A Sun Within A Sun

" ... Concise explanations and descriptions - easily read and readily understood - of what we know of the chain of events and processes that connect the Sun to the Earth, with special emphasis on space weather and Sun-Climate."--Dear Reader.

A Sun within a Sun is a sustained poetic reflection on the enterprise of poetry, on what poetry is and might be, not only for poet and theorist but also for reader, critic, teacher, and student. It sees poetry as life at its most genuine.Using Baudelaire and Mallarme as principal examples, but drawing on a wide range of poets and thinkers, from Greek mythology to Poe, Rimbaud, Rilke, and Blake; from Nietzsche, Gilles Deleuze, and Italo Calvino to William James and Henry Miller, Claire Chi-ah Lyu challenges contemporary poetic theory, using precise and acute deconstruction of poetic imagery to reconstruct language so that it celebrates both meaning and beauty. A Sun within a Sun explores the notions of lightness and weight, discipline and indulgence, freedom and loss of will that are inherent in the poetic enterprise. It poses that lightness, discipline, freedom, and risk are essential for an approach to the enigma of beauty through an elegant shaping of form that holds true not only in poetry but also in pure science and even fashion. Poetry is a language within a language, a heightened and intense awareness of what words mean and what they can do, at its best creating an intensity of a sun within a sun. The poet and reader of poetry must take the risk Icarus took of approaching the sun, for without the risk there is no fulfillment.A Sun within a Sun seeks a shaping of form and content that discovers poetry as power, as a practice of life that honors and makes possible both thought and feeling.

The sun was the most celebrated religious symbol of the ancient world and hundreds of the most enigmatic sites were aligned to it at the solstices and equinoxes. This book answers why the sun was so spiritually important to ancient people and describes how to practice this same ancient religion of the sun today.

"Being of the Sun is the sequel to Alicia Bay Laurel's classic, best-selling guide to bohemian country folkways, Living on the Earth. Co-written with author, avant-garde composer and solar yogi Ramon Sender, Being of the Sun opens as a guide to creating one's own religion, and then offers a compendium of spiritual practices the authors found valuable. Like Living On The Earth, Being of the Sun is entirely handwritten in Alicia's flowing cursive script and illustrated on every page with her line drawings, a shining example of her immensely influential original book design. However, unlike the simple brown lines and cover of Alicia's first book, Being of the Sun's design features purple ink throughout, a colorful cover, plus a dozen full color illustrations within. Ramon created sheet music of original spiritual songs he and Alicia wrote for the book. Featured in the Sonoma County Museum's spring 2002 exhibit, Utopia Then and Now, Being of the Sun is a window on hippie life in the early 70's, and a cult classic among nature-worshippers to this day."--Amazon.com.

How physicists are trying to solve our energy problems—by unlocking the secrets of the sun: “Explain[s] cutting-edge science with remarkable lucidity.” —Booklist This revelatory book tells the story of the scientists who believe the solution to the planet’s ills can be found in the original energy source: the Sun itself. There, at its center, the fusion of 620 million tons of hydrogen every second generates an unfathomable amount of energy. By replicating even a tiny piece of the Sun’s power on Earth, we can secure all the heat and energy we would ever need. The simple yet extraordinary ambition of nuclear-fusion scientists has garnered many skeptics, but, as A Piece of the Sun makes clear, large-scale nuclear fusion is scientifically possible—and perhaps even preferable to other options. Clery argues passionately and eloquently that the only thing keeping us from harnessing this cheap, clean and renewable energy is our own shortsightedness. “Surprisingly sprightly…Clery walks readers through the history of fusion study, from Lord Kelvin, Albert Einstein and a large cast of peculiar physicists, to all manner of international politics—e.g., the darts and feints of the Cold War, the braces applied by OPEC in the wake of the 1973 war among Israel, Egypt and Syria. Clery negotiates the hard science with aplomb.” —Kirkus Reviews “A timely perspective on truly urgent science.” —Booklist “Ultimately, Clery argues that developing a source of energy that won’t damage the climate—or ever run out—is worth striving for.” —Publishers Weekly

