After Iraq

More than a decade after the U.S.-led invasion of Iraq, most studies of the Iraq conflict focus on the twin questions of whether the United States should have entered Iraq in 2003 and whether it should have exited in 2011, but few have examined the new Iraqi state and society on its own merits. Iraq after America examines the government and the sectarian and secular factions that have emerged in Iraq since the U.S. invasion of 2003, presenting the interrelations among the various elements in the Iraqi political scene. The book traces the origins of key trends in recent Iraqi history to explain the political and social forces that produced them, particularly during the intense period of civil war between 2003 and 2009. Along the way, the author looks at some of the most significant players in the new Iraq, explaining how they have risen to prominence and what their aims are. The author identifies the three trends that dominate Iraq's post-U.S. political order: authoritarianism, sectarianism, and Islamist resistance, tracing their origins and showing how they have created a toxic political and social brew, preventing Iraq's political elite from resolving the fundamental roots of conflict that have wracked that country since 2003 and before. He concludes by examining some aspects of the U.S. legacy in Iraq, analyzing what it means for the United States and others that, after more than a decade of conflict, Iraq's communities—and its political class in particular—have not yet found a way to live together in peace.

Many on the left lament an apathy or amnesia toward recent acts of war. Particularly during the George W. Bush administration's invasion of Iraq, opposition to war seemed to lack the heat and potency of the 1960s and 1970s, giving the impression that passionate dissent was all but dead. Through an analysis of three politically engaged works of art, Rosalyn Deutsche argues against this melancholic attitude, confirming the power of contemporary art to criticize subjectivity as well as war. Deutsche selects three videos centered on the deployment of the atomic bomb: Krzysztof Wodiczko's Hiroshima Projection (1999), made after the first Gulf War; Silvia Kolbowski's After Hiroshima mon amour (2005-2008); and Leslie Thornton's Let Me Count the Ways (2004-2008), which followed the U.S. invasion of Iraq. Each of these works confronts the ethical task of addressing historical disaster, and each explores the intersection of past and present wars. These artworks profoundly contribute to the discourse of war resistance, illuminating the complex dynamics of viewing and interpretation. Deutsche employs feminist and psychoanalytic approaches in her study, questioning both the role of totalizing images in the production of warlike subjects and the fantasies that perpetuate, especially among the left, traditional notions of political dissent. She ultimately reveals the passive collusion between leftist critique and dominant discourse in which personal dimensions of war are denied.

Offers soldiers and their families a comprehensive guide to dealing with the all-too-common repercussions of combat duty, including posttraumatic stress symptoms, anxiety, depression, and substance abuse.

Nearly 1.9 million U.S. troops have been deployed to Afghanistan and Iraq since October 2001. Many service members and veterans face serious challenges in readjusting to normal life after returning home. This initial book presents findings on the most critical challenges, and lays out the blueprint for the second phase of the study to determine how best to meet the needs of returning troops and their families.

This dazzling little book explores the role of US media in foreignpolicy, not only at the present moment, but with an eye to thefuture. Written by a veteran Hollywood film executive and aninternationally known columnist in foreign affairs Explains how American movies, TV shows, and pop music providethe images of America to the rest of the world, and the rest of theworld to Americans Includes discussions of the cartoons of the Prophet MohammedDanish daily newspapers, Tibetan monks censored out of Chinese TVnews reports only to show up on You Tube, and the Vatican's assaulton the Da Vinci Code movie Argues that Hollywood is a key player in the 'deep coalition'required to support a 'smart power' foreign policy and build aglobal cultural infrastructure that will make the world safe forinterdependence

