A Trail Of Feathers

A true story about one woman's journey of love, death, murder, political power, deception, the supernatural, and consciousness. Tracey Damron was born into a life of privilege, a life that seemed destined to continue on its path when she married Steve Nunn, the son of a former governor of Kentucky. What follows, however is something quite a bit different than what she expected. Thrust into a world of love, death, murder, political power, and deception, she watches as five men she loves die. In the end, the only way to survive- and thrive- is to turn inward and gather strength from within. A mesmerizing tale that is as uplifting as it is unsettling, this autobiographical journey from shell- shocked socialite to spiritually enlightened shaman is almost too incredible to believe- yet it is entirely true. Guided by the recurring appearance of real- life feathers, she is able to see a different path for herself-and is strong enough to follow it. Damron's fearlessness in opening up the details of her past and the contents of the diary she kept is an extraordinary look behind the scenes of a very public family. Exposing the core of the American Dream gone septic as it demonstrates how to transcend circumstances to attain a greater, more loving spiritual abundance, her profoundly moving story will open your heart to the orders of your life's possibilities. Tracey L. Damron was married to Kentucky politians Supreme Court Justice Will T. Scott and convicted murder ex-state representative Steve Nunn, the son of Kentucky legend and former governor Louie B. Nunn. Through these experiences of death, Tracey has come to realize that it doesn't take a near-death experience to see the Light. Death has served her as a teacher, opening Tracey to the Light during her life journey.

A reporter's murder in Mexico and his editor's search for justice.

When the Spanish Conquistadors swept through Peru in the sixteenth century, they were searching for great golden treasure. In 1572 they stormed the Inca stronghold of Vilcabamba, only to find the city deserted, burned, a nd already stripped of its wealth. According to legend the Incas had retreated deep into the jungle where they built another magnificent city in an inaccessible quarter of the cloud forest. For more than four centuries explorers and adventurers, archaeologists and warrior-priests have searched for the gold and riches of the Incas, and this lost city of Paititi, known by the local Machiguenga tribe as 'The House of the Tiger King'. House of the Tiger King is the tale of Shah's remarkable adventure to find the greatest lost city of the Americas, and the treasure of the Incas. Along the way he found himself considering others who have spent decades in pursuit of lost cities, and asks why anyone would find it necessary to mount such a quest at all

Over 400 photos of representative feathers from 379 species.

As heard on NPR's This American Life “Absorbing . . . Though it's non-fiction, The Feather Thief contains many of the elements of a classic thriller.” —Maureen Corrigan, NPR’s Fresh Air “One of the most peculiar and memorable true-crime books ever.” —Christian Science Monitor A rollicking true-crime adventure and a captivating journey into an underground world of fanatical fly-tiers and plume peddlers, for readers of The Stranger in the Woods, The Lost City of Z, and The Orchid Thief. On a cool June evening in 2009, after performing a concert at London's Royal Academy of Music, twenty-year-old American flautist Edwin Rist boarded a train for a suburban outpost of the British Museum of Natural History. Home to one of the largest ornithological collections in the world, the Tring museum was full of rare bird specimens whose gorgeous feathers were worth staggering amounts of money to the men who shared Edwin's obsession: the Victorian art of salmon fly-tying. Once inside the museum, the champion fly-tier grabbed hundreds of bird skins—some collected 150 years earlier by a contemporary of Darwin's, Alfred Russel Wallace, who'd risked everything to gather them—and escaped into the darkness. Two years later, Kirk Wallace Johnson was waist high in a river in northern New Mexico when his fly-fishing guide told him about the heist. He was soon consumed by the strange case of the feather thief. What would possess a person to steal dead birds? Had Edwin paid the price for his crime? What became of the missing skins? In his search for answers, Johnson was catapulted into a years-long, worldwide investigation. The gripping story of a bizarre and shocking crime, and one man's relentless pursuit of justice, The Feather Thief is also a fascinating exploration of obsession, and man's destructive instinct to harvest the beauty of nature.

Choctaw variant of Aesop's fable, The Tortoise and the Hare, in which Turkey assists Turtle in defeating Rabbit.

