Across The Sea Of Suns

From the Nebula Award-winning author comes a newly revised edition of this story in his classic Galactic Center series. 2076: Technology has propelled the world into a new age of enlightenment. Nigel (from In the Ocean of Night) has left Earth to explore space for alien life. But while on this captivating mission, humanity's birthplace has fallen prey to attack and its seas are seeded with alien lifeforms. Now, Nigel is left to search for the only savior he knows-the one who saved him once before-the alien machine called the "Snark." Having left the solar system and turned traitor to its alien masters, Nigel is unsure of the Snark's new allegiance. Is the Snark a friend? Or will it also turn on Nigel... proving to be a deadly foe?

Now in a new, revised edition, the fourth book of the Nebula Award-winning author's Galactic Center series is a classic tale of man's future and fate--and the greatest mystery from outer space that humanity has ever encountered. Piloting an ancient starship, Killeen and the Bishop tribe escape the mech-ruled world of Snowglade. Seeking refuge on a far away planet, they discover vast wonders-an organic life-form as large as a world, a planet-coring cosmic string, a community of humans ruled by a brutal tyrant, and ultimately an alien race more awesome than any they have encountered. As they battle for survival against these myriad dangers, Killeen and his crew will gain an unforeseen ally-one that may determine humanity's true destiny...

The third novel in the award-winning author's classic Galactic Center series is available once again. "A challenging, pacesetting work of hard science fiction that should not be missed" (Los Angeles Times). Nearly 100,000 years after first contact with the machines that dominate the universe, a few hundred humans survive. Trapped on Snowglade, a barren world near the center of the galaxy, people like Killeen of Family Bishop and his child Toby are primitive scavengers, homeless and hunted by the ruling "mechs." Then suddenly, a strange cosmic entity-neither organic nor cybernetic nor living matter-reaches out from a black hole to speak with Killeen. But can this fallen descendant of starfarers understand this alien being in time-and seize his only chance to save his family and mankind from final annihilation?

In Karl Schroeder's sci-fi thriller, Hayden Griffin has come to the city of Rush with one thing in mind: to take murderous revenge for his parents' deaths. It is the distant future. The world known as Virga is a fullerene balloon three thousand kilometers in diameter, filled with air, water, and aimlessly floating chunks of rock. The humans who live in this vast environment must build their own fusion suns and "towns" that are in the shape of enormous wood and rope wheels that are spun for gravity. Young, fit, bitter, and friendless, Hayden Griffin is a very dangerous man. He's come to the city of Rush in the nation of Slipstream with one thing in mind: to take murderous revenge for the deaths of his parents six years ago. His target is Admiral Chaison Fanning, head of the fleet of Slipstream, which conquered Hayden's nation of Aerie years ago. And the fact that Hayden's spent his adolescence living with pirates doesn't bode well for Fanning's chances . . . At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

Lancer, a spaceship built to specifications found in the computers of an alien derelict, journeys to the star, Ra, from which the Earth has received mysterious radio transmissions in English

A research team and a blind old sailor slyly spar over the truth of a long-ago shipwreck, a mad island of dead gods and the mystery of a lost manuscript. Neither sailor nor interviewer is what they seem; and both must learn to work together to find what they seek. Seemingly, Clarence St. Elmo sits old and blind in the Sailor's Safe Harbor Home. A patient interviewer sifts his wandering memories for details of the wreck of the Unicorn, a cargo schooner lost long ago in the South Pacific. But Clarence St. Elmo is also a young man who finds himself on a cursed ship with a cargo of dead gods destined to be sunk in the Sea of Time. His love waits for his return, while mad voices in his head slyly pry for clues to a lost book. And always beyond the words and the memories, the dreadful storm circles closer. A romance of memory, across the sea of time. From the book: Describe the dance in the moonlight. The girl stopped dancing at the first bird chirp of dawn. The ruined walls pooled the remainder of night like a hollow on a beach when the tide draws away. Exhausted, I stared up at a patch of coloring on a tree-top. My heart beat for a drum. The girl looked at the sky, then regretfully towards the dark entrance to the crumbled house. She wasn't a bit tired. But she intended to retire for the day, no doubt taking me and Cut-Throat with her. She could do it, too. In the faint light her face was hungry and pretty and determined as a tiger's. If I bolted she would be on me before I made the archway. I crossed looks with Cut-Throat. He shook his head slightly, telling me the same. I tried not to look at the other fellow, who had no eyes to meet. He just stood there in rotting sea-man's clothes listening for the clap of her hands. But our Cut-Throat had taken the girl's measure. He'd noted what rhythm and time made her feet stamp, made her toss her ropes of hair. Now he began a slow sad dirge for the dying night. She turned to him, hands raised to clap an order. But I took her left hand and bowed and stepped forward my right foot and she had no choice in her perfection of movement but to step back and then half turn as I did and we stepped forwards together two steps, then turned together as I placed my left hand on the small of her back and we skipped left three steps as the fiddle slyly slipped from dirge to a laughing tune that ran faster and faster till we were whirling and turning over the cold stones.

