A Textbook Of Model Millinery

This antique book contains a detailed guide to the designing and making of hats. This text was written for those who need a guide in technique when preparing for an examination, such as those of the City and Guilds of London Institute as well as for those interested in the trade as a whole. Covering most of the basic technique in an accessible and comprehensive fashion, this book is a great resource for beginners and students of the craft, and constitutes a great addition to any collection of millinery-based literature. Chapters contained herein include: Making a Hat; Equipment and Tools, Stitches, Sewing Cottons, and Wires; Esparterie Work, including Shape-Making; Materials, including the Grain of Material, Covering Materials, Draping Materials, Making Patterns, Sectional Works, Copying; Felt; Straw, including Braids, Pedal, Hoods; and many more. This text has been elected for modern republication due to its educational value and is proudly republished here with a new introduction to the subject.

Containing 2,729 entries, Kevin L. Seligman’s bibliography concentrates on books, manuals, journals, and catalogs covering a wide range of sartorial approaches over nearly five hundred years. After a historical overview, Seligman approaches his subject chronologically, listing items by century through 1799, then by decade. In this section, he deals with works on flat patterning, draping, grading, and tailoring techniques as well as on such related topics as accessories, armor, civil costumes, clerical costumes, dressmakers’ systems, fur, gloves, leather, military uniforms, and undergarments. Seligman then devotes a section to those American and English journals published for the professional tailor and dressmaker. Here, too, he includes the related areas of fur and undergarments. A section devoted to journal articles features selected articles from costume- and noncostumerelated professional journals and periodicals. The author breaks these articles down into three categories: American, English, and other. Seligman then devotes separate sections to other related areas, providing alphabetical listings of books and professional journals for costume and dance, dolls, folk and national dress, footwear, millinery, and wigmaking and hair. A section devoted to commercial pattern companies, periodicals, and catalogs is followed by an appendix covering pattern companies, publishers, and publications. In addition to full bibliographic notation, Seligman provides a library call number and library location if that information is available. The majority of the listings are annotated. Each listing is coded for identification and cross-referencing. An author index, a title index, a subject index, and a chronological index will guide readers to the material they want. Seligman’s historical review of the development of publications on the sartorial arts, professional journals, and the commercial paper pattern industry puts the bibliographical material into context. An appendix provides a cross-reference guide for research on American and English pattern companies, publishers, and publications. Given the size and scope of the bibliography, there is no other reference work even remotely like it.

Whether a beret or brimmed, straw, felt, or cloth, a pillbox or cone-hats can define a time and place, be it on the street or on stage. In this practical workbook, Tim Dial takes readers through the process of design and construction of hats, using specific exercises to create basic kinds of headwear that can easily be adapted to different historic periods. Learn about measuring and patterning, using tools, and achieving apparently contradictory goals-hats that are theatrically appropriate, but also strong, durable, and efficient to build. Tim's book incorporates these special features essential to hat making: a modern-day perspective highlighting contemporary tools and skills clear instructions and safety notes for use in or out of the classroom progressive exercises that make it easy to explore and expand on techniques a focus on working with buckram, straw, and cloth-staples of the milliner's art plentiful high-quality photos that guide readers through each project. Take advantage of Tim's tips, techniques, and philosophies-some traditional, some familiar but improved, many totally new, all very doable. Then explore your own artistry.

Everything around us is designed and the word 'design' has become part of our everyday experience. But how much do we know about it? Fifty Hats That Changed the World imparts that knowledge listing the top 50 hats and headwear that have made a substantial impact in the world of fashion and design today. From an early fourteenth century Russian crown to Noel Stewart's 2010 Ribboned Landscape hat, each entry offers a short appraisal to explore what has made their iconic status and the designers that give them a special place in design history.

Excerpt from Modern Millinery: A Workroom d104 Book Containing Complete Instruction in the Work of Preparing, Making and Copying Millinery, as Actually Practiced in the Most Advanced Trade Workrooms The impulse to make beautiful things is inherent in most of us. But before we can express the best that is in us in any form of art, there must be a period of training and discipline to develop an instinctive technique which allows a free flow of ideas. In common with other workers in the arts, the milliner can only express her enthusiasm for line, color and harmony after she has acquired by study and practice a thorough knowledge of the mechanics of frame-making and of measuring, cutting and applying materials. Thus millinery work may be divided roughly into two classes - Construction and Ornamentation. It has been felt by the author of this book that the presentation of both classes of millinery work in one volume would introduce the beginner prematurely to the work of trimming and encourage the all-too-prevalent tendency to slipshod production. Modern Millinery is a complete study of the work of those branches of the trade known as Preparing, Making and Copying. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.