Feathers are one of the most unique characteristics of modern birds and represent the most complex and colourful type of skin derivate within vertebrates, while also fulfilling various biological roles, including flight, thermal insulation, display, and sensory function. For years it was generally assumed that the origin of flight was the main driving force for the evolution of feathers. However, various discoveries of dinosaur species with filamentous body coverings, made over the past 20 years, have fundamentally challenged this idea and produced new evolutionary scenarios for the origin of feathers. This book is devoted to the origin and evolution of feathers, and highlights the impact of palaeontology on this research field by reviewing a number of spectacular fossil discoveries that document the increasing morphological complexity along the evolutionary path to modern birds. Also featuring chapters on fossil feather colours, feather development and its genetic control, the book offers a timely and comprehensive overview of this popular research topic.

Here he is, husband and father, scruffy romantic, a shambolic scholar--a man adrift in the wake of his wife's sudden, accidental death. And there are his two sons who like him struggle in their London apartment to face the unbearable sadness that has engulfed them. The father imagines a future of well-meaning visitors and emptiness, while the boys wander, savage and unsupervised. In this moment of violent despair they are visited by Crow--antagonist, trickster, goad, protector, therapist, and babysitter. This self-described "sentimental bird," at once wild and tender, who "finds humans dull except in grief," threatens to stay with the wounded family until they no longer need him. As weeks turn to months and the pain of loss lessens with the balm of memories, Crow's efforts are rewarded and the little unit of three begins to recover: Dad resumes his book about the poet Ted Hughes; the boys get on with it, grow up. Part novella, part polyphonic fable, part essay on grief, Max Porter's extraordinary debut combines compassion and bravura style to dazzling effect. Full of angular wit and profound truths, Grief Is the Thing with Feathers is a startlingly original and haunting debut by a significant new talent.

Boneset & Feathers is a novel of witchy folk horror by Bram Stoker Award-winning author Gwendolyn Kiste, in which a young woman must re-ignite her magic against the threat of the dreaded witchfinders. You don't know their fire is coming until it's too late. That's exactly the way the witchfinders like it. As an isolated enchantress, Odette knows this too well-she lost nearly her whole family to the last round of executions, barely escaping with her own life. All the magic she could conjure wasn't enough to protect her mother and sister, a burden that leaves a despondent Odette practically wishing she'd burned with the rest. Now it's five years later, and as the last witch left from her village, Odette has exiled herself to the nearby woods where she's sworn off all magic, hoping instead for quiet and for safety. But no witch has ever been permitted a peaceful life. It starts with crows tumbling out of the clouds and spectral voices on the wind that won't leave her alone. Then there are those midnight visits to the graveyard that she can't quite remember in the morning and the strange children following her everywhere she goes. Odette wants to forget magic, but her magic doesn't want to forget her. Meanwhile, the former friends she left behind in the village are cowering together, hiding from the ghostly birds they believe she's sent to torment them for abandoning her. But that's only the beginning of their problems, as Odette soon discovers their worst nightmare is about to come true-the witchfinders are returning. And this time, the decree is clear: to burn the witch that got away. With the men drawing nearer to the village, Odette must face the whispers from the dead and confront her fear of her own growing power if she wants any chance of stopping the army of witchfinders determined to rid the countryside of magic once and for all.

Since the late 1980s the dominant theory of human origins has been that a 'cognitive revolution' (C.50,000 years ago) led to the advent of our species, Homo sapiens. As a result of this revolution our species spread and eventually replaced all existing archaic Homo species, ultimately leading to the superiority of modern humans. Or so we thought. As Clive Finlayson explains, the latest advances in genetics prove that there was significant interbreeding between Modern Humans and the Neanderthals. All non-Africans today carry some Neanderthal genes. We have also discovered aspects of Neanderthal behaviour that indicate that they were not cognitively inferior to modern humans, as we once thought, and in fact had their own rituals and art. Finlayson, who is at the forefront of this research, recounts the discoveries of his team, providing evidence that Neanderthals caught birds of prey, and used their feathers for symbolic purposes. There is also evidence that Neanderthals practised other forms of art, as the recently discovered engravings in Gorham's Cave Gibraltar indicate. Linking all the recent evidence, The Smart Neanderthal casts a new light on the Neanderthals and the 'Cognitive Revolution'. Finlayson argues that there was no revolution and, instead, modern behaviour arose gradually and independently among different populations of Modern Humans and Neanderthals. Some practices were even adopted by Modern Humans from the Neanderthals. Finlayson overturns classic narratives of human origins, and raises important questions about who we really are.