A Thomas Merton Reader

Table of Contents: pt. 1. The unreal city -- pt. 2. Magnetic north -- pt. 3. The monastery -- pt. 4. Mentors and doctrines -- pt. 5. Love -- pt. 6. Vision -- pt. 7. The sacred land.

Thomas Merton was the most popular proponent of the Christian contemplative tradition in the twentieth century. Now, for the first time, some of his most lyrical and prayerful writings have been arranged into A Book of Hours, a rich resource for daily prayer and contemplation that imitates the increasingly popular ancient monastic practice of "praying the hours." Editor Kathleen Deignan mined Merton's voluminous writings, arranging prayers for Dawn, Day, Dusk, and Dark for each of the days of the week. A Book of Hours allows for a slice of monastic contemplation in the midst of hectic modern life, with psalms, prayers, readings, and reflections.

A Thomas Merton Reader provides a complete view of Merton, in all his aspects: contemplative, spiritual writer, poet, peacemaker, and social critic. In this closely knit volume are significant selections not only from his major works but from some lesser-known, yet equally valuable, writings as well. Presented here is a living Thomas Merton, expounding through prose and poetry on an abundance of important themes -- war, love, peace, Eastern thought and spirituality, monastic life, art, contemplation, and solitude. M. Scott Peck puts the writings included here into the context of Merton's life.

This book is to consider some of the special ques-tions and problems which surround the Bible itself--a book for which all blurbs are impossible.

"This is quintessential Merton."--The Catholic Review.

An intensely personal devotional book from Thomas Merton, the ultimate spiritual writer of our time, showing his contemplative and religious side through his prayers and rarely-seen drawings. The only Merton gift book available. Dialogues with Silence contains a selection of prayers from throughout Merton's life--from his journals, letters, poetry, books--accompanied by all 100 of Merton's rarely seen, delightful Zen-like pen-and-ink drawings, and will attract new readers as well as Merton devotees. There is no other Merton devotional like this, and the paperback edition will be elegantly designed and packaged.

This is intended to be a very simple book, an elementary treatment of a few basic ideas in Christian spirituality. Hence it should be useful to any Christian, and indeed to anyone who wants to acquaint himself with some principles of the interior life as it is understood in the Catholic Church. Nothing is here said of such subjects as “contemplation” or even “mental prayer.” And yet the book emphasizes what is at once the most common and the most mysterious aspect in the Christian life: grace, the power and the light of God in us, purifying our hearts, transforming us in Christ, making us true sons of God, enabling us to act in the world as his instruments for the good of all men and for his glory. This is therefore a meditation on some fundamental themes appropriate to the active life. It must be said at once that the active life is essential to every Christian. Clearly the active life must mean more than the life which is led in religious institutes of men and women who teach, care for the sick, and so on. (When one is talking of the “active life” as opposed to the “contemplative life,” this is the usual reference.) Here action is not looked at in opposition to contemplation, but as an expression of charity and as a necessary consequence of union with God by baptism.

Includes excerpts from "Seven storey mountain", "Conjectures of a guilty bystander" and many other works including a chronology of Merton's life.

When Thomas Merton entered a Trappist monastery in December 1941, he turned his back on secular life—including a very promising literary career. He sent his journals, a novel-in-progess, and copies of all his poems to his mentor, Columbia professor Mark Van Doren, for safe keeping, fully expecting to write little, if anything, ever again. It was a relatively short-lived resolution, for Merton almost immediately found himself being assigned writing tasks by his Abbot—one of which was the autobiographical essay that blossomed into his international best-seller The Seven Storey Mountain. That book made him famous overnight, and for a time he struggled with the notion that the vocation of the monk and the vocation of the writer were incompatible. Monasticism called for complete surrender to the absolute, whereas writing demanded a tactical withdrawal from experience in order to record it. He eventually came to accept his dual vocation as two sides of the same spiritual coin and used it as a source of creative tension the rest of his life. Merton’s thoughts on writing have never been compiled into a single volume until now. Robert Inchausti has mined the vast Merton literature to discover what he had to say on a whole spectrum of literary topics, including writing as a spiritual calling, the role of the Christian writer in a secular society, the joys and mysteries of poetry, and evaluations of his own literary work. Also included are fascinating glimpses of his take on a range of other writers, including Henry David Thoreau, Flannery O’Connor, Dylan Thomas, Albert Camus, James Joyce, and even Henry Miller, along with many others.