After Ikkyu And Other Poems

A spirited collection of poems inspired by the Zen practice of one of America's most celebrated authors, Jim Harrison, a New York Times best-selling author. The popular novels of Jim Harrison (1937–2016) represent only part of his literary output—he was also widely acclaimed for the “renegade genius” of his powerful, expressive poems. After Ikkyū is the first collection of Harrison’s poetry directly inspired by his many years of Zen practice. The writing here is at once thought-provoking and passionate, immortalizing a celebrated American writer’s relationship to Zen in beautiful verse. These short, spirited poems will inspire you to look at life differently with a newfound sense of wonder and gratitude for everyday moments.

One hundred poems by a revered Japanese Zen master.

A volume of selected poems by Zen Master Ikkyu Sojun (1394–1481), translated into English

New edition of best-selling Asian title presents the poems of a renowned Zen master.

Arntzen's classic study and select translation of the Japanese medieval Zen poetry Crazy Cloud Anthology (Kyōunshū 狂雲集) by the Buddhist monk Ikkyū 一休 (1394-1481) is a carefully revised edition of the 1986 University of Tokyo Press edition which was issued as part of the Japanese series of the UNESCO collection of representative works. This Quirin Press Edition offers the following features: - Fully revised, updated, and expanded by the author. - Contains additional selected poems from Ikkyū's 一休 Kyōunshū 狂雲集 with text in Chinese script, and Japanese kundoku reading in Romanization. - Carefully typeset and proofed for typographical errors and inconsistencies. - Includes a new Preface and Afterword. Keywords: Zen poetry, Japanese -- Translations into English. Ikkyū 一休, 1394-1481. Buddhist monks -- Japan. Ikkyū Sōjun 一休宗純 (1394-1481), Zen monk and poet, is an unconventional figure in Japanese literary history. An eccentric personality, he raged at the corruption and hypocrisy of the wealthy Zen monastic system of his day. Defiantly living outside that institution for much of his life, his community included artists, actors, and women entertainers/ brothel girls. Many of his poems have sexual desire at their core, engaging with it as a kōan. Authentic Zen master as well as sensual lyricist, Ikkyū created some of the most original poetry in the entire Zen tradition. Translations from the Crazy Cloud Anthology, or Kyōunshū 狂雲集, Ikkyū's major collection of poetry in literary Chinese, form the core of this work. Ikkyū's biography and historical context of medieval Japan are outlined in the first part of the introduction. The analysis sections provide a portal for the reader to enter the world of the poems by demonstrating how Ikkyū's poetry produces experiences of Zen most often through the dialectical use of allusion. Ikkyū's non-conformism in response to a troubled, uncertain time will strike a sympathetic chord in the modern reader. Students of Japanese literature and religion, culture and history will find Ikkyū an engaging figure. And lovers of poetry will be inspired by his candour and free spirit. Originally published by University of Tokyo Press in 1986 as part of the Japanese series of the UNESCO collection of representative works, the present Quirin Press edition both augments and revises this seminal exploration of Ikkyū's key poetic output.

An anthology showing the widespread influence of Buddhism on American poetry, with over 200 poems and essays by 45 prominent American poets. It examines the work of, amongst others, Ezra Pound, Gary Snyder, Lucien Stryk and Jackson MacLow, with contributions from John Cage and Allen Ginsberg.

The appreciation of Zen philosophy and art has become universal, and Zen poetry, with its simple expression of direct, intuitive insight and sudden enlightenment, appeals to lovers of poetry, spirituality, and beauty everywhere. This collection of translations of the classical Zen poets of China, Japan, and Korea includes the work of Zen practitioners and monks as well as scholars, artists, travelers, and recluses, ranging from Wang Wei, Hanshan, and Yang Wanli, to Shinkei, Basho, and Ryokan.

Yosano Akiko (1878-942) is one of the most famous Japanese writers of the twentieth century. She is the author of more than seventy-five books, including twenty volumes of original poetry and the definitive translation into modern Japanese of the Tale of the Genji. Although probably best known for her exquisite erotic poetry, Akiko's work also championed the causes of feminism, pacifism, and social reform. Akiko's poetry is profoundly direct, often passionate, exposing the complexity of everyday emotions in poetic language stripped of artifice and presenting the full breadth of her poetic vision. Included are ninety-one of Akiko's tanka (a traditional five-line form of verse) and a dozen of her longer poems written in the modern style.

Two outstanding late novellas from one of America’s most beloved and critically acclaimed authors. A brilliant rendering of two men striving to find their way in the world, written with freshness, abundant wit, and profound humanity, The River Swimmer is Jim Harrison at his most memorable. In The Land of Unlikeness, sixty-year-old art history academic Clive a failed artist, divorced and grappling with the vagaries of his declining years reluctantly returns to his family’s Michigan farmhouse to visit his aging mother. The return to familiar territory triggers a jolt of renewal—of ardor for his high school love, of his relationship with his estranged daughter, and of his own lost love of painting. In Water Baby, Harrison ventures into the magical as an Upper Peninsula farm boy is irresistibly drawn to the water as an escape, and sees otherworldly creatures there. Faced with the injustice and pressure of coming of age, he takes to the river and follows its siren song all the way across Lake Michigan. The River Swimmer is a striking portrait of two richly-drawn, profoundly human characters, and an exceptional reminder of why Jim Harrison remains one of America’s most cherished and important writers, on a par with such literary greats as Richard Ford, Anne Tyler, Robert Stone, Russell Banks, and Ann Beattie. “Trenchant and visionary . . . Harrison is a writer of the body, which he celebrates as the ordinary, essential and wondrous instrument by which we measure the world. Without it, there is no philosophy. And with it, of course, philosophy can be a rocky test. . . . I could feel Jim Harrison grinning . . . in his glorious novella The River Swimmer.” —The New York Times Book Review