as one of the greatest thinkers of the nineteenth century. His work continues to have a significant influence on philosophy, cultural criticism and modern intellectual history. The Nietzschean Mind seeks to provide a comprehensive survey of his work, not only placing it in its historical context but also exploring its contemporary significance. Comprising twenty-eight chapters by a team of international contributors, the volume is divided into seven parts: • Major works • Philosophical psychology and agency • The self • Value • Culture, society and politics • Metaphysics and epistemology • The affirmation of life This handbook includes coverage of all major aspects of Nietzsche’s thought, including his discussions of value, culture, society, the self, agency, action, philosophical psychology, epistemology and metaphysics; explorations of the philosophical and scientific influences upon Nietzsche’s thought; and discussion of Nietzsche’s major works. Essential reading for students and researchers in philosophy, Nietzsche’s work is central to ethics, moral psychology and political philosophy.

While Nietzsche's works and ideas are relevant across the many branches of philosophy, the themes of contest and conflict have been mostly overlooked. Conflict and Contest in Nietzsche's Philosophy redresses this situation, arguing for the importance of these issues throughout Nietzsche's work. The volume has three key lines of inquiry: Nietzsche's ontology of conflict; Nietzsche's conception of the agon; and Nietzsche's warrior-philosophy. Under these three umbrellas is a collection of insightful and provocative essays considering, among other topics, Nietzsche's understanding of resistance; his engagement with classical thinkers alongside his contemporaries, including Jacob Burckhardt; his views on language, metaphor and aphorism; and war, revolt and terror. In bringing together such topics, Conflict and Contest in Nietzsche's Philosophy seeks to correct the one-sided tendencies within the existing literature to read simply 'hard' and 'soft' analyses of conflict. Written by scholars across the Anglophone and the European traditions, within and beyond philosophy, this collection emphasises the entire problematic of conflict in Nietzsche's thought and its relation to his philosophical and literary practice.

A brilliant exploration of a significant and understudied aspect of Nietzsche’s philosophy. In this groundbreaking work, Christa Davis Acampora offers a profound rethinking of Friedrich Nietzsche’s crucial notion of the agon. Analyzing an impressive array of primary and secondary sources and synthesizing decades of Nietzsche scholarship, she shows how the agon, or contest, organized core areas of Nietzsche’s philosophy, providing a new appreciation of the subtleties of his notorious views about power. By focusing so intensely on this particular guiding interest, she offers an exciting, original vantage from which to view this iconic thinker: Contesting Nietzsche. Though existence—viewed through the lens of Nietzsche’s agon—is fraught with struggle, Acampora illuminates what Nietzsche recognized as the agon’s generative benefits. It imbues the human experience with significance, meaning, and value. Analyzing Nietzsche’s elaborations of agonism—his remarks on types of contests, qualities of contestants, and the conditions in which either may thrive or deteriorate—she demonstrates how much the agon shaped his philosophical projects and critical assessments of others. The agon led him from one set of concerns to the next, from aesthetics to metaphysics to ethics to psychology, via Homer, Socrates, Saint Paul, and Wagner. In showing how one obsession catalyzed so many diverse interests, Contesting Nietzsche sheds fundamentally new light on some of this philosopher’s most difficult and paradoxical ideas.

Frank O'Hara's New York School & Mid-Century Mannerism offers a ground-breaking account of the poet Frank O'Hara and the extraordinary cultural blossoming O'Hara catalysed, namely the mid-century experimental and multi-disciplinary arts scene, the New York School. Fresh accounts of canonical figures (Jackson Pollock, Willem de Kooning, George Balanchine, Fred Astaire) and original work on those too little discussed (Edwin Denby, Elaine de Kooning) resound with analysis of queer iconology from Michelangelo's David to James Dean. Sam Ladkin argues that O'Hara and the New York School revive Mannerism. Turning away from interpretations of O'Hara's Transcendentalism, Romanticism, or pastoralism, 'mid-century Mannerism' helps explain O'Hara's self-conscious style, its play with sweet and grand grace, contortion of conventional measure, risks with affectation, conceits, nonchalance, and scrambling of high/low culture. Mannerism clarifies the sociability implicit in the formal innovations of the New York School. The work also studies the kinship between art mediums by retooling rhetoric and recovering a perennial manneristic tendency beyond period style. Genealogies of grace, the figura serpentinata, sprezzatura, ornatus, and the marvellous exemplify qualities exhibited by O'Hara's New York School. Ladkin relates the essential role of dance in the New York School. O'Hara's reception has been tied to painting, predominantly Abstract Expressionism. He was also, however, a balletomane, a fan, for whom ballet was 'made up exclusively of qualities which other arts only aspire to in order to be truly modern.' Relaying ballet's Mannerist origins and aesthetics, and demonstrating its influence alongside Broadway and Hollywood musical-dance on art and poetry, completes the portrait of mid-century modernity.

Liberalism is often castigated for being spiritually empty and unable to provide meaning for individuals. Is it true that there simply is no spiritual side to liberalism? In Recovering the Liberal Spirit, Steven F. Pittz develops a novel conception of spiritual freedom. Drawing from Nietzsche and his figure of the "free spirit," as well as from thinkers as varied as Mill, Emerson, Goethe, Hesse, C. S. Lewis, and Tocqueville, Pittz examines a tradition of individual freedom best described as spiritual. Spiritual freedom is an often overlooked category of liberal freedom, and it provides a path to meaning without a return to communal or traditional life. While carefully considering Progressive and Communitarian counterarguments Pittz argues for both the possibility and the desirability of a free-spirited life. Citizens who are "free spirits" deliver great benefits to liberal democracies, primarily by combatting dogmatism and fanaticism and the putative authority of public opinion.

Nietzsche's On the Genealogy of Morality (1887) is a forceful, perplexing, important book, radical in its own time and profoundly influential ever since. This introductory textbook offers a comprehensive, close reading of the entire work, with a section-by-section analysis that also aims to show how the Genealogy holds together as an integrated whole. The Genealogy is helpfully situated within Nietzsche's wider philosophy, and occasional interludes examine supplementary topics that further enhance the reader's understanding of the text. Two chapters examine how the Genealogy relates to standard questions in moral and political philosophy. Written in a clear, accessible style, this book will appeal to students at every level coming to read the Genealogy for the first time, and a wider range of readers will also benefit from nuanced interpretations of controversial elements in Nietzsche's work.