A Woman In The Polar Night

In this extraordinary adventure, a reluctant visitor to the Arctic thrives in the awesome and unforgiving landscape. In 1933, Christiane Ritter, a painter from Austria, travelled to Spitsbergen, an Arctic island north of Norway, to be with her husband. He had been taking part in a scientific expedition and stayed on to hunt and fish. “Leave everything as it is and follow me to the Arctic,” he wrote to his wife; but for Christiane, “as for all central Europeans, the Arctic was just another word for freezing and forsaken solitude. I did not follow at once.” Eventually she gave in, lured by his compelling stories about the remarkable wildlife and alluring light shows. She says: “They told of journeys by water and over ice, of the animals and the fascination of the wilderness, of the strange light over the landscape, of the strange illumination of one’s own self in the remoteness of the polar night. In his descriptions there was practically never any mention of cold or darkness, of storms or hardships.”

Mark Mahaney's Polar Night is a passage through a rapidly changing landscape in Alaska's northernmost town of Utqiagvik. It's an exploration of prolonged darkness, told through the strange beauty of a snowscape cast in a two month shadow. The unnatural lights that flare in the sun's absence and the shapes that emerge from the landscape are unexpectedly beautiful in their softness and harshness. It's hard to see past the heavy gaze of climate change in an arctic town, though Polar Night is a visual poem about endurance, isolation and survival.

Visitors to the Arctic enter places that have been traditionally imagined as otherworldly. This strangeness fascinated audiences in nineteenth-century Britain when the idea of the heroic explorer voyaging through unmapped zones reached its zenith. The Spectral Arctic re-thinks our understanding of Arctic exploration by paying attention to the importance of dreams and ghosts in the quest for the Northwest Passage. The narratives of Arctic exploration that we are all familiar with today are just the tip of the iceberg: they disguise a great mass of mysterious and dimly lit stories beneath the surface. In contrast to oft-told tales of heroism and disaster, this book reveals the hidden stories of dreaming and haunted explorers, of frozen mummies, of rescue balloons, visits to Inuit shamans, and of the entranced female clairvoyants who travelled to the Arctic in search of John Franklin’s lost expedition. Through new readings of archival documents, exploration narratives, and fictional texts, these spectral stories reflect the complex ways that men and women actually thought about the far North in the past. This revisionist historical account allows us to make sense of current cultural and political concerns in the Canadian Arctic about the location of Franklin’s ships.

When Detective Danny Fitzpatrick leaves his hometown of Chicago and moves to Fairbanks, Alaska he wants nothing more than to escape the violence and heartbreak that left his life in pieces. Numbed by alcohol and the frozen temperatures of an Alaskan winter, Danny is content with a dead-end job investigating Fairbanks' cold cases. That all changes when a pretty blond woman goes missing on the winter solstice, and Danny stumbles upon some surprising connections between her disappearance and that of another Fairbanks woman three years earlier. Forced out of his lethargy, Danny sets out to both find the missing woman and solve his own cold case. The investigation points Danny towards Aleksei Nechayev, the handsome and charming proprietor of an old asylum turned haunted tourist attraction in the Arctic town of Coldfoot. As he tries to find a link between Nechayev and his case, Danny's instinct tells him that Nechayev is much more than what he seems. Danny has no idea that Nechayev is hiding a secret that is much more horrifying than anything he could ever have imagined. As his obsession with finding the missing women grows, Danny finds his own life in danger. And when the truth is finally revealed, the world as he knows it will never be the same.

“Sharp and seductive…a fantasy with teeth.” —Julie C. Dao, author of Forest of a Thousand Lanterns A girl of two worlds, accepted by none… A half Reaper, half Shinigami soul collector seeks her destiny in this haunting and compulsively readable dark fantasy duology set in 1890s Japan. Death is her destiny. Half British Reaper, half Japanese Shinigami, Ren Scarborough has been collecting souls in the London streets for centuries. Expected to obey the harsh hierarchy of the Reapers who despise her, Ren conceals her emotions and avoids her tormentors as best she can. When her failure to control her Shinigami abilities drives Ren out of London, she flees to Japan to seek the acceptance she’s never gotten from her fellow Reapers. Accompanied by her younger brother, the only being on earth to care for her, Ren enters the Japanese underworld to serve the Goddess of Death…only to learn that here, too, she must prove herself worthy. Determined to earn respect, Ren accepts an impossible task—find and eliminate three dangerous Yokai demons—and learns how far she’ll go to claim her place at Death’s side. Don't miss the must-read sequel coming in 2022!

“An epic story, elegantly told and full of mystery.” — Maggie Shipstead, author of Great Circle A rediscovered classic memoir - the mesmerizingly beautiful account of one woman's year spent living in a remote hut in the Arctic This rediscovered classic memoir tells the incredible tale of a woman defying society's expectations to find freedom and peace in the adventure of a lifetime. In 1934, the painter Christiane Ritter leaves her comfortable life in Austria and travels to the remote Arctic island of Spitsbergen, to spend a year there with her husband. She thinks it will be a relaxing trip, a chance to 'read thick books in the remote quiet and, not least, sleep to my heart's content', but when Christiane arrives she is shocked to realize that they are to live in a tiny ramshackle hut on the shores of a lonely fjord, hundreds of miles from the nearest settlement, battling the elements every day, just to survive. At first, Christiane is horrified by the freezing cold, the bleak landscape the lack of equipment and supplies... But as time passes, after encounters with bears and seals, long treks over the ice and months on end of perpetual night, she finds herself falling in love with the Arctic's harsh, otherworldly beauty, gaining a great sense of inner peace and a new appreciation for the sanctity of life.

After wandering out at night to watch a magical star shower, a polar bear cub returns home to snuggle with her mother in their warm den.

A new edition of a National Book Award finalist follows a black faith healer whose shrewd observations about human nature are told with the rich lyricism of the oral storytelling tradition. From the acclaimed author of Corregidora, The Healing follows Harlan Jane Eagleton as she travels to small towns, converting skeptics, restoring minds, and healing bodies. But before she found her calling, Harlan had been a minor rock star’s manager and, before that, a beautician. Harlan retraces her story to the beginning, when she once had a fling with the rock star’s ex-husband and found herself infatuated with an Afro-German horse dealer. Along the way she’s somehow lost her own husband, a medical anthropologist now traveling with a medicine woman across eastern Africa. Harlan draws us deeper into her world and the mystery at the heart of her tale: the story of her first healing. The Healing is a lyrical and at times humorous exploration of the struggle to let go of pain, anger, and even love. Slipping seamlessly back through Harlan’s memories in a language rich with the textured cadences of unfiltered dialogue, Gayl Jones weaves her story to its dramatic—and unexpected—beginning.

In 1988, in a gruelling and dangerous adventure, 50-year-old Helen Thayer became the first woman to ski solo to the magnetic North Pole. She trekked 345 miles, pulling a 160-pound sledge and with a husky, Charlie, as her only companion. This is her story.