Agamemnons Mask Greek Tragedy And Beyond

Along with democracy, tragedy is recognized as a genuine invention of the Athenians (fifth century BC). Indeed, what is now referred to often as the golden age of Ancient Greece is based on the development at the level of both the art and politics: tragic drama and the democratic form of government. The two cultural institutions then are rightly considered to be central elements of the Greek heritage . This collection seeks to complement and stimulate the broad interest in tragedy demonstrated in university curricula around the world. Both the ancient Greek plays and their successors such as Shakespeare in the Renaissance, or playwrights such as Brecht and Beckett in the twentieth century, have extended the range and complexity of the category of tragedy. What is being mapped in this collection of critical essays is the variety of ways in which teachers, students, and theatre practitioners now think, talk, produce and enact tragedies. Contributors to this anthology seek to achieve two broad aims. The first is to increase respect for the complexity of the texts themselves (albeit working mainly through the medium of translation) as well as a detailed understanding of their original context; the second is to adopt the position of contemporary readers who bring a range of contemporary theoretical approaches to bear in their search for meaning in these classical works. They include theatre theory and practice, feminism and gender sensitivity, new understandings of the very concepts of text and narrative and the impact on extra literary fields of knowledge such as psychoanalysis - all contribute to our reading of the genre of tragedy today. These in particular reflect some of the most exciting work on tragedy of the last fifty years. This collection is a collaborative Australian-Indian one. The location in different cultures of both the editors and contributors has enabled the range of essays represented in this Reader. What the collection foregrounds

A new account of tragedy and its fundamental position in Western culture In this compelling account, eminent literary critic Terry Eagleton explores the nuances of tragedy in Western culture—from literature and politics to philosophy and theater. Eagleton covers a vast array of thinkers and practitioners, including Nietzsche, Walter Benjamin, and Slavoj Žižek, as well as key figures in theater, from Sophocles and Aeschylus to Shakespeare and Ibsen. Eagleton examines the political nature of tragedy, looking closely at its connection with periods of historical transition. The dramatic form originated not as a meditation on the human condition, but at moments of political engagement, when civilizations struggled with the conflicts that beset them. Tragedy, Eagleton demonstrates, is fundamental to human experience and culture.

Bringing together Jacques Lacan and Friedrich Nietzsche, Tim Themi focuses on their conceptions of ethics and on their accounts of the history of ethical thinking in the Western tradition. Nietzsche blames Plato for setting in motion a degenerative process that turned ethics away from nature, the body, and its senses, and thus eventually against our capacities for reason, science, and a creative, flourishing life. Dismissing Plato's Supreme Good as a "mirage," Lacan is very much in sympathy with Nietzsche's reading. Following this premise, Themi shows how Lacan's ethics might build on Nietzsche's work, thus contributing to our understanding of Nietzsche, and also how Nietzsche's critique can strengthen our understanding of Lacan.

Records, Recoveries, Remnants and Inter-Asian Interconnections: Decoding Cultural Heritage has its conceptual core in the inter-regional networks of Nalanda Mahavihara and its unique place in the Asian imaginary. The revival of Nalanda university in 2010 as a symbol of a shared inter-Asian heritage is this collection's core narrative. The multidisciplinary essays interrogate ways in which ideas, objects, texts, and travellers have shaped - and in turn have been shaped by - changing global politics and the historical imperative that underpins them. The question of what constitutes cultural authenticity and heritage valuation is inscribed from positions that support, negate, or reframe existing discourses with reference to Southeast and East Asia. The essays in this collection offer critical, scholarly, and nuanced views on the vexed questions of regional and inter-regional dynamics, of racial politics and their flattening hegemonic discourses in relation to the rich tangible and intangible heritage that defines an interconnected Asia.

This Palgrave Pivot showcases new research on M.K. Gandhi or Mahatma Gandhi, and the press, telegraphs, broadcasting and popular culture. Despite Gandhi being the subject of numerous books over the past century, there are few that put media centre stage. This edited collection explores both Gandhi’s own approach to the press, but also how different advocacy groups and the media, within India and overseas, engaged with Gandhi, his ideology and methodology, to further their own causes. The timeframe of the book extends from the late nineteenth century up to the present, and the case studies draw inspiration from a number of disciplinary approaches.

As a continent lying to the east of Europe, Asia has been malleable to different spatial and temporal imaginations and politics. Recent scholarship has highlighted how the seemingly self-contained regional configurations of West and Central Asia, South and Southeast Asia, and East Asia carved by the Area Studies paradigm reflect changing (geo)political and economic interests than historical or cultural roots. This volume advances the question as to what Asia is, and as to whether there existed one or many Asia(s). It seeks to explore Asian societies as interconnected formations through trajectories/networks of circulation of people, ideas, and objects in the longue durée. Moving beyond the divides of Area Studies scholarship and the arbitrary borders set by late colonial empires and the rise of post-colonial nation-states, this volume maps critically the configuration of contact zones in which mobile bodies, minds, and cultures interact to foster new images, identities, and imaginations of Asia.

A 2007 study of the mask in Greek tragedy, covering both ancient and modern performances.

The contributors, who include many of the world's foremost names in the field of Greek drama, debate the question. They reassess particular Greek plays, from Oresteia to Antigone and Oedipus to Ion; they re-examine Greek tragedy in its cultural and political context; and the relate the tragedy of the Greeks to the serious drama and theoretical perspectives of the modern world, with Shakespeare at the forefront of several essays.

The Oresteia is permeated with depictions of the afterlife, which have never been examined together. In this book Amit Shilo analyses their intertwined and conflicting implications. He argues for a 'poetics of multiplicity' and 'poetics of the beyond' that inform the ongoing debates over justice, fate, ethics, and politics in the trilogy. The book presents novel, textually-grounded readings of Cassandra's fate, Clytemnestra's ghost scene, mourning ritual, hero cult, and punishment by Hades. It offers a fresh perspective on the political thought of the trilogy by contrasting the ethical focus of the Erinyes and Hades with Athena's insistence on divine unity and warfare. Shedding new light on the trilogy as a whole, this book is crucial reading for students and scholars of classical literature and religion. This title is available as open access on Cambridge Core.