A Word Thrice Uttered
Author | : Parveen Talha |
Publisher | : |
Total Pages | : 0 |
Release | : 2017 |
Genre | : Biographical fiction |
ISBN | : 9789385285875 |
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Author | : Parveen Talha |
Publisher | : |
Total Pages | : 0 |
Release | : 2017 |
Genre | : Biographical fiction |
ISBN | : 9789385285875 |
Author | : Rudolf Stier |
Publisher | : |
Total Pages | : 1060 |
Release | : 1860 |
Genre | : Bible |
ISBN | : |
Author | : James Thomas Molesworth |
Publisher | : |
Total Pages | : 960 |
Release | : 1857 |
Genre | : English language |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : 1472 |
Release | : 1777 |
Genre | : |
ISBN | : |
Author | : Ewald Rudolf Stier |
Publisher | : |
Total Pages | : 568 |
Release | : 1855 |
Genre | : |
ISBN | : |
Author | : Samuel Johnson |
Publisher | : |
Total Pages | : 1470 |
Release | : 1777 |
Genre | : |
ISBN | : |
Author | : James Hastings |
Publisher | : |
Total Pages | : 522 |
Release | : 1910 |
Genre | : Bible |
ISBN | : |
Author | : James Hastings |
Publisher | : |
Total Pages | : 526 |
Release | : 1910 |
Genre | : Bible |
ISBN | : |
Author | : James Hastings |
Publisher | : |
Total Pages | : 526 |
Release | : 1911 |
Genre | : Bible |
ISBN | : |
Author | : Ryan Conrath |
Publisher | : Oxford University Press |
Total Pages | : 233 |
Release | : 2023 |
Genre | : Education |
ISBN | : 0197612296 |
"Between Images proposes a unique theory of montage a technique of relation: a means of fundamentally rethinking and reshaping how humans relate-to ourselves and each other, to the material world, to the planet and its nonhuman inhabitants. Historically, film criticism has cast montage in one of several roles: as narrative's invisible executor of spatiotemporal continuity to maintain the viewer's investment in the story-world; as an agent of disorder that confounds conventions of storytelling and realism and prompts the viewer's intellectual engagement; and as an expressionistic device for augmenting the duration and combination of shots to affect viewers at a sensory level. While not exactly abandoning such accounts, this study tries to move closer to the heart of montage by distinguishing the space between images as itself a powerful source of ideas, feelings, and forms. Venturing into an "expanded field of montage" beyond the limited purview of a given film's "editing," Between Images traces the cut and the splice across photographic and cinematic media in a range of material, conceptual, and political contexts. In all of this, the space between images becomes a setting for navigating and renegotiating the terms of relation, of the "being-with" that connects all forms of life. Between Images brings together a diverse cast of experimental filmmakers, including Harun Farocki, Hito Steyerl, Steve McQueen, and Cauleen Smith, Daïchi Saito, and Ja'Tovia Gary, and in doing so, situates the cinematic"--