A classic novel of man's future and fate, written by the eminent American physicist and award-winning author of Timescape. 2034. An indistinguishable sound is heard from the depths of space and one member of the search and survey team, Nigel, believes he knows its origins. 15 years earlier, he was the astronaut sent to implode a firey comet as it hurtled toward the Asian subcontinent. Once inside the fissure he made an unlikely discovery: an abandoned alien ship. Against his better judgment, Nigel carried out his mission, destroying the vessel-but not before clandestinely removing alien data and technology from on board. Now, as the team sets forth on a new adventure of discovery, Nigel's past will collide with the present, introducing him to wonders beyond human comprehension.

Gregory Benford is perhaps best known as the author of Benford's law of controversy: "Passion is inversely proportional to the amount of real information available." That maxim is a quotation from Timescape, Benford's Nebula and Campbell Award-winning 1980 novel, which established his work as an exemplar of "hard science fiction," dedicated to working out the consequences of modern science rather than substituting pseudoscience for fantasy. Like many other current science fiction writers, Benford has tackled the major genres: space travel, time travel, technology running amok, prolonged longevity, searing apocalyptic cosmic events, and alien life, which he theorizes to be more likely viral than intelligent. An astrophysicist by training and profession, Benford has published more than twenty novels, over one hundred short stories, some fifty essays, and myriad articles that display both his scientific rigor as well as a recognition of literary traditions. In this study, George Slusser explores the extraordinary, seemingly inexhaustible display of creative energy in Gregory Benford's life and work. Presenting Benford's ideas on science and the writing of science fiction, the volume addresses the writer's literary production and his place in contemporary science fiction. By identifying direct sources and making parallels with other works and writers, Slusser reveals the vast scope of Benford's knowledge, both of literature and of the major scientific and philosophical issues of our time. Slusser also discusses Benford's numerous scientific articles and nonfiction books and includes a new interview with Benford.

A wide-ranging and appreciative literary history of the castaway tale from Defoe to the present Ever since Robinson Crusoe washed ashore, the castaway story has survived and prospered, inspiring a multitude of writers of adventure fiction to imitate and adapt its mythic elements. In his brilliant critical study of this popular genre, Christopher Palmer traces the castaway tales' history and changes through periods of settlement, violence, and reconciliation, and across genres and languages. Showing how subsequent authors have parodied or inverted the castaway tale, Palmer concentrates on the period following H. G. Wells's The Island of Dr. Moreau. These much darker visions are seen in later novels including William Golding's Lord of the Flies, J. G. Ballard's Concrete Island, and Iain Banks's The Wasp Factory. In these and other variations, the castaway becomes a cannibal, the castaway's island is relocated to center of London, female castaways mock the traditional masculinity of the original Crusoe, or Friday ceases to be a biddable servant. By the mid-twentieth century, the castaway tale has plunged into violence and madness, only to see it return in young adult novels—such as Scott O'Dell's Island of the Blue Dolphins and Terry Pratchett's Nation—to the buoyancy and optimism of the original. The result is a fascinating series of revisions of violence and pessimism, but also reconciliation.