Advances In Utopian Studies And Sacred Architecture

At a time dominated by the disappearance of Future, as claimed by the French anthropologist Marc Augé, Utopia and Religion seem to be two different ways of giving back an inner horizon to mankind. Therefore this book, on the one hand, considers the importance of utopia as a tool and how it offers an economic and social resource to improve cities’ wealth, future and livability. On the other, it explores the impact of religious and cultural ideals on cities that have recently emerged in this context. Based on numerous observations, the book examines the intellectual legacy of utopian theory and practices across various academic disciplines. It also presents discussions, theories, and case studies addressing a range of issues and topics related to utopia.

At a time dominated by the disappearance of Future, as claimed by the French anthropologist Marc Augé, Utopia and Religion seem to be two different ways of giving back an inner horizon to mankind. Therefore this book, on the one hand, considers the importance of utopia as a tool and how it offers an economic and social resource to improve cities' wealth, future and livability. On the other, it explores the impact of religious and cultural ideals on cities that have recently emerged in this context. Based on numerous observations, the book examines the intellectual legacy of utopian theory and practices across various academic disciplines. It also presents discussions, theories, and case studies addressing a range of issues and topics related to utopia.

Inside Christian churches, natural light has been harnessed to underscore theological, symbolic, and ideological statements. This volume explores how the study of sunlight can reveal aspects of the design, decoration, and function of sacred spaces in the Middle Ages.

Icons of Space: Advances in Hierotopy brings together important scholars of Byzantine religion, art, and architecture, to honour the work of renowned art historian Alexei Lidov. As well as his numerous publications, Lidov is well known for developing the concept of hierotopy, an innovative approach for studying the creation of sacred spaces. Hierotopy and the related concepts of ‘spatial icons’ and ‘image-paradigms’ emphasize fundamental questions about icons, including what defines them as structures, spaces, and experiences. Chapters in this volume engage with the overarching theme of icons of space by employing, contrasting, and complementing methods of hierotopy with more traditional approaches such as iconography. Examinations of icons have traditionally been positioned within strictly historical, theological, socio-economic, political, and art history domains, but this volume poses epistemological questions about the creation of sacred spaces that are instead inclusive of multi-layered iconic ideas and the lived experiences of the creators and beholders of such spaces. This book contributes to image theory and theories of architecture and sacred space. Simultaneously, it moves beyond colonial studies that predominantly focus on questions of religion and politics as expressions of privileged knowledge and power. This book will appeal to scholars and students of Byzantine history, as well as those interested in hierotopy and art history.

This book synthesizes perspectives on how ‘place’ is deeply intertwined with our spirituality and well-being. Split into three sections, this book brings together contributions from global scholars across a range of disciplines to unravel how the personal, social, and cultural spheres of place shape our spiritual experiences and overall well-being. It is an essential read for those interested in enriching their knowledge of the linkages between place, spirituality, and well-being, while also providing a foundation for future research on place and its intersections with both spirituality and well-being.

Claude-Nicolas Ledoux (1736-1806) is today regarded as chief representative of French revolutionary architecture. With his extraordinary inventiveness he projected the architectural ideals of his era. Ledoux’s influential buildings and projects are presented and interpreted both aesthetically and historically in this book. His best-known projects – the Royal Saltwords of Arc-et-Senans, the tollgates of Paris, the ideal city of Chaux – reveal the architect’s allegiance to the principles of antiquity and Renaissance but also illustrate the evolution of his own utopian language. With the French Revolution, Ledoux ceased building as his contemporaries perceived him as a royal architect. He focused on the development of his architectural theory and redefined the vision of the modern architect.

This timely book reflects an awakening of interest in religious faiths and the emergence of a 'global exchange of architecture and culture. While Spain's Rafael Moneo has recently completed a cathedral in Los Angeles, Britain's Thomas Heatherwick is designing a Buddhist temple in Japan, John Pawson is working on a Cistercian monastery in the Czech Republic and Richard Meier has completed his Jubilee Church in Rome. It seems, as one Wallpaper registered] pundit commented, 'religion is getting a redesign' and the architect's faith is as unimportant as his or her nationality. I Looking at ways in which contemporary architects are approaching religious or meditative space, this book focuses on churches, chapels, temples, synagogues and mosques that have been built in the last few years and that represent a late-twentieth/ early-twenty-first century aesthetic.

This book highlights the relationship between sacred architecture and tourism, specifically focusing on the role of interior design strategies. It explores how the interior design of sacred spaces can influence the tourist experience and shape their perception of these places. The book touches upon elements such as spatial organization, symbolism, material selection, lighting, and acoustics, all of which contribute to creating a meaningful and immersive environment for visitors. It explores the architectural design, ideological motivations, and the historical context surrounding the palace's construction. The book also addresses the eventual abandonment of the project and its transformation of their uses, reflecting on the complexities of realizing utopian visions in architecture. It examines how the sanctuary's architectural design and spatial arrangement interact with the surrounding landscape, including elements such as topography, vegetation, and water features. Moreover, it focuses on the interior design and explores the symbolism, spatial organization, artistic elements, and spiritual experiences associated with the dome interiors of these structures. The book showcases the historical context, cultural influences, and the evolution of design principles that shaped these remarkable spaces. Also, this book investigates the transition of visionary architectural drawings from the realm of professional architects. Furthermore, it explores how architectural drawings serve as a medium for expressing imaginative and utopian ideas, and how this transition occurs in the context of architectural education.