A female marine’s “absorbing memoir” recounting her work with the remains and personal effects of fallen soldiers and her battle with PTSD (Publishers Weekly). In 2008, CBS chief foreign correspondent Lara Logan candidly speculated about the human side of the war in Iraq: “Tell me the last time you saw the body of a dead American soldier. What does that look like? Who in America knows what that looks like? Because I know what that looks like, and I feel responsible for the fact that no one else does . . .” Logan’s query raised some important yet ignored questions: How did the remains of American service men and women get from the dusty roads of Fallujah to the flag-covered coffins at Dover Air Force Base? And what does the gathering of those remains tell us about the nature of modern warfare and about ourselves? These questions are the focus of Jessica Goodell’s story Shade It Black: Death and After in Iraq. Goodell enlisted in the Marines immediately after graduating from high school in 2001, and in 2004 she volunteered to serve in the Marine Corps’ first officially declared Mortuary Affairs unit in Iraq. Her platoon was tasked with recovering and processing the remains of fallen soldiers. With sensitivity and insight, Goodell describes her job retrieving and examining the remains of fellow soldiers lost in combat in Iraq, and the psychological intricacy of coping with their fates, as well as her own. Death assumed many forms during the war, and the challenge of maintaining one’s own humanity could be difficult. Responsible for diagramming the outlines of the fallen, if a part was missing she was instructed to “shade it black.” This insightful memoir also describes the difficulties faced by these Marines when they transition from a life characterized by self-sacrifice to a civilian existence marked very often by self-absorption. In sharing the story of her own journey, Goodell helps us to better understand how post-traumatic stress disorder affects female veterans. With the assistance of John Hearn, she has written one of the most unique accounts of America’s current wars overseas yet seen.

A high-ranking general's gripping insider account of the U.S. wars in Iraq and Afghanistan, and how it all went wrong. Over a thirty-five-year career, Daniel Bolger rose through the army infantry to become a three-star general, commanding in both theaters of the U.S. campaigns in Iraq and Afghanistan. He participated in meetings with top-level military and civilian players, where strategy was made and managed. At the same time, he regularly carried a rifle alongside rank-and-file soldiers in combat actions, unusual for a general. Now, as a witness to all levels of military command, Bolger offers a unique assessment of these wars, from 9/11 to the final withdrawal from the region. Writing with hard-won experience and unflinching honesty, Bolger makes the firm case that in Iraq and in Afghanistan, we lost -- but we didn't have to. Intelligence was garbled. Key decision makers were blinded by spreadsheets or theories. And, at the root of our failure, we never really understood our enemy. Why We Lost is a timely, forceful, and compulsively readable account of these wars from a fresh and authoritative perspective.

As Iraq descends ever closer to civil war, no one doubts that George W. Bush's Iraq strategy has been an abysmal failure—just as Gwynne Dyer argued it would be in both Ignorant Armies and Future: Tense. The question now is what will happen not just in Iraq but in the whole Middle East region once American troops are withdrawn. In The Mess They Made, Dyer predicts that the Middle East will go through the biggest shake up since the region was conquered and folded into the Ottoman Empire five centuries ago. In his trademark vivid prose, and in arguments as clear as his research is thorough, Dyer brings his considerable knowledge and understanding of the region to bear on the issue of how widespread the meltdown in the Middle East will likely be. In five chapters, Dyer points the way from present policies and events to likely future developments in Iraq, Iran, Afghanistan, and in the various other countries of the region, not least of which is nuclear-armed Israel.

“The Iraqi state that was formed in the aftermath of the First World War has come to an end. Its successor state is struggling to be born in an environment of crises and chaos.” ---Ali Allawi, Iraq’s former Minister of Defense Allawi is not exaggerating. The disastrous American invasion of Iraq that has led to the destruction of the Iraqi state and the subsequent defeat of U.S. military power has finally destabilized the entire Middle East---a region that has been tightly controlled by European and American powers and that has changed little, politically, in forty years. But, in losing the war in Iraq, the United States has lost the will to maintain the status quo in the Middle East, and the forces unleashed by the destruction of Iraq will go on to shape the future of the region in a way that no one can predict. As Gwynne Dyer argues in After Iraq, the Middle East is about to change fundamentally, and everything is now up for grabs: regimes, ethnic pecking orders within states, even national borders themselves are liable to change without notice. Five years from now there could be an Islamic Republic of Arabia, an independent Kurdistan, a Muslim cold war between Sunnis and Shias, almost anything you care to imagine. Written with clarity, intelligence, and Dyer’s trademark dark humor, After Iraq is essential reading for anyone wanting an informed historical perspective on the future of one of the most important and volatile regions in the world.

A veteran CIA counter-terrorism analyst provides a sobering analysis of the U.S. Iraqi War policy while making unsettling predictions about how American security will be affected by the conflict, in a report that reveals how America's foreign policy is undermining key national goals and rendering the country vulnerable to terrorism. Reprint. 50,000 first printing.