A Short Environmental History Of Italy

The Richness and the Fragility of Italy's Humanised Environment This book, a translation of the author's original Italian Breve Storia dell'Ambiente in Italia (Il Mulino, 2015) aims to bring together the general lines of interpretation of Italian environmental history from the decades prior to national unification to the present day, laying foundations for the writing of national history from an environmental history perspective. The volume reconstructs processes of change in the use of natural resources in Italy, and the associated environmental and social consequences. The use in historical analysis of a polysemic concept such as 'environment' expresses the deep synergies in the history of Italy that have tied together nature and human activities, ecological and socio-economic issues. The ancient roots of settlement, early anthropisation by past civilisations and historical features of the processes of transformation of rural and agricultural landscapes to which large areas of the peninsula have been subject impose a historical reconstruction in which changes in the use of natural resources are closely intertwined with changes in the territory considered as a natural historical context, built and humanised. Furthermore, corollary to the great richness and variety of nature and landscape, the artistic and archaeological sites, agriculture, gastronomy and oenology, that have 'supported' the country in its rise to global political significance, is vulnerability in terms of geological fragility, hydrographic system and seismicity. The book aims to understand how Italy as a unitary state has ruled the balance of an area overwhelmed by the impact of an economic development model characterised by high consumption of natural resources and energy. With this in mind, an important focus of consideration is the relevance of public policies, and the relationship between policy-makers and the knowledge experts that influence them. The book is divided into four parts, corresponding to four pivotal moments: the decades before national unification and the global factors at work; the end of the nineteenth century, when economic take-off combined with a hygienic revolution; the effects of Italian transition from a rural to a highly industrialised country in the decades after the second world war; and the 1980s in which laissez-faire capitalism and the acceleration of destructive processes co-existed with the growth of environmentalism and public environmental awareness. The chronological division is accompanied by a focus on topics, including: the effects of global changes and the role of structural characters; the repercussions for environmental equilibrium of 'commons' disintegration and the triumph of property rights; the impact of industrialisation and the hygienic revolution; the transition from renewable to non-renewable energies; nature protection, from the first movement to political environmentalism; the acceleration of soil consumption and of hydrogeological instability; the destructive modality of the expansion of metropolitan areas; the effects of agricultural modernisation, consumer society and the waste problem; the growth of ecomafias and environmental crimes.

Marco Armiero is Senior Researcher at the Italian National Research Council and Marie Curie Fellow at the Institute of Environmental Sciences and Technologies, Universitat Aut(noma de Barcelona. He has published extensively on-Italian environmental history and edited Views from the South: Environmental Stories from the Mediterranean World. --

This exploration of the environmental practices of Benito Mussolini’s fascist regime invites readers to consider the ecological connections of all political projects. “We might think we see a mountain while it was a war; a forest can actually be an engine; a monument to workers might reflect the violence of a colonial empire.”—extracted from Mussolini’s Nature In this first environmental history of Italian fascism, Marco Armiero, Roberta Biasillo, and Wilko Graf von Hardenberg reveal that nature and fascist rhetoric are inextricable. Mussolini’s Nature explores fascist political ecologies, or rather the practices and narratives through which the regime constructed imaginary and material ecologies functional to its political project. The book does not pursue the ghost of a green Mussolini by counting how many national parks were created during the regime or how many trees planted. Instead, the reader is trained to recognize fascist political ecology in Mussolini’s speeches, reclaimed landscapes, policies of economic self-sufficiency, propaganda documentaries, reforested areas, and in the environmental transformation of its colonial holdings. The authors conclude with an examination of the role of fascist landscapes in the country’s postwar reconstruction: Mussolini’s nature is still visible today through plaques, monuments, toponomy, and the shapes of landscapes. This original, and surprisingly intimate, environmental history is not merely a chronicle of conservation in fascist Italy but also an invitation to consider the socioecological connections of all political projects.

Over the past century, the Italian landscape has undergone exceedingly rapid transformations, shifting from a mostly rural environment to a decidedly modern world. This changing landscape is endowed with a narrative agency that transforms how we understand our surroundings. Situated at the juncture of Italian studies and ecocriticism and following the recent “material turn” in the environmental humanities, Elemental Narratives outlines an original cultural and environmental map of the bel paese. Giving equal weight to readings of fiction, nonfiction, works of visual art, and physical sites, Enrico Cesaretti investigates the interconnected stories emerging from both human creativity and the expressive eloquence of “glocal” materials, such as sulfur, petroleum, marble, steel, and asbestos, that have helped make and, simultaneously, “un-make” today’s Italy, affecting its socio-environmental health in multiple ways. Embracing the idea of a decentralized agency that is shared among human and nonhuman entities, Cesaretti suggests that engaging with these entangled discursive and material texts is a sound and revealing ecocritical practice that promises to generate new knowledge and more participatory, affective responses to environmental issues, both in Italy and elsewhere. Ultimately, he argues that complementing quantitative, data-based information with insights from fiction and nonfiction, the arts, and other humanistic disciplines is both desirable and crucial if we want to modify perceptions and attitudes, increase our awareness and understanding, and, in turn, develop more sustainable worldviews in the era of the Anthropocene. Elegantly written and convincingly argued, this book will appeal broadly to scholars and students working in the fields of environmental studies, comparative literatures, ecocriticism, environmental history, and Italian studies.

