Adornment

People everywhere have attempted to change their bodies in an effort to meet their cultural standards of beauty, as well as their religious and/or social obligations. Often times, this modification or adornment of their bodies is part of the complex process of creating and re-creating personal and social identities. Body painting has probably been practiced since the Paleolithic as archaeological evidence indicates, and the earliest human evidence of tattooing goes back to the Neolithic with mummies found in Europe, Central Asia, the Andes and the Middle East. Adornments such as jewelry have been found in the earliest human graves and bodies unearthed from five thousand years ago show signs of intentional head shaping. It is clear that adorning and modifying the body is a central human practice. Over 200 entries address the major adornments and modifications, their historical and cross-cultural locations, and the major cultural groups and places in which body modification has been central to social and cultural practices. This encyclopedia also includes background information on the some of the central figures involved in creating and popularizing tattooing, piercing, and other body modifications in the modern world. Finally, the book addresses some of the major theoretical issues surrounding the temporary and permanent modification of the body, the laws and customs regarding the marking of the body, and the social movements that have influenced or embraced body modification, and those which have been affected by it. All cultures everywhere have attempted to change their body in an attempt to meet their cultural standards of beauty, as well as their religious and or social obligations. In addition, people modify and adorn their bodies as part of the complex process of creating and re-creating their personal and social identities. Body painting has probably been practiced since the Paleolithic as archaeological evidence indicates, and the earliest human evidence of tattooing goes back to the Neolithic with mummies found in Europe, Central Asia, the Andes and the Middle East. Adornments such as jewelry have been found in the earliest human graves and bodies unearthed from five thousand years ago show signs of intentional head shaping. It is clear that adorning and modifying the body is a central human practice. Over 200 entries address the major adornments and modifications, their historical and cross-cultural locations, and the major cultural groups and places in which body modification has been central to social and cultural practices. This encyclopedia also includes background information on the some of the central figures involved in creating and popularizing tattooing, piercing, and other body modifications in the modern world. Finally, the book addresses some of the major theoretical issues surrounding the temporary and permanent modification of the body, the laws and customs regarding the marking of the body, and the social movements that have influenced or embraced body modification, and those which have been affected by it. Entries include, acupuncture, amputation, Auschwitz, P.T. Barnum, the Bible, body dysmorphic disorder, body piercing, branding, breast augmentation and reduction, Betty Broadbent, castration, Christianity, cross dressers, Dances Sacred and Profane, Egypt, female genital mutilation, foot binding, freak shows, genetic engineering, The Great Omi, Greco-Roman world, henna, infibulation, legislation & regulation, lip plates, medical tattooing, Meso-America, military tattoos, National Tattoo Association, nose piercing, obesity, permanent makeup, primitivism, prison tattooing, punk, rites of passage, scalpelling, silicone injections, Stalking Cat, suspensions, tanning, tattoo reality shows, tattooing, Thailand, transgender, tribalism.

Elaborating the history, variety, pervasiveness, and function of the adornments and ornaments with which we beautify ourselves, this book takes in human prehistory, ancient civilizations, hunter-foragers, and present-day industrial societies to tell a captivating story of hair, skin, and make-up practices across times and cultures. From the decline of the hat, the function of jewelry and popularity of tattooing to the wealth of grave goods found in the Upper Paleolithic burials and body painting of the Nuba, we see that there is no one who does not adorn themselves, their possessions, or their environment. But what messages do these adornments send? Drawing on aesthetics, evolutionary history, archaeology, ethology, anthropology, psychology, cultural history, and gender studies, Stephen Davies brings together African, Australian and North and South American indigenous cultures and unites them around the theme of adornment. He shows us that adorning is one of the few social behaviors that is close to being genuinely universal, more typical and extensive than the high-minded activities we prefer to think of as marking our species – religion, morality, and art. Each chapter shows how modes of decoration send vitally important signals about what we care about, our affiliations and backgrounds, our social status and values. In short, by using the theme of bodily adornment to unify a very diverse set of human practices, this book tells us about who we are.

The Flower Adornment Sutra (Avatamsaka Sutra) is known as the 'King of Kings' of all Buddhist sutras because of its profundity and great length. This sutra contains the most complete explanation of the Buddha's state of realization and the Bodhisattva's quest for awakening. It is said: “Unless you read the Avatamsaka Sutra, you will not know of the Buddha's true blessings and honor. The Avatamsaka Sutra is the Buddha's greatest store of treasures.” In forty chapters the sutra conveys a vast range of Buddhist teachings. It presents, in detailed description, the stages of Awakening that a Bodhisattva or 'Awakened Being’ must progress through on the path towards Anuttara Samyak Sambodhi – ‘Supreme Perfect Enlightenment.’ The sutra depicts the events that immediately unfolded upon the Buddha's Awakening under the Bodhi tree. It describes a cosmos that has infinite realms within realms, boundless and interpenetrating. Chapter 28 describes the Ten Spiritual Powers that Bodhisattvas attain upon perfecting their meritorious virtues in the practice of the Bodhisattva Path. These powers enable Bodhisattvas to discern the potentials of living beings to teach and guide them to bring forth the aspiration for enlightenment. Chapter 29 describes the Ten Patiences that Bodhisattvas must develop in their quest towards ultimate Awakening. If Bodhisattvas can perfect these ten kinds of patience, they will attain the positions of unobstructed patience of all Bodhisattvas.

