African Print Fashion Now

Exhibition catalog of a traveling exhibition of the same name.

Ami is finally getting a print dress. Her print will be tailor-made by Sisi Bisi, Freetown's finest seamstress and fashion designer. Join Ami and her mother Titi as they visit Sisi Bisi at Kabaslot Designs. A Print for Ami is part of an early reader series that celebrates African culture while helping children ages 3-6 learn phonics. Each page has simple short vowel sounds to help children learn to read with ease and confidence. Practice short vowel sound "i" with A Print for Ami.

Africa in Fashion explores the kaleidoscope of craft cultures that have shaped African fashion for centuries and captures the intriguing stories of contemporary and avant-garde African brands. Part One looks at Africa's rich cultural heritage and place in the network of global fashion. The first chapter retells the history of African fashion, exploring Africa's textile traditions, artisanship and role as a global resource. The second chapter presents a New Africa and examines the promise and potential of Africa's markets, while challenging stereotypes and the concept of European hegemony particularly in the realm of luxury fashion. It also spotlights Africa's unique position as the global industry shifts towards a more sustainable future. Part Two ushers the reader into the spectacular world of African fashion today. It showcases a carefully curated set of the continent's most dynamic brands and, through interviews with prominent and inspiring designers, offers rare insight into their ethos and design practice. Covering unisex fashion, menswear, womenswear, accessories and jewellery the brands are each purposefully selected to contribute uniquely to the mosaic of Africa evolving creative landscape.

The social enterprise Africa Fashion Guide has compiled the ultimate fashion guide from Africa. The book 'FASHION AFRICA' features the must-haves from just a handful of the creme de la creme of emerging and established designers who have taken their core inspiration from all corners of Africa 'FASHION AFRICA' proudly showcases 48 designers who have been influenced by the heartbeat, the many facets of history, culture, and people of Africa to bring about an aesthetic beauty which has been artistically illustrated. Featured in the book are designers such as Jewel by Lisa, Tiffany Amber, SUNO NY, Oliberte, NKWO, Loin Cloth and Ashes, Chichia London as well as ethical manufacturers such as Mantisworld and Kibotrade. You will also find fantastic modern illustrations, stunning photography and great analysis. This book - or visual guide - is the first of its kind that provides a contemporary, informative and visual overview of the African fashion and textiles industry with an ethical perspective.

African Textiles Today illustrates how African history is read, told, and recorded in cloth. All artifacts or works of art hold within them stories that range far beyond the time of their creation or the lifetime of their creator, and African textiles are patterned with these hidden histories. In Africa, cloth may be used to memorialize or commemorate something - an event, a person, a political cause - which in other parts of the world might be written down in detail or recorded by a plaque or monument. History in Africa can be read, told, and recorded in cloth. Making and trading numerous types of cloth have been vital elements in African life and culture for at least two millennia, linking different parts of the continent with each other and the rest of the world. Africa's long engagement with the peoples of the Mediterranean and the islands of the Atlantic and Indian Oceans provides a story of change and continuity. African Textiles Today shows how ideas, techniques, materials, and markets have adapted and flourished, and how the dynamic traditions in African textiles have provided inspiration for the continent's foremost contemporary artists and photographers. With a concluding chapter discussing the impact of African designs across the world, the book offers a fascinating insight into the living history of Africa.

Designers and brands featured include Duro Olowu, Black Coffee, Maki Oh, and Christie Brown.

African Fashion, Global Style provides a lively look at fashion, international networks of style, material culture, and the world of African aesthetic expression. Victoria L. Rovine introduces fashion designers whose work reflects African histories and cultures both conceptually and stylistically, and demonstrates that dress styles associated with indigenous cultures may have all the hallmarks of high fashion. Taking readers into the complexities of influence and inspiration manifested through fashion, this book highlights the visually appealing, widely accessible, and highly adaptable styles of African dress that flourish on the global fashion market.

Illustrated throughout with sumptuous colour and black & white photographs, this book covers contemporary African fashion in its widest sense taking in clothing, textile, and hair design, body decoration, and the work of models.

Creating African Fashion Histories examines the stark disjuncture between African self-fashioning and museum practices. Conventionally, African clothing, textiles, and body adornments were classified by museums as examples of trade goods, art, and ethnographic materials—never as "fashion." Counterposing the dynamism of African fashion with museums' historic holdings thus provides a unique way of confronting ways in which coloniality persists in knowledge and institutions today. This volume brings together an interdisciplinary group of scholars and curators to debate sources and approaches for constructing African fashion histories and to examine their potential for decolonizing museums, fashion studies, and global cultural history. The editors of this volume seek to answer questions such as: How can researchers use museum collections to reveal traces of past self-fashioning that are obscured by racialized forms of knowledge and institutional practice? How can archival, visual, oral, ethnographic, and online sources be deployed to capture the diversity of African sartorial pasts? How can scholars and curators decolonize the Eurocentric frames of thinking encapsulated in historic collections and current curricula? Can new collections of African fashion decolonize museum practice? From Moroccan fashion bloggers to upmarket Lagos designers, the voices in this ground-breaking collection reveal fascinating histories and geographies of circulation within and beyond the continent and its diasporic communities.

Transnational movements of people, cultural objects, images and identities have played a vital role in creating an informal global network for African fashion - from clothing designers and tailors to dyers and jewellery makers. This book traces the changing meanings, aesthetics and histories of the thriving informal African fashion network through its multicultural cross-roads of Los Angeles, Kenya and Senegal. In African communities, designers compete with each other to survive and often travel long distances in search of new markets. Such competition and bridging of cultures fuels creativity and innovation. From adapting western fashion magazines to combining 'ethnic' designs with dramatic new colours and techniques, artisans weave a variety of borrowed influences into their traditional practices. Rabine explores the interrelationship and tensions that exist between these popular and mass cultures, including the ways that global circulation threatens to destroy artisanal skills. With its unique insights into the operation and ethics of these global networks, this book offers a timely contribution to contemporary studies of fashion, transnationalism and globalization.