Landscape, politics and history: the Italian mountains as a crucible of national and natural identity. This book is part of a wider current in environmental history, that explores the links between nature and nation. It uncovers how Italian identity and mountains have constituted one another. It argues that state regimes since unification in 1861 have made mountains into national symbols and resources, thereby affecting mountain communities and ecosystems. The nationalisation of Italian mountains has been a story of military conquest and resistance, ecological and social transformation, expropriating resources and imposing meanings. The wind of 'big' history was rolling through the Alps and the Apennines: State building and national identities, totalitarianism and democracy, economic development and environmental protection, scientific knowledge and vernacular practices are the substance of this book. The book starts with the revaluation of mountains as the repository of the last Italian wilderness and chronicles the discovery/ invention of mountains as wild, primitive, and rebellious places needing to be tamed. War World I permanently transformed mountain landscapes and people, nationalising both. When the Fascists came to power, the process of politicisation of mountains reached its acme; the regime constructed and exploited mountains both rhetorically and materially, on one hand celebrating ruralism and rural people and, on the other, giving mountain natural resources to large hydro-electric corporations. Having been the sanctuary of Resistance against the Nazi-Fascist occupation, the Italian mountains were emptied by the economic boom of the 1960s; only recently have the green of natural parks and the white of the ski resorts become the distinctive colors of the new, tourist-oriented Italian mountains.

Bringing together new writing by some of the field’s most compelling voices from the United States and Europe, this is the first book to examine Italy--as a territory of both matter and imagination--through the lens of the environmental humanities. The contributors offer a wide spectrum of approaches--including ecocriticism, film studies, environmental history and sociology, eco-art, and animal and landscape studies--to move past cliché and reimagine Italy as a hybrid, plural, eloquent place. Among the topics investigated are post-seismic rubble and the stratifying geosocial layers of the Anthropocene, the landscape connections in the work of writers such as Calvino and Buzzati, the contaminated fields of the ecomafia’s trafficking, Slow Food’s gastronomy of liberation, poetic birds and historic forests, resident parasites, and nonhuman creatures. At a time when the tension between the local and the global requires that we reconsider our multiple roots and porous place-identities, Italy and the Environmental Humanities builds a creative critical discourse and offers a series of new voices that will enrich not just nationally oriented discussions, but the entire debate on environmental culture. Contributors: Marco Armiero, Royal Institute of Technology at Stockholm * Franco Arminio, Writer, poet, and filmmaker * Patrick Barron, University of Massachusetts * Damiano Benvegnù, Dartmouth College and the Oxford Center for Animal Ethics * Viktor Berberi, University of Minnesota, Morris * Rosi Braidotti, Utrecht University * Luca Bugnone, University of Turin * Enrico Cesaretti, University of Virginia *Almo Farina, University of Urbino * Sophia Maxine Farmer, University of Wisconsin-Madison * Serena Ferrando, Colby College * Tiziano Fratus, Writer, poet, and tree-seeker * Matteo Gilebbi, Duke University * Andrea Hajek, University of Warwick * Marcus Hall, University of Zurich * Serenella Iovino, University of Turin * Andrea Lerda, freelance curator * Roberto Marchesini, Study Center of Posthuman Philosophy in Bologna * Marco Moro, Editor-in-Chief of Edizioni Ambiente, Milan * Elena Past, Wayne State University * Carlo Petrini, Founder of International Slow Food Movement * Ilaria Tabusso Marcyan, Miami University (Ohio)* Monica Seger, College of William and Mary * Pasquale Verdicchio, University of California, San Diego

From the second half of the 1940s, when postwar reconstruction began in Italy, there were three notable driving forces of environmental change: the uncontrollable process of urban drift, fueled by considerable migratory flows from the countryside and southern regions toward the cities where large-scale productive activities were beginning to amass; unruly industrial development, which was tolerated since it was seen as the necessary tribute to be paid to progress and modernization; and mass consumption. In his fourth book, Federico Paolini presents a series of essays ranging from the uses of natural resources, to environmental problems caused by means of transport, to issues concerning environmental politics and the dynamics of the environment movement. Paolini concludes the book with a forecast about the environmental problems that will emerge in the public debate of the twenty-first century.

Undertaking a peripatetic pilgrimage that is equal parts a daily description of a 200-kilometre walk from the wounded mountain of La Verna to the tortured river in Assisi, and an examination of the debt owed to Italy in terms of ecocultural and environmental scholarship, this book provides an innovative addition to the nascent field of ecocritical narrative scholarship. Through a process that has been referred to as “deep-travel“ or “mind-walking,” the text fulsomely reviews how time spent in Italy influenced the writings of notable North American environmental historians, geographers, scientists, nature writers, landscape architects, and restoration theorists about the conception and manipulation of the natural world. This literary field study highlights how the phenomenological co-traversing of texts and trails can be a valued methodology for undertaking environmental criticism.

Wandering Women: Urban Ecologies of Italian Feminist Filmmaking explores the work of contemporary Italian women directors from feminist and ecological perspectives. Mostly relegated to the margins of the cultural scene, and concerned with women's marginality, the compelling films Wandering Women sheds light on tell stories of displacement and liminality that unfold through the act of walking in the city. The unusual emptiness of the cities that the nomadic female protagonists traverse highlights the absence of, and their wish for, life-sustaining communities. Laura Di Bianco contends that women's urban filmmaking—while articulating a claim for belonging and asserting cinematic and social agency—brings into view landscapes of the Anthropocene, where urban decay and the erasure of nature intersect with human alienation. Though a minor cinema, it is also a powerful movement of resistance against the dominant male narratives about the world we inhabit. Based on interviews with directors, Wandering Women deepens the understanding of contemporary Italian cinema while enriching the field of feminist ecocritical literature.