A Year Without A Winter

This book brings together science fiction, history, visual art, and exploration to reframe the relationship among climate, crisis, and creation. A Year Without a Winter presents stories by four renowned science fiction authors alongside critical essays, extracts from Mary Shelley's Frankenstein, and dispatches from extreme geographies.

Like Winchester's Krakatoa, The Year Without Summer reveals a year of dramatic global change long forgotten by history In the tradition of Krakatoa, The World Without Us, and Guns, Germs and Steel comes a sweeping history of the year that became known as 18-hundred-and-froze-to-death. 1816 was a remarkable year—mostly for the fact that there was no summer. As a result of a volcanic eruption in Indonesia, weather patterns were disrupted worldwide for months, allowing for excessive rain, frost, and snowfall through much of the Northeastern U.S. and Europe in the summer of 1816. In the U.S., the extraordinary weather produced food shortages, religious revivals, and extensive migration from New England to the Midwest. In Europe, the cold and wet summer led to famine, food riots, the transformation of stable communities into wandering beggars, and one of the worst typhus epidemics in history. 1816 was the year Frankenstein was written. It was also the year Turner painted his fiery sunsets. All of these things are linked to global climate change—something we are quite aware of now, but that was utterly mysterious to people in the nineteenth century, who concocted all sorts of reasons for such an ungenial season. Making use of a wealth of source material and employing a compelling narrative approach featuring peasants and royalty, politicians, writers, and scientists, The Year Without Summer by William K. Klingaman and Nicholas P. Klingaman examines not only the climate change engendered by this event, but also its effects on politics, the economy, the arts, and social structures.

A teenage girl treks across a dangerous, frozen nation to reunite with her family in this Philip K. Dick Award–winning apocalyptic thriller. Wylodine comes from a world of paranoia and poverty. Her family grows marijuana illegally in order to survive. But now she’s been left behind in Ohio to tend the crop alone. Then spring doesn’t return for the second year in a row, bringing unprecedented, extreme winter. With grow lights stashed in her truck and a pouch of precious seeds, Wil begins a journey to join her family in California. But the icy roads and strangers hidden in the hills are treacherous. Gathering a small group of exiles on her way, she becomes the target of a volatime cult leader. Because she has the most valuable skill in the climate chaos: she can make things grow. Road Out of Winter offers a glimpse into an all-too-possible near future, with a chosen family forged in the face of dystopian collapse. Alison Stine’s acclaimed debut “blends a rural thriller and speculative realism into what could be called dystopian noir” (Library Journal, starred review).

A New York Times and USA TODAY Bestseller “50 Most Impactful Black Books of the Last 50 Years.” —Essence Nominated as one of America’s best-loved novels by PBS’s The Great American Read The instant classic from the #1 New York Times bestselling author of Life After Death brings the streets of New York to life in a powerful and utterly unforgettable novel. I came busting into the world during one of New York’s worst snowstorms, so my mother named me Winter. Ghetto-born, Winter is the young, wealthy daughter of a prominent Brooklyn drug-dealing family. Quick-witted, sexy, and business-minded, she knows and loves the streets like the curves of her own body. But when a cold Winter wind blows her life in a direction she doesn’t want to go, her street smarts and seductive skills are put to the test of a lifetime. Unwilling to lose, this ghetto girl will do anything to stay on top. Twenty-five years and over one million copies later, The Coldest Winter Ever is a bestseller and a national treasure, a classic handed down from one reading generation to the next. Whether you are reading it for the first time or have cherished it for years, you will never forget this Winter’s tale.

"This book is truly epic. . . . The reader will probably wish there was a thousand more pages." —The Huffington Post Picking up where Fall of Giants, the first novel in the extraordinary Century Trilogy, left off, Winter of the World follows its five interrelated families—American, German, Russian, English, and Welsh—through a time of enormous social, political, and economic turmoil, beginning with the rise of the Third Reich, through the great dramas of World War II, and into the beginning of the long Cold War. Carla von Ulrich, born of German and English parents, finds her life engulfed by the Nazi tide until daring to commit a deed of great courage and heartbreak . . . . American brothers Woody and Chuck Dewar, each with a secret, take separate paths to momentous events, one in Washington, the other in the bloody jungles of the Pacific . . . . English student Lloyd Williams discovers in the crucible of the Spanish Civil War that he must fight Communism just as hard as Fascism . . . . Daisy Peshkov, a driven social climber, cares only for popularity and the fast set until war transforms her life, while her cousin Volodya carves out a position in Soviet intelligence that will affect not only this war but also the war to come.

