A Scream Goes Through The House

“For too long we have been encouraged to see culture as an affair of intellect, and reading as a solitary exercise. But the truth is different: literature and art are pathways of feeling, and our encounter with them is social, inscribing us in a larger community.... Through art we discover that we are not alone.” So writes the esteemed Brown University professor Arnold Weinstein in this brilliant, radical exploration of Western literature. In the tradition of Harold Bloom and Jacques Barzun, Weinstein guides us through great works of art, to reveal how literature constitutes nothing less than a feast for the heart. Our encounter with literature and art can be a unique form of human connection, an entry into the storehouse of feeling. Writing about works by Sophocles, Shakespeare, Dickens, Charlotte Brontë, Munch, Proust, O’Neill, Burroughs, DeLillo, Tony Kushner, Toni Morrison, and others, Weinstein explores how writers and artists give us a vision of what human life is really all about. Reading is an affair of the heart as well as of the mind, deepening our sense of the fundamental forces and emotions that govern our lives, including fear, pain, illness, loss, depression, death, and love. Provocative, beautifully written, essential, A Scream Goes Through the House traces the human cry that echoes in literature through the ages, demonstrating how intense feelings are heard and shared. With intellectual insight and emotional acumen, Weinstein reveals how the scream that resounds through the house of literature, history, the body, and the family shows us who we really are and joins us together in a vast and timeless community.

Uses colorful illustrations to demonstrate examples of "wordles," or wordplay phrases that sound alike but have different meanings, including "I see" and "icy," and "I scream" and "ice cream."

From the New York Times bestselling author of Bird Box and Malorie comes a haunting tale of love and mystery, as the date of a lifetime becomes a maddening exploration of the depths of the heart. “Malerman expertly conjures a fairy tale nostalgia of first love, and we follow along, all too willingly, ignoring the warning signs even as the fear takes hold.”—Lit Reactor The story begins: young lovers, anxious to connect, agree to a first date, thinking outside of the box. At seventeen years old, James and Amelia can feel the rest of their lives beginning. They have got this summer and this summer alone to experience the extraordinary. But they didn’t expect to find it in a house at the bottom of a lake. The house is cold and dark, but it’s also their own. Caution be damned, until being carefree becomes dangerous. For the teens must decide: swim deeper into the house—all the while falling deeper in love? Whatever they do, they will never be able to turn their backs on what they discovered together. And what they learned: Just because a house is empty, doesn’t mean nobody’s home.

Southern tradition permeates the everyday life of the Old-Florida town of Lorian Hollow. October welcomes the town's 500th anniversary. To mark the momentous occasion, a slew of ritualistic murders plagues The Hollow. As the bodycount climbs, the mortal Guardians find themselves the victims of the very crimes they are investigating.

Tim Rosenthal thought he was getting his name back into the music industry. To become the manager of an up-and-coming Goth metal band that was taking off at a steady pace and gaining popularity. There was only one problem. He soon suspected one of them as a serial killer going from town to town killing strangers and leaving his clues behind as the band went on to the next show. With his wife back home with their infant daughter, he wanted to find the answers to his question of who was doing the killing and make it home alive.

In this spinoff to the New York Times–bestselling Goosebumps series, a tween controlled by a Halloween mask goes to a theme park to escape the terror. What should Carly Beth be for Halloween this year? TERRIFIED! Late at night, an ugly green mask is mysteriously calling out to her, and ugly green masks don’t like to be ignored. If Carly Beth survives the night, even a scary theme park might sound like a vacation. Or maybe not! At HorrorLand, every night is Halloween. And those monster masks she discovers in the gift shop? They aren’t masks.

In the tradition of Virginia Lee Burton's The Little House comes a heartfelt story about a father and son learning to accept the new while honoring and celebrating the old. For as long as he can remember, Leo has lived in the blue house with his dad, but lately the neighborhood is changing. People are leaving, houses are being knocked down, and shiny new buildings are going up in their place. When Leo and his dad are forced to leave, they aren't happy about it. They howl and rage and dance out their feelings. When the time comes, they leave the blue house behind--there was never any choice, not really--but little by little, they find a way to keep its memory alive in their new home.

Tells about in how I had to survive in the Inner City as a child.

Male-male rivalry and female passive choice, the two principal tenets of Darwinian sexual selection, raise important ethical questions in The Descent of Man--and in the decades since--about the subjugation of women. If female choice is a key component of evolutionary success, what impact does the constraint of women's choices have on society? The elaborate courtship plots of 19th century Spanish novels, with their fixation on suitors and selectors, rivalry, and seduction, were attempts to grapple with the question of female agency in a patriarchal society. By reading Darwin through the lens of the Spanish realist novel and vice versa, Travis Landry brings new insights to our understanding of both: while Darwin's theories have often been seen as biologically deterministic, Landry asserts that Darwin's theory of sexual selection was characterized by an open ended dynamic whose oxymoronic emphasis on "passive" female choice carries the potential for revolutionary change in the status of women.

Thirteen scary stories compiled by the popular author include the work of such favorites as Jane Yolen, Mark Garland, and Coville himself.