A Year At The Races

Pulitzer Prize-winning author Jane Smiley draws upon her first-hand knowledge to examine the horse on all levels - practical, theoretical and emotional. Drawing on the wisdom of trainers, vets, jockeys and a real-life horse whisperer, Smiley adds an element of drama and suspense as two of her own horses begin their careers at the racetrack. As the horses get closer to the winner's circle, we are enchanted, enthralled and informed about what it's really like to own, train and root for a racehorse.

NATIONAL BESTSELLER • From the Pulitzer Prize-winning author of A Thousand Acres comes an irresistibly smart, witty, and engaging chronicle of a novelist's lifelong obsession with horses. • "Exuberant...witty, completely delightful.... A kind of National Velvet for adults." —San Francisco Chronicle “Every horse story is a love story,” writes Jane Smiley, who has loved horses for most of her life and owned and bred them for a good part of it. To love something is to observe it with more than usual attention, and that is precisely what Smiley does in this In particular she follows a sexy filly named Waterwheel and a grey named Wowie (he “tells” a horse communicator that he wants it changed from Hornblower) as they begin careers at the racetrack. Filled with humor and suspense, and with discourses on equine intelligence, affection, and character, A Year at the Races is a winner.

A best-selling novelist and an award-winning photographer provide an insider's look at the sport of thoroughbred horse racing, from morning walks to the owner's box

A Harvard dropout’s memoir of playing the horses—a great read for handicappers or those who enjoyed Ben Mezrich’s Bringing Down the House. In 1977, before he was known as the creator of “The Beyer Speed Figure,” Andrew Beyer set out on a gambling odyssey, determined to prove himself as a horseplayer. He would marshal all his handicapping skills for assaults on four racetracks: Gulfstream Park, Pimlico, Saratoga, and the Barrington Fair. The then thirty-three-year-old Harvard dropout had the credentials for this undertaking: two years earlier, his book Picking Winners had won a claim from bettors and critics alike. But the theory of handicapping and the practice of it are two very different things, and Beyer did all he could to prepare himself for this new challenge. He consulted with other professional horseplayers. He undertook detailed analyses of trainers and their methods. He refined his speed-handicapping techniques. He developed a revolutionary method for evaluating horses shipped from one track to another. He formulated a bold betting strategy. During the year, he experienced the dizzying thrill of winning more than $10,000 in an afternoon, and agonizing frustration that drove him to bash a hole in the wall of the Gulfstream Park press box. When it was over, Beyer had amassed a profit of $50,664. His account of the year offers a rare, unromanticized look at the world of professional gambling. For horseplayers who have dreamed of beating the races, he proves that the dream is, sometimes, attainable. And he explains, in specific detail, how it can be done. There are no gimmicks in My $50,000 Year at the Races. Instead, there is a proven method of beating the races—and Andrew Beyer’s marvelously entertaining story of how he put it in practice.

The ebook of the stunning new novel from the bestselling author of SHIVER, LINGER AND FOREVER. Stay alive, stay astride, stay out of the water... Every November, the Scorpio Races are run beneath the chalk cliffs of Skarmouth. Thousands gather to watch the horses and the sea that washes the blood from the sand. The mounts are capaill uisce: savage water horses. There are no horses more beautiful, more fearless, more deadly. To race them can be suicide but the danger is irresistible. Sean Kendrick knows the dangers of the capaill uisce. With one foot in the ocean and one on land, he is the only man on the island capable of taming the beasts. He races to prove something both to himself and to the horses. Puck Connolly enters the races to save her family. But the horse she rides is an ordinary little mare, just as Puck is an ordinary girl. When Sean sees Puck on the beach he doesn't think she belongs. He doesn't realize his fate will become entwined in hers. They both enter the Races hoping to change their lives. But first they'll have to survive.

Kevin Chong has grand plans. He draws up a to-do list of major milestones that will give him the life he always wanted—and the life that will inspire awe and envy in his friends. Things like settling down and starting a family; learning a foreign language; getting a tattoo. But these grand plans go out the window when Chong makes an unconventional decision: he's going to buy a racehorse. Not the whole thing—he'll become part—owner of the horse. Just don't ask him which part. Thus Chong meets Blackie, the racehorse that will win his heart, even if she doesn't always win on the track. He meets Randi, the cantankerous and foul-mouthed horse trainer with a heart of gold. He meets an assorted array of characters who work, live and drink at the track—and, one by one, the items on his to-do list are crossed out and replaced with horse-related ambitions. His goals are a bit more humble (cussing like a track worker replaces learning a foreign language), but his life has gained new meaning. The story is infused with the noise, excitement and faded glamour of the horse-racing world. It is strewn with fascinating tidbits about the history and tradition of this

In the early 1970s, trainer Tommy Hansel attempts a horse racing scam at a small, backwoods track in West Virginia, but nothing goes according to his plan when the horses refuse to cooperate and nearly everyone at the track seems to know his scheme.

Becoming a steeplechase jockey takes great courage, especially when following in the footsteps of a legendary father. Growing up, Patrick Smithwick idolized his father, A.P. Smithwick, considered the greatest steeplechase jockey in America at the time. In this compelling memoir, Patrick Smithwick recalls how his father's success shaped his own ambitions and dreams. Despite witnessing the pinnacle of the sport, the younger Smithwick started his own journey without a leg up. He mucked stalls and lived in tack rooms, learning the sport from the bottom up. After his father was severely injured in a racing accident, young Patrick did not sway from pursuing his dream. Though he may not have reached the career heights of his father, Patrick Smithwick succeeded in carving his own niche as a top steeplechase rider.

At head of title: Disney Pixar, the world of Cars.

“Brooks’ chronological and cross-disciplinary leaps are thrilling.” —The New York Times Book Review “Horse isn’t just an animal story—it’s a moving narrative about race and art.” —TIME “A thrilling story about humanity in all its ugliness and beauty . . . the evocative voices create a story so powerful, reading it feels like watching a neck-and-neck horse race, galloping to its conclusion—you just can’t look away.” —Oprah Daily Winner of the Anisfield-Wolf Book Award, the Dayton Literary Peace Prize, and the Dr. Tony Ryan Book Award · Finalist for the Chautauqua Prize · A Massachusetts Book Award Honor Book A discarded painting in a junk pile, a skeleton in an attic, and the greatest racehorse in American history: from these strands, a Pulitzer Prize winner braids a sweeping story of spirit, obsession, and injustice across American history Kentucky, 1850. An enslaved groom named Jarret and a bay foal forge a bond of understanding that will carry the horse to record-setting victories across the South. When the nation erupts in civil war, an itinerant young artist who has made his name on paintings of the racehorse takes up arms for the Union. On a perilous night, he reunites with the stallion and his groom, very far from the glamor of any racetrack. New York City, 1954. Martha Jackson, a gallery owner celebrated for taking risks on edgy contemporary painters, becomes obsessed with a nineteenth-century equestrian oil painting of mysterious provenance. Washington, DC, 2019. Jess, a Smithsonian scientist from Australia, and Theo, a Nigerian-American art historian, find themselves unexpectedly connected through their shared interest in the horse—one studying the stallion’s bones for clues to his power and endurance, the other uncovering the lost history of the unsung Black horsemen who were critical to his racing success. Based on the remarkable true story of the record-breaking thoroughbred Lexington, Horse is a novel of art and science, love and obsession, and our unfinished reckoning with racism.