After an October blizzard, Laura's family moves into town for the winter.

Camping or backpacking in winter is appealing for many who enjoy the serenity of wilderness settings without the crowds and bustle of the summer season. But as rewarding as they can be, these outings require special preparation and a different set of skills than are necessary at other times of the year. Snowfall can quickly cover one's tracks and make orientation difficult. Hypothermia is insidious, and rapidly changing weather conditions can become treacherous, even life-threatening.In addition to those who are exploring the outdoors recreationally, there are also those who find themselves in unexpected winter survival situations. Each year, people become stranded in wilderness areas, and in most cases they are not equipped to face the challenge of spending an indefinite amount of time outside. Without sufficient gear or knowledge of how to improvise without it, injury or death is often the result. The development of some basic skills, however, can help avert such unfortunate outcomes.As the founder of the renowned nature awareness program Primitive Pursuits, Dave Hall has been practicing survival skills for more than twenty years and has amassed a comprehensive understanding of winter survival. By refining these skills, Dave has reached a point of understanding that is without peer. Through detailed explanations, illustrations, and personal anecdotes, Winter in the Wilderness imparts Dave's knowledge to readers, who will learn to meet their most basic needs: making fire, creating shelter, obtaining safe drinking water, navigating terrain, and procuring sustenance.Winter in the Wilderness is a handbook for those who want to explore cold-weather camping and those who might find themselves in need of this critical information during an unexpected winter's night out. Whether used for pleasure or for survival, Winter in the Wilderness emphasizes the benefits of enriching and deepening our connection with the outdoors.

Anna Winterson doesn't know she's a witch and would probably mock you for believing in magic, but after moving to the small town of Winter with her father, she learns more than she ever wanted to about power. When Anna meets Seth, she is smitten, but when she enchants him to love her, she unwittingly amplifies a deadly conflict between two witch clans and splits her own heart in two. She wants to love Seth, to let him love her - but if it is her magic that's controlling his passion, then she is as monstrous as the witch clan who are trying to use her amazing powers for their own gain.

Describes how and why daylight grows shorter as winter approaches, the effect of shorter days on animals and people, and how the winter solstice has been celebrated throughout history. Includes activities.

The inaugural winner of The Novel Prize, an international biennial award established by Giramondo (Australia), Fitzcarraldo Editions (UK) and New Directions (USA). Cold Enough for Snow was unanimously chosen from over 1500 entries. A novel about the relationship between life and art, and between language and the inner world – how difficult it is to speak truly, to know and be known by another, and how much power and friction lies in the unsaid, especially between a mother and daughter. A young woman has arranged a holiday with her mother in Japan. They travel by train, visit galleries and churches chosen for their art and architecture, eat together in small cafés and restaurants and walk along the canals at night, on guard against the autumn rain and the prospect of snow. All the while, they talk, or seem to talk: about the weather, horoscopes, clothes and objects; about the mother’s family in Hong Kong, and the daughter’s own formative experiences. But uncertainties abound. How much is spoken between them, how much is thought but unspoken? Cold Enough for Snow is a reckoning and an elegy: with extraordinary skill, Au creates an enveloping atmosphere that expresses both the tenderness between mother and daughter, and the distance between them. 'So calm and clear and deep, I wished it would flow on forever.' — Helen Garner 'Rarely have I been so moved, reading a book: I love the quiet beauty of Cold Enough for Snow and how, within its calm simplicity, Jessica Au camouflages incredible power.' — Edouard Louis 'Au’s prose is elegant and measured. In descriptions of bracing clarity she evokes ‘shaking delicate impressions’ of worlds within worlds that are symbolic of the parts of ourselves we keep hidden and those we choose to lay bare. Put simply, this novel is an intricate and multi-layered work of art — a complex and profound meditation on identity, familial bonds and our inability to fully understand ourselves, those we love and the world around us.' — Jacqui Davies, Books+Publishing