“Sarva Mangala Mangalye Sive Sarvartha Sadhike Saranye Trayambike Gauri Narayani Namostute” “We see the image of Maa Durga wearing 17-adornment”, which we usually ignore or do not notice. Prerna follows and adorns herself with the 17th Adornment in her marriage which Maa Durga always wear. The story tells how the Prerna journey performs and how she fights against society’s mindset. During the journey, she meets two important women, one of them inspiring her and the other one she fights against the powerful politician and her family. In this story, lots of drama and emotional surprises we feel with a beautiful message in it. “If I Dare To Bear, Then I Dare to Destroy too”

The Art and Archaeology of Bodily Adornment examines the significance of adornment to the shaping of identity in mortuary contexts within Central and East Asia and brings these perspectives into dialogue with current scholarship in other worldwide regions. Adornment and dress are well-established fields of study for the ancient world, particularly with regard to Europe and the Americas. Often left out of this growing discourse are contributions from scholars of Central and East Asia. The mortuary contexts of focus in this volume represent unique sites and events where identity was visualized, and often manipulated and negotiated, through material objects and their placement on and about the deceased body. The authors examine ornaments, jewelry, clothing, and hairstyles to address questions of identity construction regarding dimensions such as gender and social and political status, and transcultural exchange from burials of prehistoric and early historical archaeological sites in Central Asia, China, Korea, and Japan. In both breadth and depth, this book will be of interest to students and scholars interested in the archaeology, art, and history of Central and East Asia, as well as anyone interested in the general study of dress and adornment.

Objects of adornment have been a subject of archaeological, historical, and ethnographic study for well over a century. Within archaeology, personal ornaments have traditionally been viewed as decorative embellishments associated with status and wealth, materializations of power relations and social strategies, or markers of underlying social categories such as those related to gender, class, and ethnic affiliation. Personal Adornment and the Construction of Identity seeks to understand these artefacts not as signals of steady, pre-existing cultural units and relations, but as important components in the active and contingent constitution of identities. Drawing on contemporary scholarship on materiality and relationality in archaeological and social theory, this book uses one genre of material culture - items of bodily adornment - to illustrate how humans and objects construct one another. Providing case studies spanning 10 countries, three continents, and more than 9,000 years of human history, the authors demonstrate the myriad and dynamic ways personal ornaments were intertwined with embodied practice and identity performativity, the creation and remaking of social memories, and relational collections of persons, materials, and practices in the past. The authors’ careful analyses of production methods and composition, curation/heirlooming and reworking, decorative attributes and iconography, position within assemblages, and depositional context illuminate the varied material and relational axes along which objects of adornment contained social value and meaning. When paired with the broad temporal and geographic scope collectively represented by these studies, we gain a deeper appreciation for the subtle but vital roles these items played in human lives.

Clothing, dress, and ornamentation are crucial parts of individual and communal religious life and practice, yet they are too often overlooked. This book convenes leading scholars to explore the roles of attire and adornment in the creation and communication of religious meaning, identity, and community. Contributors investigate aspects of religious dress in North America in the nineteenth, twentieth, and twenty-first centuries, considering adornment practices in a wide range of religious traditions and among individuals who straddle religious boundaries. The collection is organized around four frameworks for understanding the material culture of religion: theological interpretation, identity formation, negotiation of tradition, and activism. Religion, Attire, and Adornment in North America features essays on topics such as Black Israelites’ use of African fabrics, Christian religious tattoos, Wiccan ritual nudity, Amish “plain dress,” Mormon sacred garments, Hare Krishna robes, and the Church of Body Modification. Spanning the diversity of religious practice and expression, this book is suitable for a range of undergraduate courses and offers new insights for scholars in many disciplines.

Adorn Yourself.... The beautiful and delicate projects in Adornments are the perfect finishing touches for creating a purely romantic look. Make floral-inspired necklaces, in-full-bloom fascinators, and earrings with wispy feathers and sparkling beads. At parties, galas, special events, or even on your wedding day, the accessories in Adornments are artful creations that are sure to turn heads and inspire romance. Flip through the pages and you'll find... 20 accessory projects, from floral fascinators and hair pieces to necklaces, earrings and belts A techniques section that shows you how to use a millinery iron, cut lace appliques and work with wire and beads to create stunning pieces that would rival the wares of any high-end boutique Materials you'll love to work with: silk, linen and cotton fabrics, antique lace, delicate crystal beads and playful feathers Using simple hand-sewing, jewelry and millinery techniques, these accessories are easy to make and even easier to wear. In fact, you may not be able to take them off!