The Sun, which is our own star at the center of the Solar System, gives rise to all life on Earth and is the driver of photosynthesis in plants and the source of all food and energy for living things. As seen with the naked eye, the Sun appears as a static and quiet yellow disk in the sky. However, it is a stormy and ever-changing star that contributes much more than light and heat. For example, it is the source of the beautiful northern lights and can affect our technology-based society in many ways. Our Explosive Sun: A Visual Feast of our Source of Light and Life is a great introduction to the Sun for general readers as well as scientists who are not solar physicists. The book presents the basic properties of the Sun, describes how it has fascinated humans throughout history, and shows how it influences our current technologies. The book includes a large number of illustrations and video materials for SpringerExtras, along with a PowerPoint presentation that provides a useful resource for teachers and lectures.

The Sun has been an object of scientific interest since the time of the ancient Greeks. The vast amounts of observational data acquired in recent years have led to a greatly improved knowledge of the physics of the Sun. With a minimum of technicalities, this book gives an account of what we now know about the Sun's interior, its surface and atmosphere, its relation to the solar system including the earth, and its relation to other stars. The way that solar power is being converted to useful forms of energy is explained. The book is aimed at anyone with a broad science background interested in learning about the latest developments in solar studies, from those at high-school level to the non-specialist professional.

Describes the sun as a star--a rather ordinary star--and as the force that makes life on Earth possible, and discusses how scientists study the sun.

"In the Presence of the Sun presents 30 years of selected works by [N. Scott] Momaday, the well-known Southwest Native American novelist. His unadorned poetry, which recounts fables and rituals of the Kiowa nation, conveys the deep sense of place of the Native American oral tradition. Here are dream-songs about animals (bear, bison, terrapin) and life away from urban alienation, an imagined re-creation based on Billy the Kid, prose poems about Plains Shields (and a fascinating discussion of their background), and new poems that utilize primary colors ('forms of the earth') to express instinctive continuities of a pre-Columbian vision."--Library Journal "The strong, spare beauty of In the Presence of the Sun is compelling evidence that Scott Momaday is one of the most versatile and distinguished artists in America today."--Peter Matthiessen ". . . the images, the voices, the people are shadowy, elusive, burning with invention, like flames against a dark sky. For behind them is always the artist-author himself . . . a man with a sacred investiture. Strong medicine, strong art indeed."--The New York Times Book Review

Camus’s Meursault and Thelma and Louise meet up under the blazing sun. Vexed by the ‘unremarkable star’ that ‘presses’ Camus’s Meursault to commit murder, Because the Sun considers the blazing sun as a material symbol of ambient violence – violence absorbed like heat and fired at the nearest victim. Likewise, as a friendship between women confronts gendered aggression in Thelma and Louise, the sun becomes the repository of pain, the high noon that pushes us through desert after desert. Because the Sun’s pastiche of voices embodies both stylistic and formal relentlessness by teasing out tonalities that blend and merge into each other, generating a blinding effect, like looking into the sun. “Breathless and death defying, the poems in Because the Sun are high-wire work. They sway above us in a blazing light of Burgoyne’s making. It is so rare that a book of poems is both a tuning fork for our minds as well as a balm for our bodies. But that is exactly what happens page after page in this blazing book.” —Michael Dickman, author of Days & Days “This beautiful work wraps Camus’s The Stranger in a poetics concerning erasure/+ hope. Out of the titular Sun’s burning punctum burst telling shards of what is erased by Camus’s remarkable construction of whiteness in-the-masculine: the dead ‘Arab,’ the female body’s interminable violations – but also its warming, even blinding capacity for consequential pleasures.” —Gail Scott, author of Heroine “Sarah Burgoyne begins with the sun and ends with flowers. In between is a complicated exploration of what it means to exist within a tradition that is Camus, Rimbaud, Blake. Taking her cue from Sara Ahmed, she notices how hard it is to challenge this tradition and yet that it matters to do it anyway.” —Juliana Spahr, author of That Winter the Wolf Came